I’VE just finished watching five episodes of a show back-to-back. Honestly, it was a relief to escape the doom and gloom of a world on fire for a while.
Binge-watching shows is not especially worthy of comment, but what stopped me in my tracks was a realisation about the lack of representation of people that looked like me in the entertainment industry.
This was especially galling at a moment when BAME groups are at the forefront of keeping life in this country going, by providing critical services from healthcare to local retail and so much in between.
The emerging picture in lockdown is one where the challenges of this unprecedented global pandemic have been borne rather more heavily by BAME communities.
Being at the forefront in many key worker roles right across the social spectrum, our communities have recorded disproportionately more deaths than white counterparts. So while watching this show in the midst of such unprecedented circumstances, I felt acutely aware that entertainment is one area where you won’t see much of us. Our stories remain largely untold in this country despite the fact we make such a vast contribution.
Another realisation was that I’ve never seen a single programme where I identified with the characters. There’s never been a brown-faced character I could relate to, whether in a British show or on a wider world platform. If there was, I’m struggling to recall it now. The British Asian experience is unique and needs a voice like every other tranche of society.
Incidentally, the show I was watching is Normal People. It was recommended by an author, Elizabeth Day, on my Twitter feed at a time when I was reading her brilliant book How To Fail. Knowing a little about her backstory, I could see why she might love this show. She could easily be the main female lead.
Many of our families have been here since the 1950s and 1960s, working hard to establish themselves while overcoming racism, among numerous other hurdles. The first Asian TV programmes advised new immigrants how to adapt to a British way of life. In an attempt to ‘get on’ and fit in, many became quite assimilated into the indigenous lifestyle.
They arrived here from Commonwealth countries in response to government appeals to plug labour shortages in various sectors, including the NHS and public transport. Only in the last 30 years or so have we started to see more brown faces in the media and arts, and finally on our screens.
It is therefore intensely depressing several decades later that there is even a need for a Black Lives Matter movement and that we still face limited progress as ethnic minorities, despite there being an abundance of ability, acumen and talent.
It is therefore incredibly important we see people like us reflected in the media and arts, in business and politics, everywhere in fact, now more than ever. In the absence of such role models, let us be the first to blaze that trail ahead. It’s time to tell our story because our voice counts. It’s certainly a more powerful voice if we are united in our purpose and vision for a more inclusive, and representative Great Britain. So I invite you to make your voice heard, share your experiences and let our contribution be known.
Rosie Manku is a legal professional. Her writing includes highlighting key issues on personal well-being and community. Developing strong healthy lifestyle practices and personal growth form the foundation of her personal and professional work.
A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on January 20, 2025 in Oldham, England
WAS a national inquiry needed into so-called grooming gangs? Prime minister Sir Keir Starmer did not think so in January, but now accepts Dame Louise Casey’s recommendation to commission one.
The previous Conservative government – having held a seven-year national inquiry into child sexual abuse – started loudly championing a new national inquiry once it lost the power to call one. Casey explains why she changed her mind too after her four-month, rapid audit into actions taken and missed on group-based exploitation and abuse. A headline Casey theme is the ‘shying away’ from race.
The (Alexis) Jay inquiry (in 2014) found ethnicity data too patchy to draw firm conclusions. Casey shows that too little has changed. Ethnicity data on perpetrators is published – but the police fail to collect it in a third of cases. That low priority to ethnicity data collection is a problem across policing – forming an impediment to scrutiny of ethnic disparities of every kind.
In Greater Manchester, Casey reports perpetrators of sexual abuse generally reflect the local population, but with a disproportionate number of Asian perpetrators in group-based offending. There was a misplaced ‘political correctness’ when police forces and councils were responding to group-based abuse by British Pakistani perpetrators. Yet, there was nothing ‘politically correct’ about a sexist, classist culture that did not believe the victims. They were often vulnerable, adolescent girls with a history of living in care or with repeated episodes of going missing – and were seen as wayward teenagers, treated as ‘consenting’ to sex once they had turned thirteen.
Our society was much too slow to act on the abuse of children in every setting. The trigger for the national inquiry into child sexual exploitation was the outpouring of allegations about Jimmy Saville. In every setting, the instinct was more often to cover up rather than to clean up. Care homes failed to protect the most vulnerable. Prestigious public schools put containing reputational damage first. The focus on institutions meant that group-based offending formed only one strand of the national inquiry, without the scale to dig fully into local experiences.
