BIRTH ANNIVERSARY SPECIAL CHARTING THE JOURNEY OF INDIAN MUSIC AND CINEMA SUPERSTAR SURAIYA
HINDI cinema has been built on a bedrock of musicals, but only two leading ladies in history have been the number one singer and film star at the same time.
One was Noor Jehan and the second was screen queen Suraiya. Such was the superstardom of Suraiya that legendary actor Dharmendra once said that he went to watch her film Dillagi (1949) 40 times as a young man. To mark the birth anniversary of the late great star on June 15, Eastern Eye looked back on her extraordinary rise to the very top, extreme heartbreak and being the last ultimate queen of Bollywood.
Suraiya Jamal Sheikh was born on June 15, 1929, in Karachi, in undivided India and a year later her family moved to the affluent Marine Drive neighbourhood in Mumbai, where the movie industry was starting to take shape. They were soon joined by her maternal uncle M Zahoor, who would become a wellknown on-screen villain in the 1930s. The very young girl showed a natural flair for performance and started singing for a children’s show on All India Radio.
This led towards the tremendously talented prodigy making her movie debut
as a child star in Madame Fashion (1936) as Miss Suraiya. She would get further roles as a child star and was just 12 years old when she accompanied her uncle M Zahoor to the shooting of Taj Mahal (1941), where she was spotted by director Nanubhai Vakil and cast in the key role as Mumtaz Mahal.
Naushad would become the most influential music director in Bollywood during the 1940s and 1950s. In the early 1940s, while trying to make a breakthrough, he heard Suraiya sing on the radio and was instantly taken by her wonderful voice. One of many inspired decisions that would define his career was getting the 13-year-old to sing playback for established star Mehtab in the film Sharda (1942) and this was pathbreaking for two reasons. Firstly, it introduced the singing talent of Suraiya to a wider audience and showed how the levels of singing could be raised via a playback artist. Suddenly, the teenager was a singing and acting star, and not surprisingly, was asked to use her own voice onscreen. Films like Tamanna (1942), Station Master (1942), and Hamari Baat (1943) saw her get noticed by audiences, as well as by the biggest filmmakers.
Studio-head Devika Rani would offer her a five-year contract for a princely sum of `500 a month. But young filmmaker K Asif, who would go on to make Bollywood’s greatest and most lavish movie Mughal-e-Azam (1960), instead offered her a record-breaking Rs 40,000 to star in his directorial debut Phool (1945).
She would then star opposite the number one male singing star KL Saigal in blockbuster hit Tadbir (1945) and he made no secret of admiring her voice.
She would star opposite him in Omar Khaiyyam (1946) and his final film Parwana (1947).
Suddenly, the 16-yearold Suraiya was a major movie and music star.
Around the same time, Noor Jehan had risen through the ranks to become the number one female singing and acting star in India. Mehboob Khan would take the inspired decision of casting Noor Jehan and Suraiya in his film Anmol Ghadi, which would by far become the biggest hit of 1946 and be regarded as an alltime classic. With Noor Jehan leaving for the newly formed Pakistan during Partition a year later, the movie would almost be like a passing on of the queen’s crown. What followed was an impressive run of successful films that included Dard (1947), Pyar Ki Jeet (1948), Badi Behen (1949) and Dillagi (1949). By the late 1940s she was the highest paid and most popular star in Bollywood. The biggest music and film star in India created the kind of mania with fans not seen before, with unprecedented crowds gathering to catch a glimpse of her.
Many cities would come to a standstill on the opening days of the singing star’s movies as crowds rushed to cinemas.
Suraiya once said: “Most of my roles were simple, but the audiences loved them. I was lucky to have got simple, melodious and easy to pick up songs to sing, and work with the best composers of the day like Naushad, Husnlal-Bhagatram and Anil Biswas.”
Dev Anand and Suraiya
In 1948, she was cast opposite rising star Dev Anand in the movie Vidya (1948), and both fell in love with one another. That deep love would result in them acting in seven films together between 1948 and 1951, which would play a large part in him becoming a huge star.
They wanted to get married, but there was one major obstacle in the form of Suraiya’s domineering grandmother. The Muslim family were unwilling for her to marry a Hindu and didn’t want to give up the huge amounts of money she was earning as a star. A determined Dev Anand proposed with an expensive ring, but the fearsome grandmother threw it in the ocean and ended the relationship, which left Suraiya heartbroken. She would never fully recover from the grief. As the family started to crush her, she lost out on major movies and the ones selected started to fail at the box office. Poor decisions led her to pass on offers like blockbuster hit Anarkali (1953).
