THE Pakistan Fashion Design Council [PFDC] L’Oréal Paris Bridal Week 2019 returned for a ninth consecutive season in Lahore recently.
There was once again established names and exciting new design talent showcasing the best in bridal wear. One of the most interesting aspects was the diverse inspiration behind each collection.
The first-day highlight was the Aquafina Rising Talent Showcase, which featured work by new talents Abbas Jamil, Elaha Ahmed, Mehak Yaqoob, and Urwah Ali.
The opening day had an empowered theme with Hussain Rehar blending futuristic visuals with bold embellishments and Zubia Zainab showcasing her bridal collection Dare To Dream. Meanwhile, Nida Azwer showcased her bridal collection titled Anarkali, inspired by the rich Mughal heritage of art and textiles and Saira-Shakira unveiled the collection Kali – A Bloom, which drew inspiration from nature. These themes would reoccur on subsequent days.
The second day saw top designers unveiling eye-catching creations, opening with Saira Rizwan’s contemporary collection combining traditional work with modern cuts, which revolves around the concept of reflection and self-love. Ahmed Sultan went for a timeless theme with his bridal collection La Vie En Rose and J&H Studio also went back in time for their collection Kaleido Nyfi, influenced by the 18th century.
Tayab Moazzam Studio made their debut with Feline Riposte, a collection aimed at the modern bride with traditional embroideries and stonework. Asma Aslam’s bridal collection Serene Glam fused modern and traditional elements with elegance. The House of Kamiar Rokni explored the influence of Iran in sub-continental design with a classical looking collection and Misha Lakhan celebrated freedom with the collection Pairidaeza, which like others was contemporary yet classic.
Award-winning designer Sania Maskatiya unveiled the bold collection Dilara, a sensuous homage to love, whilst Sonia Azhar’s collection Timeless Pieces celebrated femininity and individuality of modern women. Mahgul showcased her latest bridal collection Tales Of Bijin, which was based on the power and magic of love and beauty.
That amazing momentum spilled over into the final day, which started with a solo show by MNR Design Studio’s bridal collection Chahar Bagh, which has its roots in Islamic art and architecture, with silhouettes inspired by the Eastern culture and flora.
FAS Design Studio showcased the bridal collection Parwana-e-Husan, comprising delicate luxe fabrics with floral fiesta created with 3D fleurettes and micro-pleating.
Noreen Neelam made her ramp debut with Mumtaz Mahal, which was also inspired by the Mughal era and had a vibrant colour palette. Nickie Nina’s bridal collection Gulabkaar also opted for a regal tone and dynamic colours.
The Fahad Hussayn Imaginarium bridal collection Labyagawachi - The Musical was about exploring self and Republic by Omar Farooq showcased the formal wear collection Adamah, which explored the conflict and cohesion of structured nature.
Top designer HSY rounded things off with a fabulous finale show that celebrated his 25 years in fashion with the collection Empire. It is inspired by different empires: The Ottoman, Mughal, French Polynesian and Russian.
This was a fitting finale to a Pakistani fashion empire that is growing each year.
Selena Gomez married Benny Blanco in Santa Barbara on September 27.
The pop star wowed in a Ralph Lauren halter gown and a second sheer lace dress.
Her Old Hollywood Marcel wave bob was the highlight of the bridal look.
Guests included Taylor Swift, Paul Rudd, Martin Short, Steve Martin, and Paris Hilton.
Celebrity weddings increasingly use multiple outfits as branding and PR moments.
Selena Gomez wedding photos are finally here, and yes, she looked absolutely stunning. The pop star tied the knot with Benny Blanco in Santa Barbara, California, rocking not one but two Ralph Lauren dresses, each perfectly timed for different parts of the day. Her old Hollywood bob hairstyle completed the look, giving classic glamour vibes while also showing how stars stage multiple wardrobe moments for maximum impact.
Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal Instagram/selenagomez/itsbennyblanco
Old Hollywood bob steals the spotlight
Gomez’s hairstylist, Renato Compora, went all out, crafting a Marcel wave bob that looked straight out of a 1950s Hollywood set. He layered treatments, deep conditioning, and thermal protection before curling every inch, creating those soft, polished waves. Fans have seen Gomez experiment with her bob before, but this wedding-ready style was absolute perfection.
First, there was the custom satin halter gown with a flowing full skirt: classic, romantic, and timeless. Then, Blanco shared photos showing Gomez in a sheer lace skirt with intricate floral detailing, strappy heels, and a dramatic veil. But it is not just a fashion flex. Celebrities are increasingly using multiple looks to craft a narrative, create media buzz, and showcase personal branding across different wedding moments.
