Starring Sara Ali Khan and Kartik Aaryan in lead roles, Love Aaj Kal was one of the most awaited films of 2020. The audience had pinned a lot of hopes on it as it was a reboot of filmmaker Imtiaz Ali’s 2009 hit of the same name, featuring Saif Ali Khan and Deepika Padukone in central characters.
Despite great pre-release buzz, Love Aaj Kal failed to click with the audience and turned out to be a huge box-office disappointment. Recently, actor Saif Ali Khan was asked how he reacted to the failure of daughter Sara Ali Khan’s Love Aaj Kal.
He said, “I did message her and ask if she was alright. Of course, it is a romantic and nice fatherly notion (to hold your daughter’s hand through hardships), but I don’t think it is really needed. I think she is quite tough and smart and she gets it. And I told her, ‘You have to go through this’.”
Sara Ali Khan debuted in Bollywood with Abhishek Kapoor’s Kedarnath. The film did good business at the box-office and the debutante received overwhelming response for her performance in it. She followed it up with another hit in her kitty in the form of Rohit Shetty’s Simmba (2019). After two consecutive successes, receiving flak for her performance in Love Aaj Kal was a first for the newcomer.
Saif said that parents always want to hep their children and they are always there. “She has not really talked about it. Parents want to help and they are there. It is really something you have to go through.”
Sara Ali Khan will next be seen in David Dhawan’s comic-caper Coolie No. 1 alongside Varun Dhawan. She also stars in Aanand L Rai’s Atrangi Re, co-starring Dhanush and Akshay Kumar.
Dakota Johnson wore two Gucci looks at the Los Angeles premiere of Splitsville.
Her silver corset gown highlighted this year’s metallic fashion trend.
She later changed into an emerald Gucci minidress for the after-party.
Johnson described the film as a “soulful, unique comedy” exploring love and relationships.
Red carpet look
Dakota Johnson turned heads at the Los Angeles premiere of Splitsville, arriving in a striking silver Gucci gown with a leather finish and a draped corset that cinched at the waist. The outfit echoed the metallic trend that has dominated fashion this year.
The actress later switched outfits for the after-party, opting for a long-sleeved emerald Gucci minidress.
Adria Arjona and Dakota Johnson attend the Los Angeles premiere of "Splitsville" Getty Images
About the film
Splitsville is set for release on 22 August. The film explores the dynamics between two couples, weaving together the challenges of love, relationships and individuality.
Speaking to Deadline earlier this year, Johnson explained: “It has an interesting tone because I guess, off the bat, it reads as a comedy, but it’s a very soulful, unique comedy about two couples and the challenging dynamics of their relationships individually, and then their relationships intertwined with each other. It’s about the complexities of love.”
Splitsville is set for release on 22 AugustGetty Images
Johnson on non-monogamy
In the film, Johnson plays a woman in an open marriage. Reflecting on the subject, she shared her views on non-monogamy: “I think it’s such an interesting topic because I don’t feel like there’s one right way to love, or one right way to live your life, and I think human beings are being allowed to evolve.”
She added that while some prefer long-term monogamy, others may explore multiple relationships: “If you want to have multiple relationships in your life, great. If you want to go really deep with one person, great. If you want to have both of those at the same time, great. Why not, really? But also scary, you know?”
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The actress revealed that she no longer juggles multiple projects at once
Samantha Ruth Prabhu says she is entering a “new chapter” in her 15-year career.
The actress has slowed down her workload to focus on projects that truly inspire her.
She is prioritising both fitness and films, balancing work with physical and mental health.
Samantha will next be seen in Rakt Brahmand: The Bloody Kingdom, directed by Raj and DK.
A new chapter in her career
Samantha Ruth Prabhu has revealed she is stepping into a refreshing new phase of her career, where intention and passion guide her choices. After more than 15 years in the film industry, the actress said she is deliberately slowing her pace, focusing only on projects that connect deeply with her.
Choosing projects with passion
In an interview with Grazia India, Samantha explained: “I’ve reached a point where I do things I’m extremely passionate about, and that includes both fitness and films.” She admitted that in the past, not every project was one she fully connected with, but now — whether acting, producing, or investing in businesses — she commits wholeheartedly.