In the early fifties, a new wave of leading ladies emerged like Nargis, Madhubala, Meena Kumari, Geeta Bali and Waheeda Rehman, who were talented and would mime to the voice of world-class singers. Around the same time, some of Suraiya’s projects remained incomplete because she was treated badly and was willing to walk away.
There was a short resurgence when she scored big successes with super-hit films Waaris (1954) and Mirza Ghalib (1954), but it wasn’t enough. The era of singing stars was over and she never recovered from the heartbreak of losing her one true love.
Suraiya reluctantly carried on acting until her final film Rustom Sohrab (1963), which also boasts of one of her finest ever songs, Yeh Kaisi Ajab Dastan Ho Gayi. Suraiya was in her thirties when she walked away from Bollywood to live a reclusive life, after nearly seventy movies and more than 300 popular songs.
She never married and the domineering family either left or passed away with time. She rarely ventured out in public and died all alone, aged 74, on January 31, 2004. The heroine who would cause mass hysteria passed away, largely forgotten. After her death, distant relatives who had not met her for over 40 years and lawyers battled it out for her wealth. All that remained was the impressive legacy of the golden days when she was the undisputed queen of Hindi cinema.
October marks Menopause Awareness Month, with World Menopause Day on 18 October.
South Asian women often face earlier menopause, more severe symptoms, and higher health risks.
Cultural stigma and silence leave many women isolated and unsupported.
The Sattva Collective CIC is the UK’s first organisation focused on South Asian women and menopause.
Founded by coach Kiran Singh, it provides safe spaces, resources, and monthly Midlife Circles.
Plans underway for a Midlife & Menopause Summit in October 2026.
Awareness is key: “Silence leads to shame. Awareness leads to empowerment.”
This October, the world observes Menopause Awareness Month, with World Menopause Day on 18th October. For many South Asian women, this is more than a health milestone, it is an opportunity to finally challenge silence, stigma, and cultural barriers that have silenced generations before us.
Menopause is universal. But its impact is not. Research shows that South Asian women often enter menopause earlier, with more severe symptoms and higher risks of diabetes and heart disease. Yet in many South Asian communities, menopause remains an unspoken subject, whispered about in kitchens, dismissed as “just part of ageing,” or hidden entirely.
The result? Women endure not only the physical changes of menopause but also isolation and shame.
The Sattva Collective CIC: A first of its kind
The Sattva Collective CIC (.www.thesattvacollective.org) is the UK’s first Community Interest Company dedicated specifically to South Asian women, midlife, and menopause. Founded by Kiran Singh (https://kiransinghuk.com/), herself a certified Midlife Lifestyle Coach and Menopause Wellness Coach, the organisation exists to create safe, culturally sensitive spaces where women can access education, share experiences, and reclaim dignity in midlife.
Through monthly Midlife Circle meet-ups, an online resource hub, and regular awareness campaigns, The Sattva Collective is making sure South Asian women know: you are not alone.
Looking forward, the organisation will host the Midlife & Menopause Summit in October 2026, timed with the Menopause Awareness Month, to bring together practitioners, experts, and women’s voices in a landmark event.
The stigma within
In South Asian families, women who express dissatisfaction in midlife are often told: “But your husband is a good man. Why complain?” Or: “It’s just ageing, everyone goes through it.”
But these dismissals hide a deeper truth: that emotional unavailability, loneliness, and invisibility are just as real as physical symptoms.
By naming these realities, The Sattva Collective empowers women to stop apologising for their needs and start demanding recognition, respect, and resources.
Awareness as empowerment
This Menopause Awareness Month, South Asian women deserve to be seen not as a cultural afterthought, but as central voices in the global conversation.
As Singh notes: “Silence leads to shame. Awareness leads to empowerment. When we speak, we break the cycle for the next generation.”
Moving forward
Eastern Eye readers are invited to support this movement by:
- Talking to mothers, sisters, and daughters about menopause.
- Sharing resources within families and community groups.
-Supporting organisations like The Sattva Collective CIC that are leading change.
This October, let us break the generational silence around menopausebecause every South Asian woman deserves to navigate midlife with dignity, confidence, and compassion.
