PAYING glowing tributes to Sardar Vallabhbhai Patel on National Unity Day, Indian prime minister Narendra Modi on Thursday (31) defended the scrapping of Article 370 in Jammu and Kashmir, saying the special status provision only bred terrorism in the erstwhile state.
He also hailed India’s unity in diversity, calling it the biggest challenge for the country’s enemies.
Attending a function at the Statue of Unity here on Patel's 144th birth anniversary, Modi led the gathering in taking the national unity pledge on National Unity Day.
"The new system in Jammu and Kashmir and Ladakh is not meant to draw a line on the land (to draw a boundary) but to build a strong link of trust," the prime minister said in the wake of the bifurcation of the state into Union Territories which came into existence from October 31.
Inspired by Patel, his government is working for "emotional, economic and constitutional integration" of the country, without which it would be difficult to imagine a powerful India in the 21st century, he said. In a swipe at Pakistan, he said those "who cannot win wars" against India are trying to destroy its unity.
"The country took the decision to scrap Article 370 (which provided special status to Jammu and Kashmir), which had only given separatism and terrorism to that state," Modi said.
"Over 40,000 people lost their lives in three decades of terrorism," he said, adding it was Patels inspiration which made him take the decision to revoke Article 370.
The PM said he dedicates the government’s August 5 decision to scrap the controversial provision of the Constitution "at the feet of" independent India’s first home minister.
The prime minister termed Article 370 as a "wall" that separated people.
"That wall was promoting separatism and terrorism. I am here today to humbly tell Sardar Patel that the wall has been demolished," Modi said.
"Patel had once said that had he handled the Kashmir issue, it would not have taken so long to resolve it," Modi said in a veiled swipe at Jawaharlal Nehru, the country’s first prime minister whom the ruling BJP often blames for the decades-old Kashmir issue.
"North-East is now moving from separatism to attachment as decades-old problems are nearing resolution," Modi said, referring to his governments initiatives to bring peace to the insurgency-affected region.
Without naming Pakistan, Modi said that some elements are trying to destroy the unity in diversity of India by spreading separatism and terrorism, but even after "trying for centuries, nobody could annihilate us or defeat us".
"Unity in diversity is our pride and our identity, the world is surprised by our unity despite so much diversity," Modi said.
"The greatest challenge of the 21st century for our enemies is to destroy this unity in diversity," he said.
"India is different from other countries. We celebrate diversity. We do not see any contradictions in diversity. We see unity in it," he said.
"When we respect traditions and beliefs of different sects and religions, love and attachment (among people) increase," the prime minister said.
When Patel embarked on the mission to merge over 500 princely states into India, "feeling of unity" inspired many rulers to join the Indian union, he said.
"Centuries ago, India was united by Chanakya (the ancient philosopher who is said to be the adviser of Emperor Chandragupta Maurya), and after that Sardar Patel did it," Modi said.
Sardar Patels birth anniversary is celebrated as `Rashtriya Ekta Diwas (National Unity Day) since 2014.
At the function, the wife of Naseer Ahmed, a CRPF jawan who was killed in the February 2019 Pulwama terror attack, presented Modi with a replica of the National Police Memorial which commemorates over 34,000 state and central police personnel who died in the line of duty.
The prime minister offered floral tributes to the Statue of Unity, considered to be the world’s tallest statue, as flower petals were showered on it from above by an Indian Air Force helicopter.
He watched Ekta parade in which personnel of the Gujarat Police, Jammu and Kashmir Police, Central Reserve Police Force and Border Security Force took part.
Addressing young IAS officers at a separate function in Kevadiya called Aarambh, the PM asked them to work together for the nation, saying silos and hierarchy don’t help the system.
He called for working towards the vision of making India a $5 trillion economy by 2024-25.
"This course, Aarambh, is nation-centric and future- centric. It will usher a paradigm shift in administration, whereby people stop working on silos.
"Instead, people work together and in a comprehensive manner," a tweet posted on Modi's official twitter handle - PMO India - quoted him as saying at the event.
Modi said no bureaucratic posting should be seen as a punishment rather it should be treated as an opportunity.
"The presence of silos and hierarchy doesn’t help our system. Whoever we are, wherever we are, we have to work together for the nation," he added.
"Let’s change how we look at things. Even something like a changed terminology helps. Earlier, people would keep saying backward districts. Today we say aspirational districts. Why should any posting be a punishment posting? Why not see it as an opportunity posting?" the PM said.
On the occasion, Modi remembered the contribution of Sardar Patel in the development of civil services.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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