The wedding was not just about the couple; it was a Hollywood mini-festival. Taylor Swift arrived solo. Ed Sheeran, Paris Hilton, and Gomez’s co-stars from Only Murders in the Building, Paul Rudd, Steve Martin, and Martin Short, were all there. The ceremony at Sea Crest Nursery had 170 family and friends, complete with private security, exquisite floral touches, and Ralph Lauren suits for the groom and his groomsmen.
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Celebrity wedding trends and branding
Gomez’s multiple looks hint at a bigger trend: weddings as brand statements. Celebrities are increasingly viewing their weddings as an extension of their public persona, right down to the meticulously chosen dresses and hairstyles. Every ensemble, photo carousel, and accessory presents an opportunity to establish the narrative, attract media attention, and convey a tale without using words.
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Visitors view gowns and displays at the Marie Antoinette Style exhibition at the V&A
For Eastern Eye visitors to the sumptuous new Marie Antoinette Style exhibition at the V&A, the whole show has to be seen in the context of India’s relations with France and especially that between Tipu Sultan, ruler of Mysore, and the young fashion queen.
Marie Antoinette, the Princess Diana of her day, loved to wear the muslin and printed cotton gowns sent from India.
In return, she sent Tipu delicate Sèvres porcelain, plus busts of herself and her husband, King Louis XVI.
Tipu’s plan was to form an alliance with the French in his fight against the British. The alliance never materialised, although Tipu did send ambassadors to France.
A portrait of Tipu Sultan
Tipu and Marie Antoinette’s exchange of gifts was immortalised in paintings and sketches.
The exhibition’s curator, Sarah Grant, told Eastern Eye of Marie Antoinette’s connection with Tipu: “Tipu Sultan sent his ambassadors to the court of France on an official visit. They presented gifts to Marie Antoinette – Indian muslins and beautiful gowns. And she presented gifts which they took back. But one of the busts (of herself) was looted by British soldiers in the 19th century and brought to England. So it had this extraordinary history. There was this interesting exchange of style and fashion between India and France.
A painting of Marie Antoinette and Louis XVI receiving Tipu Sultan’s ambassadors in 1788
“All this is well documented. There are paintings of the ambassadors arriving at court in Versailles. There was an exhibition, Visitors to Versailles, which looked at diplomatic visits from India and China. But it seems Tipu Sultan and Marie Antoinette had a particular connection.
“India had developed the technology for printed and dyed cotton, something in which they were leaders in the world. France tried to steal that knowledge and technology, and sent spies to observe the processes. There was a ban on importing Indian printed cottons into France. So many people were wearing them that officials feared importing would damage France’s native industries. But cotton cloth was still being imported from India. They were printing it in France and selling it.”
She agreed “100 per cent” with the V&A’s director, Tristram Hunt, who described Marie Antoinette as “the most fashionable queen in history across 230 years of design, dress and film”.
Hunt added: “The exhibition combines her infamy with her influence. Balancing the sumptuous 18th century gowns on show are contemporary fashion pieces in the final room, including couture works by designers such as Moschino, Dior, Chanel and Vivienne Westwood, and, of course, the wonderful costumes designed for Sofia Coppola’s brilliant Oscar winning Marie Antoinette.”
Grant said: “Part of it is she was very fashionable. She loved fashion. Obviously, most monarchs, most queens, most emperors, most empresses, dress in finery. But she was particularly interested in new fashions, new styles. The pace of fashion accelerated under her.
The Sutherland Diamonds
“She’s not just stylish. She’s not just wearing what everyone else is wearing. She is creating new fashions and inspiring other people. Certainly, people in the Anglo-Saxon world, in North America and in Britain, were following very closely what Marie Antoinette was wearing in France. She dies young, and we never see her age.”
Tipu, who was born on December 1, 1751, was the Sultan of Mysore from 1782 until he was killed in battle defending his stronghold of Srirangapatnam on May 4, 1799. He was defeated in the Fourth Anglo-Mysore War by a combined force of the British East India Company troops supported by the Marathas and the Nizam of Hyderabad.
Marie Antoinette born Maria Antonia Josepha Johanna von Habsburg-Lothringen, archduchess of Austria, in Vienna on November 2, 1755, the daughter of Empress Maria Theresa and Emperor Francis I. She married Louis Auguste, Dauphin of France, in May 1770 at the age of 14, becoming the Dauphine of France.
On May 10, 1774, her husband ascended the throne as King Louis XVI, and she became queen. She was the last queen of France before the French Revolution and the establishment of the First Republic. Her husband was sent to the guillotine on January 21, 1793, in Paris, during the French Revolution. She was similarly executed on October 16, 1793.
A portrait of Marie Antoinette by François Hubert Drouais (1773)
Marie Antoinette was accused of saying, “Let them eat cake”, when informed the poor couldn’t afford bread. She said no such thing. But the quote has stuck and her alleged heartlessness used to justify her execution.