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The new ‘Stratus’ Covid strain is testing UK defences
New Stratus strain linked to hoarse voice among UK cases
Experts say no increase in severity, vaccines remain effective
Reduced testing makes tracking variants increasingly difficult
Noticing the subtle signs
Across England, some people are reporting a hoarse voice alongside mild cold-like symptoms — a subtle signal of the new Stratus Covid strain. With its two offshoots, XFG and XFG.3, this variant is quietly becoming a larger part of UK infections.
Unlike previous waves marked by fever or loss of smell, the Stratus strain is drawing attention for more understated changes, prompting doctors to remind the public that even minor symptoms can indicate infection.
Dr Alex Allen, consultant epidemiologist at the UK Health Security Agency, said:
“Viruses continue to mutate over time. While Stratus is spreading, there is no evidence it causes more severe illness than previous variants.”
Tracking Covid in a low-testing era
Falling numbers of people taking Covid tests make it harder for authorities to measure the true spread of XFG and XFG.3. Internationally, XFG has already appeared in Europe, Southeast Asia, and the Americas.
The World Health Organisation has assessed the variant as “low risk” globally. Vaccines remain effective against symptomatic and severe disease, though certain spike protein mutations in Stratus may partially reduce antibody recognition.
Everyday precautions and awareness
While hospitalisations have not risen sharply, medical experts advise paying attention to subtle symptoms like a hoarse voice, particularly for children, older adults, and those with pre-existing conditions.
Dr Kaywaan Khan, Harley Street GP, said:
“Stratus shows that Covid continues to evolve. Staying alert to mild symptoms and maintaining vaccinations remain the best tools for protection.”
For many, the lesson is that Covid’s presence is still felt in everyday life — sometimes in the smallest, most unexpected ways.
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Traditional sarees in blue and white marked the occasion
Charity walk at Clumber Park united 38 participants across generations
Traditional sarees in blue and white marked the occasion
Over £2,000 raised for Parkinson’s UK
Sarees and solidarity at Clumber Park
Members of the Bangladeshi community in Yorkshire gathered this summer for a colourful charity walk that raised more than £2,000 for Parkinson’s UK.
The event, held on 26 July at Clumber Park in Worksop, was organised by the Dhaka Medical College Alumni Association UK (DMCAA UK). Thirty-eight participants, from children to grandparents in their 60s, walked in coordinated blue and white sarees – colours reflecting Parkinson’s UK – turning the park into a vibrant celebration of culture, unity, and purpose.
Families walking for a cause
The day was about more than fundraising. It brought together families across generations, with children not only joining the walk but also being recognised with certificates for their involvement. After the walk, the community enjoyed a picnic, where younger participants shared their reflections on the importance of giving back.
Dr Mahjabin Islam, Consultant Neurologist and NIHR Sheffield BRC Doctoral research fellow at the University of Sheffield, described the event as a milestone:
“This was our first large-scale fundraising effort, and it was such a rewarding experience. Seeing families, from the youngest to the eldest, come together in our cultural attire for such an important cause was very special. We are proud that our community could unite in this way to support Parkinson’s UK.”
It was organised by the Dhaka Medical College Alumni Association UKParkinson’s UK
A growing need for awareness
Parkinson’s is the fastest-growing neurological condition in the world, affecting 166,000 people across the UK. With over 40 symptoms, ranging from tremor and pain to anxiety, the condition has no cure.
Ailsa Dragan, Community Fundraiser for Yorkshire at Parkinson’s UK, praised the effort:
“We’re so grateful to Dr Islam, the DMC Alumni Association UK, and everyone who both organised and took part in the walk to make it such a great success.”
For the organisers, the walk was both a cultural celebration and a commitment to supporting those living with Parkinson’s – and a reminder that small community-led efforts can make a meaningful difference.
The International Siddhashram Shakti Centre has brought devotion and colour to Harrow with its 19th annual Navratri Garba celebrations, launched on 22 September at the Harrow Leisure Centre under the guidance of HH Rajrajeshwar Guruji. The fortnight-long festival, running until 2 October, will end with a Sharad Poonam finale on 5 October. This year, the event also honoured 60 years of Harrow Council, reinforcing the connection between culture, faith and civic pride.
Aniruddhacharya Ji’s Message
Visiting saint Pujya Shri Aniruddhacharya Ji Maharaj, in London for a Shrimad Bhagwat Katha organised by Siddhashram, addressed the gathering with a call to balance modern education with spiritual roots.