Balancing health and work
The actress revealed that she no longer juggles multiple projects at once, instead prioritising her physical and mental wellbeing. “I no longer shoot five films at a time. One thing I’ve realised is that I need to listen to my body, so I’ve reduced the amount of work I do. But now everything I do and put my energy into matters so much more. Nothing is for the heck of it. The quantity may have reduced, but the quality of projects has definitely increased.”
Recent and upcoming projects
Most recently, Samantha appeared in a cameo role in the Telugu film Subham. She was also seen in Prime Video’s action thriller Citadel: Honey Bunny, where she starred opposite Varun Dhawan in a spy series created by Raj and DK.
Looking ahead, she will feature in Rakt Brahmand: The Bloody Kingdom, another high-octane series directed by Raj and DK. Currently in production, the project also stars Aditya Roy Kapur, Ali Fazal, Wamiqa Gabbi, and Jaideep Ahlawat, and is expected to release in 2026.
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Helen Mirren says she would instantly return for a sequel
The film stars Mirren, Pierce Brosnan, Celia Imrie and Ben Kingsley as amateur detectives.
Richard Osman’s bestselling series already has three sequels in print, with another due this year.
Mirren praised her chemistry with Brosnan and her long friendships with Kingsley and Imrie.
Mirren open to sequels
Helen Mirren has revealed she would jump at the chance to reprise her role in Netflix’s upcoming adaptation of The Thursday Murder Club.
The Oscar-winning actress stars alongside Pierce Brosnan, Celia Imrie and Ben Kingsley in the crime comedy based on Richard Osman’s bestselling novel. The story follows four pensioners in a retirement village who band together to solve the murder of a local property developer.
Mirren said filming was such an enjoyable experience that she would return for more without hesitation. “(I’d do another) in a nanosecond. And it would be the team getting back together, which would be great. We did have a wonderful time shooting this. So all of us would jump at the chance, quite honestly,” she told Radio Times.
Osman’s books pave the way
Richard Osman has published three follow-ups to The Thursday Murder Club — The Man Who Died Twice, The Bullet That Missed and The Last Devil to Die — with another instalment due later this year. The ready-made sequels boost the chances of the film being developed into a series.
Bonding with co-stars
Celia Imrie, Sir Ben Kingsley, Dame Helen Mirren and Pierce Brosnan attend The Thursday Murder ClubGetty Images
The 80-year-old actress also reflected on the friendships and professional ties behind the film’s ensemble cast. “Ben and I started out together in the Royal Shakespeare Company, both ambitious and obsessed. Celia and I became really good friends on Calendar Girls. Pierce is my wonderful late discovery. I’d like to work with Pierce for the rest of my life. I feel that we have a real chemistry.”
Mirren and Brosnan have since reunited for the crime drama series MobLand.
Release date
The Thursday Murder Club will have a limited cinema run before arriving on Netflix on 28 August.
FIFTY years since Sholay was released, it has been watched by generations of audiences, but its director has said it is not a perfect film.
Written by Salim Khan and Javed Akhtar, Sholay tells the story of two small-time criminals hired by a former policeman to capture the ruthless gangster, Gabbar Singh.
The action-adventure movie was praised for its gripping storytelling, powerful dialogues and unforgettable characters played by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bachchan, Sanjeev Kumar and Amjad Khan in his first major role as the villain Gabbar.
Director Ramesh Sippy said, “The fact that Sholay was made means something better than Sholay can also be made and people will learn to like that kind of film as well.”
He added, “I think you always want to better Sholay. That’s how you keep your spirits up. Otherwise, how will you carry on?”
In an interview at his office in Mumbai, the renowned filmmaker acknowledged the audience’s enduring love for every frame of the classic as “amazing”.
Gabbar Singh’s evil laughter, Jai-Veeru’s undying friendship (played by Bachchan and Dharmendra, respectively), Thakur’s (Kumar) quest for vengeance, Soorma Bhopali’s boastful banter and Basanti’s (Hema Malini) exuberant defiance are part of Indian cinematic history.
Since it was released on August 15, 1975, the film has stayed on in the hearts of generations of film goers who discovered it later.
Sippy said the entire team worked hard on the project and, when shooting was completed, he knew he had a “fine film” in hand. “You can’t think of any of these characters being played by any other actor or actress. It was just simply so good. They did their best. I was able to get performances which were amazing, because they are such fine artists and because as a script it was very satisfying and promising and everybody worked towards achieving what they could in their own capacities.”
“At the end we had a fine film in our hand which till today we are here talking about it 50 years later, it’s amazing,” he said.