There is a key difference between group-based and individual offending. Groups are a joint enterprise, so depend on a shared rejection of social norms among the perpetrators. It is important to be able to talk confidently about toxic sub-cultures of misogyny and abuse within British Pakistani communities, and to support women from within Asian communities and feminist allies who have been seeking to challenge and change it. So why has it seemed so difficult to say this – and to have taken too long to act upon it?
When writing my book How to be a patriot a couple of years ago, I suggested that one key driver of this misplaced reluctance to discuss cultural factors over this issue reflects a confusion and conflation between ethnicity, faith and culture. If people intuit that talking about cultural factors must mean something like ‘the inherent properties of an ethnic and faith group’, there is a fear that this will inevitability generalise about and stereotype whole groups. Yet, few people would struggle to acknowledge the role of cultural factors in the role of the
Church in twentieth century Ireland. A social norm that saw sex and sexuality as a taboo subject, combined with institutional deference to the church, left children unprotected – until there was significant pressure for change. So ‘cultural factors’ were part of the problem – but that did not mean that all Catholics were child-molesters. The trial in France of 51 men involved in raping one woman similarly illustrates the culture of misogyny in France among a sub-group of men willing to join in a rape gang when invited to do so.
So the irony is that it would perpetuate precisely that kind of ethnic stereotype to fail to police the law so as not to offend the Pakistani Muslim community, by seeming to turn the behaviour of a criminal sub-group into a community characteristic. Failing to address sexual exploitation for fear of extremist exploitation of the issue was always self-defeating. Being able to address the issue is a key foundation for being able to challenge effectively those whose motive is to spread prejudice.
The reviews by Jay and Casey into group-based exploitation in Rotherham had profile and consequences in 2015. The entire council leadership resigned. In most other places, victims went and felt unheard. There was a sound logic that local inquiries were most likely to have the granular focus to deliver accountability – but few areas volunteered to host them. Those that did happen lacked the teeth to compel cooperation.
Casey’s proposed model is essentially for local hearings, backed by statutory national powers. It is a chance to move on from partisan blame games and ensure that the victims of historic abuse are finally heard – rebuilding confidence in policing and prosecuting without fear or favour.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
The tidal wave of top Indian stand-up stars touring the UK continues with upcoming shows by Shraddha Jain this July. The hugely popular comedian – who has over a million Instagram followers – will perform her family-friendly show Aiyyo So Mini Things at The Pavilion, Reading (4), the Ondaatje Theatre, London (5), and The Old Rep Theatre, Birmingham (6). The 90-minute set promises an entertaining take on the mundane and uproarious aspects of everyday life.
Shraddha Jain
MEMOIR NIGHT Acclaimed author Arundhati Roy will mark the publication of her hotly anticipated memoir Mother Mary Comes to Me with a live event at London’s Cadogan Hall on September 4. The Booker Prize-winning author of The God of Small Things will reflect on her life and work in what promises to be one of the year’s most compelling interview-based events. The evening will also include an opportunity for audience members to ask their own questions.
Arundhati Roy
SPECIAL AUTHOR SELFIE Acclaimed author Onjali Q Rauf shared this great photo with historian William Dalrymple from the recent Hay Festival. What made this snap extra special is that they delivered Eastern Eye newspaper’s best two books of 2024. While Rauf wrote the year’s best fiction, The Letter With The Golden Stamp, Dalrymple delivered the greatest non-fiction book of 2024, The Golden Road: How Ancient India Transformed the World. Both brilliant books are highly recommended.
William Dalrymple and Onjali Q Rauf
DREAM TEAM WINS AGAIN Producing power couple Sargun Mehta and Ravie Dubey have scored another success with their latest release, Saunkan Saunkne 2. The Punjabi comedy sequel received critical acclaim and performed well at the box office. Actress Mehta was especially praised for her dynamic double role opposite Ammy Virk and Nimrat Khaira This latest triumph adds to the growing list of achievements for the husband-and-wife team, who also run the entertainment platform Dreamiyata Dramaa. The YouTube channel, now nearing 1.4 million subscribers, continues to produce popular original TV serials.
Ravie Dubey and Sargun Mehta
THE YOUTUBE DUMP One recent decision that made little sense was quietly dumping the 2023 Pakistani film Money Back Guarantee onto YouTube. With streaming platforms seemingly buying anything and a wide range of video-on-demand services available, the political satire heist comedy – headlined by Fawad Khan – surely deserved better. YouTube is typically a last resort when all other options fail. What made the move even more baffling was the near total lack of promotion, leaving most film fans unaware that it was available to watch for free. Unsurprisingly, it generated little buzz or interest – another example of why Pakistani cinema is in the doldrums.