“Chant the Hanuman Chalisa, study the Gita and Ramayan, and never forget your Dharma even as you achieve in the modern world,” he said. “Guruji’s efforts are extraordinary in uniting communities and strengthening Sanatan values globally.”
Spiritual Blessings
Guruji reminded devotees that Navratri is more than dance. “It is about awakening the soul, staying united, and living with devotion. This year, as we celebrate Harrow Council’s 60th anniversary, may Mataji bless everyone with wisdom, strength and joy,” he said.
Civic Leaders Speak
The event drew praise from local MPs and civic leaders. Gareth Thomas MP described it as “a celebration that enriches Harrow’s diversity”. Bob Blackman MP called it “a proud moment reflecting unity across generations.”
Harrow Council’s Managing Director, Alex Dewsnap, said the combined celebration of Navratri and the Council’s 60th year showed how “faith, culture and civic duty are intertwined in Harrow.” Mayor Cllr Anjana Patel praised Siddhashram for “preserving traditions while uniting people of all backgrounds.” Council Leader Cllr Paul Osborn said the Garba “captures the joy and togetherness that define Harrow.”
Several councillors including Cllr Hitesh Karia, Cllr Vipin Mithani, Cllr Kanti Rabadia, Cllr Krishna Suresh, Cllr Sasi Suresh, Cllr Chetna Halai, Cllr Graham Henson, Cllr Stephen Greek, Cllr Thaya Idaikkadar, Cllr Kuha Kumaran, Cllr Ramji Chauhan, Cllr Mina Parmar, and former Mayors Bhagwanji Chauhan, Ajay Maru and Cllr Pankit Shah, Labour Party leaders Mike Williams and James Watkins also joined the celebrations. Notable guests included Manoj Ladwa and philanthropist Samjibhai Patel, who honoured civic leaders on Siddhashram’s behalf.
Saints Abhiramacharya Ji Maharaj of Prayagraj and Pujya Shri Jentibapa from Gujarat also graced the celebrations.
Representatives from the Metropolitan Police, Fire Brigade, British Army, Royal Navy, St John’s Ambulance and Harrow Interfaith groups joined on different days, demonstrating strong community support.
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Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal
Selena Gomez married Benny Blanco in Santa Barbara on September 27.
The pop star wowed in a Ralph Lauren halter gown and a second sheer lace dress.
Her Old Hollywood Marcel wave bob was the highlight of the bridal look.
Guests included Taylor Swift, Paul Rudd, Martin Short, Steve Martin, and Paris Hilton.
Celebrity weddings increasingly use multiple outfits as branding and PR moments.
Selena Gomez wedding photos are finally here, and yes, she looked absolutely stunning. The pop star tied the knot with Benny Blanco in Santa Barbara, California, rocking not one but two Ralph Lauren dresses, each perfectly timed for different parts of the day. Her old Hollywood bob hairstyle completed the look, giving classic glamour vibes while also showing how stars stage multiple wardrobe moments for maximum impact.
Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal Instagram/selenagomez/itsbennyblanco
Old Hollywood bob steals the spotlight
Gomez’s hairstylist, Renato Compora, went all out, crafting a Marcel wave bob that looked straight out of a 1950s Hollywood set. He layered treatments, deep conditioning, and thermal protection before curling every inch, creating those soft, polished waves. Fans have seen Gomez experiment with her bob before, but this wedding-ready style was absolute perfection.
First, there was the custom satin halter gown with a flowing full skirt: classic, romantic, and timeless. Then, Blanco shared photos showing Gomez in a sheer lace skirt with intricate floral detailing, strappy heels, and a dramatic veil. But it is not just a fashion flex. Celebrities are increasingly using multiple looks to craft a narrative, create media buzz, and showcase personal branding across different wedding moments.
The wedding was not just about the couple; it was a Hollywood mini-festival. Taylor Swift arrived solo. Ed Sheeran, Paris Hilton, and Gomez’s co-stars from Only Murders in the Building, Paul Rudd, Steve Martin, and Martin Short, were all there. The ceremony at Sea Crest Nursery had 170 family and friends, complete with private security, exquisite floral touches, and Ralph Lauren suits for the groom and his groomsmen.
— (@)
Celebrity wedding trends and branding
Gomez’s multiple looks hint at a bigger trend: weddings as brand statements. Celebrities are increasingly viewing their weddings as an extension of their public persona, right down to the meticulously chosen dresses and hairstyles. Every ensemble, photo carousel, and accessory presents an opportunity to establish the narrative, attract media attention, and convey a tale without using words.