The exhibition has a sketch of the executioner waving her head. There is also the chemise she wore in her death cell. It very much resembles an Indian kurta. There is also a plaster cast of her severed head.
The exhibition displays a muslin dress from 1785-90, similar to the one Marie Antoinette had worn.
Antoinette had worn. “This is one of only two muslin chemise dresses from Marie Antoinette’s time that survives, a style that the queen helped to popularise,” says a note. “In her memoirs, Madame Campan described the queen and her friends in the summer of 1778 dressed in ‘muslin gowns, with large straw hats and muslin veils, a costume universally adopted by women at that time’. The queen also wore a muslin gown given to her by Tipu Sultan in 1788.”
There is another “Robe à la francaise”, from 1775-80: “In the late 1770s, Marie Antoinette and her circle embraced gowns made of cotton and linen as lighter and fresher alternatives to silk. This gown’s pink silk lining, visible through the fine white muslin, creates a blush effect, which was a specific contemporary trend. France’s East India Company imported many cotton fabrics from India, such as this figured and embroidered muslin.”
The exhibition has a reference to diamonds, probably sourced from India.
The “Diamond Necklace Affair” is explained: “In 1784 and 1785, a necklace became the centre of a theft that captivated the French public. With diamonds totalling 2,842 carats, it was the most expensive necklace ever made in France. Louis XV commissioned it for his mistress, Madame du Barry, but died before it was completed. The necklace was offered to Marie Antoinette who refused it, but a con artist, Jeanne de la Motte, tricked a courtier, the Cardinal de Rohan, into paying for part of it, supposedly on behalf of the queen. La Motte then absconded with the diamonds. Although Marie Antoinette was entirely innocent, the fallout dealt a fatal blow to her already ailing reputation.”
A muslin gown worn by the French queen
There is a display of the “Sutherland Diamonds”, with the setting from 1780-90: “The stolen necklace from the ‘Diamond Necklace Affair’ was broken up and brought to England. These diamonds almost certainly come from that sale. Probably mined in Golconda, India, the stones are of the finest clarity and brilliance. The central diamond alone weighs about 15 carats. They were worn by successive Duchesses of Sutherland to the coronations of Queen Victoria and George VI.”
The steel tycoon Lakshmi Mittal could consider dropping in to see the exhibition, since some of the 250 objects on display come from Chateau de Versailles, the main royal residence (although Marie Antoinette also had a private residence, Petit Trianon, in the palace grounds). When Mittal’s daughter, Vanisha Mittal, married Amit Bhatia in 2004 in a £30m wedding, there was a glittering feast for 1,000 guests at the Palace in Versailles hired for the occasion.
Marie Antoinette Style is at the V&A until March 22, 2026.
The sacred seven-day Shrimad Bhagwat Katha Mahotsav opened in London on Wednesday (24), coinciding with the auspicious festival of Navratri. The event, which runs until September 30 at Harrow Leisure Centre’s Byron Hall, is being led by revered saint and spiritual teacher Pujya Shri Aniruddhacharya Ji Maharaj, founder of the Gauri Gopal Ashram, Vrindavan. The Mahotsav is being hosted under the guidance of HH Shri Rajrajeshwar Guruji and organised by International Siddhashram UK.
The inaugural day began with a vibrant Pothi Yatra (sacred scripture procession), as devotees welcomed Maharajshri in the holy presence of Guruji. Hundreds of followers, including Sant Shri Jentibapa from Gujarat, joined in the procession.
Teachings from the Katha
In his opening discourse, Shri Aniruddhacharya Ji Maharaj underlined the timeless relevance of Indian traditions, saying that “Indian culture remains supreme even today, beyond comparison.” He urged parents to nurture values and discipline in their children, adding that the Bhagwat was the path to finding true meaning in life.
Among his key reflections, he observed:
“Life without the Bhagwat is tasteless. When a soul loses its way, the only remedy is to listen to the Katha.”
“Ravana was not slain by anyone else—his own unchecked desires led to his downfall. Likewise, our weaknesses can destroy us if left unconquered.”
“True love is not about possession but surrender. Only when the mind is immersed in God can divine realisation be attained.”
Maharajshri also praised Guruji’s mission to keep Sanatan Dharma alive outside India, calling him “a living bridge connecting culture, community and saints.”
Guruji’s message
Following the rituals, Shri Rajrajeshwar Guruji expressed deep gratitude for Maharajshri’s presence in London, describing it as bringing “the divine fragrance of Vrindavan” to British soil. Highlighting Maharajshri’s charitable initiatives in Vrindavan through Shri Gau Gauri Gopal Seva Sanstha, Guruji said, “At a time when the world rushes towards materialism, his blessings are like ambrosia for our lives.”