Money Back Guarantee
LITTLE FILM BUZZ Despite a glitzy world premiere at this year’s Cannes Film Festival, Indian film Homebound has failed to make a meaningful impact. Unlike other festival favourites, it received little coverage from global media, prompting producers to share handpicked audience reviews instead. This meaningful movie with a message has also struggled to stand out due to its ill-judged title. Not only does the English-language title alienate core Hindi-speaking audiences, it is identical to a 2021 British horror film that was widely savaged by critics. Several other films and TV shows with the same or similar name have appeared in the past 15 years, making it even harder for the film – starring Ishaan Khatter and Vishal Jethwa – to find visibility.
Homebound
DOOMED DUTT BIOPIC Recent reports suggest a biopic on legendary Bollywood actor and filmmaker Guru Dutt is in the works. This is not the first time a film based on his life has been discussed, but like earlier attempts – including those centred on icons such as Meena Kumari and Madhubala – the project has yet to materialise. The reason is clear: telling an honest story would require confronting the darker aspects of their lives, making it difficult to secure life rights from those involved. Bollywood also has a tendency to whitewash difficult truths, which can compromise the integrity of such projects and limit their commercial appeal. If a truly candid account of Dutt’s life were ever made, many film fans might find it hard to forgive the way he reportedly treated his wife, acclaimed singer Geeta Dutt.
Guru Dutt in Chaudhvin Ka Chand
SARITA STUNS IN NEW SERIES The recently launched third season of Sex and the City spin-off And Just Like That has received more positive reviews than its previous seasons. Sarita Choudhury’s glamorous realtor remains the standout new character, continuing to make such an impact that many feel she deserves far more screen time. The 58-year-old British actress is simply brilliant in the sassy role and looked stunning as she joined fellow cast members for a recent photocall in Paris. She has seamlessly filled the space left by Kim Cattrall, and her performance is so compelling that a spin-off series focused solely on her character would be hugely entertaining.
Sarita Choudhury
DILJIT’S DETECTIVE DUD Bollywood film Detective Sherdil is set to premiere on ZEE5 on June 20, following a high-profile announcement. Despite being headlined by Diljit Dosanjh and Diana Penty, one major red flag suggests this quirky detective mystery-comedy may fall flat: it is being released directly to a streaming platform, bypassing cinemas entirely. This often signals a lack of confidence in the project. ZEE5 is typically seen as a last resort when bigger platforms like Netflix or Amazon decline interest – which further works against the film. Although whodunnits are trending globally, the genre remains underdeveloped in Indian cinema, and that adds to the low expectations surrounding this release.
THE US president Donald Trump and billionaire businessman Elon Musk went to war on social media.
Geert Wilders brought the Dutch government down after less than a year. Nigel Farage scrambled to hold his Reform team together.
Populism is a potent political force – but this week demonstrated the power of populist politicians to destabilise themselves too.
A Trump-Musk break-up always was more a question of when, than if, given the egos involved. Musk criticised Trump for his large spending bill. Trump threatened retribution against Musk’s companies – knocking a sixth off the Tesla share price. Musk declared Trump would not be president without his money. “Such ingratitude,” he tweeted. Trump acolyte Steve Bannon declared that he wanted to see Musk deported.
Musk is the Citizen Kane of our times. Even having the biggest media megaphone of the age and the highest spending did not guarantee political success. Trump came to see Musk as a political liability, as growing mistrust of the erratic billionaire’s motives offset the power of his money.
Musk is much more toxic in Britain than America. That story can be told in three words – familiarity breeds contempt. Most people had no firm opinion of Musk before he bought Twitter three years ago. YouGov shows disapproval of Musk rocketing from 60 per cent to 70 per cent to 80 per cent over the past year.
Most British Twitter/X users feel he made the platform worse. No other platform did so much to amplify the misinformation and hatred that fuelled the racist riots. Reform voters had been the only pro-Musk segment post-riots, but Musk’s attack on Farage for refusing to embrace Tommy Robinson split the Reform voters against him too.