Sippy’s filmography also includes hits such as Seeta Aur Geeta, Shaan, Shakti and Saagar, but the popularity of Sholay sets it apart. “I have tried my best to make good films before and after Sholay and I have succeeded as well, but somehow nothing stands out like Sholay,” the 78-year-old said.
“I do hope one day there is a film that beats Sholay. That’s the way the world is.
“You need to be better than what was. So everybody has to strive to do that.
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Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists
Filmmaker Anurag Kashyap criticised Vijay Subramaniam for backing the AI-made film Chiranjeevi Hanuman – The Eternal.
Kashyap said the project undermines creativity and betrays the artists represented by Subramaniam’s agency.
Vikramaditya Motwane also expressed disapproval, warning of AI sidelining writers and directors.
The AI film is produced by Abundantia Entertainment and Collective Media Network, with a 2026 release planned.
Filmmaker Anurag Kashyap has sharply criticised the upcoming project Chiranjeevi Hanuman – The Eternal, promoted as India’s first fully AI-made film. The director targeted Vijay Subramaniam, head of Collective Artists Network, accusing him of betraying the very writers, actors and directors his agency represents. The backlash follows recent controversy over AI’s use in altering the Tamil release of Aanand L Rai’s Raanjhanaa.
Anurag Kashyap has condemned the AI film Chiranjeevi Hanuman – The Eternal for undermining artists Getty Images/ Instagram/abundantiaent
What is Chiranjeevi Hanuman – The Eternal ?
Earlier this week, production houses Abundantia Entertainment and Collective Media Network unveiled the poster of Chiranjeevi Hanuman – The Eternal. Marketed as the country’s first “Made-in-AI, Made-in-India” film, it is scheduled to release on Hanuman Jayanti 2026.
Producers claim the project will combine mythology with modern innovation, reimagining Lord Hanuman’s story for global audiences. They described the initiative as a tribute to India’s cultural legacy, brought alive through technology.
However, the announcement triggered heated debate within the industry. While backers framed the film as innovation, critics argue it risks erasing the role of human storytellers in cinema.
Anurag Kashyap, known for outspoken views, voiced his anger on Instagram after the poster launch. Addressing Subramaniam directly, he wrote:
“Here is the man heading an agency representing artists, writers and directors, now producing a film made by AI. End of the day, all these agencies are only interested in making money off you. Any actor or anyone who calls themselves artists and has a spine should be questioning him or leaving the agency.”
The filmmaker went further, describing the project as “the future for the spineless and cowardly so-called artists in the Hindi film industry.” His remarks reflect wider concerns that agencies profit from talent while backing projects that remove creative workers from the process.
Kashyap has previously worked on films tackling issues of power, exploitation and authenticity in cinema. His latest outburst adds to growing resistance against AI in filmmaking.
Kashyap was not alone in condemning the move. Director Vikramaditya Motwane, who recently explored AI themes in his project CTRL, reposted the announcement on Instagram with the blunt caption: “And so it begins. Who TF needs writers and directors when it’s ‘Made in AI’?”
Motwane’s reaction highlights a fear shared by many in the industry: that studios may prioritise cost-cutting AI tools over human creativity. His remarks echo discontent following Raanjhanaa’s AI-altered ending, which led to protests from Aanand L Rai’s team.
The Chiranjeevi Hanuman backlash has therefore become symbolic of a larger struggle, of filmmakers fighting to safeguard artistic integrity in an era of technological disruption.
Filmmaker Vikramaditya Motwane criticised the AI project and warned of the threat to writers and directors Instagram Screengrab/motwayne
What has the producer said in defence of AI films?
Vijay Subramaniam, head of Collective Artists Network and producer of Chiranjeevi Hanuman – The Eternal, defended the film at its launch. He argued that the project is not replacing tradition but enhancing it, describing it as “a unique opportunity to reimagine cultural storytelling for audiences who value both heritage and innovation.”
Supporters of the film insist that AI technology can make epic stories more accessible and visually ambitious without the usual budget constraints. Yet the criticism from Kashyap and Motwane shows strong resistance within Bollywood towards projects perceived as sidelining human talent.
The debate reflects a broader global conversation on AI’s role in creative industries, from Hollywood writers’ strikes to controversies in Indian cinema. With Chiranjeevi Hanuman – The Eternal set for release in 2026, the clash between technological innovation and artistic integrity is likely to intensify.