This year’s Mahotsav is dedicated to supporting Shri Gau Gauri Gopal Seva Sanstha, Vrindavan, known for its humanitarian work, and also marks the 60th anniversary of the London Borough of Harrow Council, with an emphasis on harmony, social welfare and cultural celebration.
Walking into the gym for the first time can feel a little like stepping onto a film set - unfamiliar faces, a sea of machines and the constant clanking of weights in the background. But the gym isn’t just a place to sweat. It can also be the perfect setting to find your fitness family - a community where encouragement, banter and shared goals can make the journey not only bearable, but brilliant.
Start simple: smile. It costs nothing, it won’t harm anyone, and it can be the fastest way to break the ice with the person you always see at the squat rack or in your spin class. Sometimes, that one smile is all it takes to turn strangers into allies. If you’re doing a class, don’t just sneak in and sneak out. Speak to the instructor - let them know your goals, your strengths, or even your worries. Instructors aren’t only great for advice, they’re also natural connectors, often introducing you to people on similar journeys. Before long, you’ll have a friendly face or two to look forward to at every session.
And then, there’s the golden rule: gym etiquette. It might sound basic, but it’s the foundation of building any kind of rapport. Asking politely before using equipment, wiping down after yourself, and remembering to say “please” and “thank you” go a long way. Respect and mindfulness are the ultimate gym accessories - they never go out of style.
Ever spotted someone doing an exercise you’ve been meaning to try? Don’t just watch - ask. Most people are flattered when someone notices their form and wants a tip. Keep it light, friendly and genuine. At the same time, set your own boundaries. It’s good to be approachable, but equally important to know when to crack on with your own workout without distractions.
The connections don’t have to end when you leave the gym either. Why not grab a smoothie together, plan a weekend hike or sign up for a local charity run? Shared sweat may build strong bonds, but shared laughs outside of training seal the deal.
The best thing about finding your fitness family is that you’re never on the journey alone. On the days when your energy dips, they’ll lift you. On the days you hit new personal bests, they’ll cheer the loudest. Fitness is life. Family is also for life. Combine the two, and you’ve got a partnership that’s as rewarding as it is enduring.
So, the next time you walk into the gym, remember - you’re not just building muscles. You’re building connections, collecting stories, and maybe even discovering friends who feel like family. And that’s the kind of strength that lasts a lifetime.
Instagram & TikTok: @Bombae.mix
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Officials are concerned that unsuspecting parents could buy unsafe counterfeits as gifts
Counterfeit Labubu dolls account for most seized fake toys worth £3.5m
Three-quarters failed safety tests, including toxic chemicals and choking hazards
Authorities warn parents ahead of Christmas shopping rush
Counterfeit crisis at UK border
Authorities have revealed that fake Labubu dolls make up 90% of the £3.5 million worth of counterfeit toys intercepted at the UK border this year. Out of 259,000 counterfeit items seized, around 236,000 were fake versions of the popular monster character created by Hong Kong-born artist Kasing Lung.
The Intellectual Property Office (IPO) warned that three-quarters of the seized toys failed critical safety tests, with some containing banned chemicals linked to cancer and others posing choking risks.
The rise of fake Labubus
Labubu, originally marketed as an adult collectable through a collaboration with Pop Mart, has become hugely popular with children, increasing demand ahead of the festive season. Criminal networks have taken advantage of this demand, flooding the UK market with unsafe counterfeits often sold at cheaper prices online.
Helen Barnham, the IPO’s deputy director of enforcement, said: “With counterfeit toys, what you see is rarely what you get. Behind the packaging can be hidden choking hazards, toxic chemicals and faulty parts that put children in real danger. These products have bypassed every safety check the law requires.”
Parents urged to prioritise safety over price
A poll commissioned by the IPO showed that while 92% of UK toy buyers know counterfeit products are on sale, most still prioritise cost. Seven in ten shoppers said price was the main factor in their purchase decisions, while only 27% considered safety.
The IPO has launched its Fake Toys, Real Harms campaign, working with toy retailers, local authorities and social media influencers to raise awareness ahead of Christmas.
How to spot a fake Labubu
Consumers are being urged to check toys carefully before buying:
Genuine Labubu dolls always have nine pointy teeth – anything different indicates a fake
Watch for spelling mistakes on labels or packaging
Check toys carry a UKCA or CE safety mark and a UK or EU contact address
Be cautious with third-party sellers on online marketplaces and read reviews closely
Authorities also advise returning counterfeit toys immediately, leaving reviews to warn others, and reporting cases to Trading Standards.
Warning ahead of festive shopping season
With Christmas approaching, officials are concerned that unsuspecting parents could buy unsafe counterfeits as gifts. Barnham added: “Our campaign aims to raise awareness of the hidden harms associated with counterfeits. Child safety must come first, so we are urging parents – please don’t let your child be the tester.”