Twitter/X is a tinderbox – the irresponsibility of its ownership exacerbates the real and present danger it presents during any future flashpoint. Yet Musk’s relationship with Trump was a significant impediment to tackling this. The platform uses its relationship with the Trump administration as a shield, threatening the UK or EU governments if they intervened. The Trump-Musk break-up could offer a new opportunity to at least make the platform uphold its duties to remove unlawful content. It is awash with rape and deportation threats – which the Twitter/X’s broken complaints system usually defends. That is a breach of the platform’s legal duties to provide an equal service to women or to ethnic minorities.
Nigel Farage and Zia Yusuf
The government recently announced its preferred candidate for the EHRC [Equality and Human Rights Commission] chair, Dr Mary-Ann Stephenson, who will now face parliamentary committee hearings. MPs should ask her whether the regulators’ legal powers apply when major platforms breach their duties.
The Washington social media war of words was in stark contrast to how Nigel Farage handled a twitterstorm within the Reform party.
His party chair, Zia Yusuf, declared it “dumb” for the party’s new MP to be asking the prime minister last week to ban the burqa. Yusuf then quit, declaring that trying to make Farage prime minister was no longer a good use of his time.
Farage gave a strikingly unTrumpian response. He empathised with the racism that Yusuf has faced as a Muslim public voice – though attributing much of it to ‘Indian bots’ deflected attention from the racism within the online right.
Farage’s emollience was rewarded. Yusuf declared his resignation was a mistake. He even implausibly claimed he would probably vote to ban the burqa himself. He told the Today programme that Reform would deport 1.2 million illegal migrants – a patently impossible pledge, even if there were that many people without secure legal status. Yusuf moving towards the party’s base might signal an ambition to be a Reform general election candidate.
Farage handled the crisis with skill: reinforcing his rejection of the overtly racist fringe, while hardening the party line on integration. Yusuf was not offered his old job as party chair back. He will volunteer, instead, as chair of a “DOGE” [Department of Government Efficiency] taskforce, named in tribute to Musk.
Reform have talked up Yusuf as having “professionalised” the party from a low base. Yet the DOGE initiative could hardly have begun more unprofessionally. Yusuf declared a ‘gotcha’ moment – claiming to have found Kent County Council spending £87 million a year on recruitment advertising. This was an absurdly false claim. Former Kent County Council leader, Roger Gough, pointed out that Yusuf had simply not understood the document. Kent was raising revenue by hosting a national framework, yet Yusuf had attributed any possible spending across England as profligacy by the council.
Whether his mistake was unwitting or more cynical, it resonated by confirming the biases of Reform’s supporters. How long it takes Yusuf to retract his mistaken Week One headline claim is now a simple good faith test of whether the DOGE process attempts to be at all credible.
Yusuf is presented by Reform as the professional among populists – that may demonstrate just how untested the party’s credentials to provide a potential government still are.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
RANI MAKES RETURNDoctor Who acclaimed actress Archie Panjabi added to her diverse body of work by playing the iconic villain Rani in the recently concluded series of Doctor Who. She reprised the role originally portrayed by Kate O’Mara decades ago. Unfortunately, the series – available on BBC iPlayer – has been plagued by problems and suffered plummeting ratings, largely due to poor storylines. As a result, Archie and fellow cast member Varada Sethu are unlikely to return in future episodes.
Doctor Who
SINDOOR SHOW
Although many interpreted Aishwarya Rai Bachchan wearing sindoor at the recent Cannes Film Festival as a nod to India’s strike on Pakistan, it may have held a more personal meaning. After months of speculation about a possible split from Abhishek Bachchan, the gesture appeared to reaffirm that her marriage remains strong. It followed her recent Instagram post sharing a happy photo with her husband and daughter.
Aishwarya Rai Bachchan
DEY’S LONDON DATE
Brilliant Indian bassist Mohini Dey will deliver one of this summer’s standout concerts at the world-famous Ronnie Scott’s Jazz Club in London on July 9. She has been unstoppable in recent years – releasing an acclaimed self-titled album in 2023 and collaborating with music legends such as Zakir Hussain, Quincy Jones and AR Rahman, as well as touring North America with Willow Smith. The only female bassist in MusicRadar’s Top 10 Bassists of the 21st Century, she promises a unique musical experience.
Mohini Dey
SHIVALI CASTS A SPELL
After being one of the leading lights of devotional music, Shivali launched a bold new chapter in her artistic journey with the sold-out one-woman show Queen of Wands in London last month. This powerful solo performance brought her spoken word album to life through a dynamic blend of music, poetry, storytelling, immersive visuals and diverse themes. The British talent received a standing ovation for the thought-provoking and relatable show. Shivali said: “The experience was sublime, a different kind of feeling. I discovered I’m allegedly a comedian. It was one woman, but I had the backing of a team that rivals Michael Jordan’s Chicago Bulls. We are just starting conversations to take the show forward – and New York might be the first stop. More will be revealed soon.”
Queen of Wands
DISAPPEARING TV DRAMAS
While most people in India can cope with Pakistani celebrity social media accounts disappearing, the inability to watch drama serials from across the border has not gone down as well. The ongoing conflict has led to streaming platforms and YouTube channels blocking access to episodes of hit Pakistani dramas like Kabhi Main Kabhi Tum.
Although tech-savvy viewers have found ways around the restrictions, others are being forced to seek alternative shows to binge-watch.
Kabhi Main Kabhi Tum
DUD-LOOKING HISTORICAL
Riteish Deshmukh has unveiled the first-look poster of his passion project Raja Shivaji, which he is writing, directing, starring in, and releasing in multiple languages.
Unfortunately for him, the historical drama – based on the life of Maratha warrior Chhatrapati Shivaji Maharaj – features a line-up of past their-prime co-stars that audiences no longer seem interested in, including Sanjay Dutt, Abhishek Bachchan, Fardeen Khan, Genelia Deshmukh and Bhagyashree.
Deshmukh’s inexperience as a filmmaker will only add to the challenges Raja Shivaji faces ahead of its scheduled release on May 1, 2026. The only stone-cold certainty is that – like several recent Bollywood films about historical rulers – it will probably distort facts and lean heavily into jingoism.
Raja Shivaj
JINXED KAIF SISTER
After more than a decade of trying – and failing – to find her footing in Bollywood, it may be time for Isabelle Kaif to read the room. Her 2022 film Time To Dance vanished without a trace, and just as she was supposed to get a long-delayed ‘break’ with the clumsily titled Suswagatam Khushamdeed, that too disappeared. A lack of interest led to the film being quietly pulled from a recent cinema release without explanation. Perhaps the producers finally realised they were throwing good money after bad. Being Katrina Kaif’s younger sister might have opened a few doors for Isabelle, but it clearly has not been enough to turn her into a star. It may be time for her to reconsider her career path entirely – whether that means working behind the scenes or stepping away from Hindi cinema altogether. At the very least, she needs to make smarter choices and find better people to advise her.
Suswagatam Khushamdeed
COPYWOOD KHAN
Promotions for Sitare Zameen Par are in full swing ahead of its release on June 20. Lead star and producer Aamir Khan will be hoping Bollywood audiences avoid watching the Spanish original Campeones, which his comedy-drama is a remake of. That 2018 film – along with its 2023 American remake Champions – is available on streaming platforms.
Social media users have already begun drawing comparisons between the original and scenes from the trailer, which could make it harder for June’s big Bollywood release to succeed. This does not bode well for Khan, who has a lot riding on his not-so-original film after two major failures – Thugs of Hindostan and Laal Singh Chaddha.
Sitare Zameen Par
ARIJIT SET FOR STADIUM SHOW.
Tickets are now available for Arijit Singh’s upcoming concert at Tottenham Hotspur Stadium on September 5. This landmark event will be the biggest show ever headlined by a South Asian artist outside India – a testament to the singer’s global appeal.
The unassuming star is looking forward to returning to London. He said: “I’m just an ordinary person who happens to sing, and I’m incredibly humbled that I have the opportunity to share my songs and perform in London again. If that means I make history, then I will be very blessed.
“It makes me happy when the world sings my songs with me, and my London fans are the absolute best.” This milestone adds to Arijit’s remarkable list of achievements, including being the most followed artist on Spotify and featuring on Ed Sheeran’s forthcoming single Sapphire. It also marks a major moment for show organisers TCO Group and Vijay Bhola’s Rock On Music.
Arijit Singh
SNEHA SHANKAR IS JUST SENSATIONAL
I was really impressed with Indian Idol 15 finalist Sneha Shankar after watching her make her UK stage debut. The gifted 19-year-old has incredible versatility – ranging from the raw power of Sufi sensation Jyoti Nooran to the gentle finesse of Bollywood music queen Shreya Ghoshal. Although she did not win the reality TV show, her multi-layered vocals could turn her into a future superstar, if paired with the right songs. It is no surprise she secured a lucrative contract with India’s biggest record label, T-Series. She is destined for greatness.
Sneha Shankar
Keep ReadingShow less
Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.