Rashid Khan insists his mind is occupied by the World Cup and not wedding bells as the leg-spin wizard looks to inspire Afghanistan at the Twenty20 global showpiece.
Still only 23, Rashid is key to his nation's hopes of a first world title and a potential triumph which would deliver a rare bout of good news for his home country.
However, Rashid told AFP that speculation over his private life in the run-up to the tournament, currently underway in Oman and the UAE, will not derail his ambitions.
He denied he ever said: "I will marry when Afghanistan win a World Cup."
"Actually, I was so shocked when I heard this because, to be honest, I never made a statement that I will marry once I win the World Cup," said Rashid, whose family lives in Nangarhar in the eastern part of Afghanistan.
"I just said that in the next few years I have more cricket and three World Cups (the 2021 and 2022 Twenty20 World Cups and the 50-over World Cup in 2023) so my focus will be on cricket rather than on getting married."
Rashid, who made his Afghanistan debut when he was 17, is one of international cricket's most in-demand players.
He has already played 51 T20 international matches and more than 280 games in the format for franchises around the world.
A lucrative career has seen him ply his trade in England, Australia, Pakistan, Bangladesh, South Africa and, of course, the IPL in India where he has been a regular for Sunrisers Hyderabad since 2017.
He has 95 wickets in T20 internationals with an average of just 12.63 and in 2020 was voted the ICC's Cricketer of the Decade in the format.
On the low, slow wickets of the Gulf, spin will be key.
"I think it will be a spinners' World Cup," said Rashid.
- 'Slower and slower' -
"The wickets here are mostly very good for spinners, so I think that's the main reason most of the teams have more spinners in their attack."
India have packed four slow bowlers in their 15 with Ravindra Jadeja, Ravichandran Ashwin, Varun Chakravarthy and Rahul Chahar while England have Adil Rashid, Moeen Ali and Liam Livingstone.
Defending champions the West Indies have Akeal Hosein, Hayden Walsh and Roston Chase. Chris Gayle can also turn his arm over.
Pakistan can call on Shadab Khan, Mohammad Nawaz and Imad Wasim as frontline spinners. Veterans Mohammad Hafeez and Shoaib Malik can also give the ball a tweak.
New Zealand have Ish Sodhi, Mitchell Santner and Todd Astle.
Australia, yet to win a T20 World Cup, will look to Adam Zampa and Ashton Agar.
Rashid is not Afghanistan's only front line spinner -- there is also Mujeeb Ur Rahman and skipper Mohammad Nabi.
"What I noticed during the Indian Premier League (the conclusion of which was also played in the UAE) was that wickets were good but there was not that much spin," said Rashid.
"But I think the more we play in this World Cup we might see wickets which are a bit different and the more you play on these tracks it becomes slower and slower and they will be handy for spinners."
Rashid refused to predict any favourites for what is the seventh edition of the World Cup.
"Well it's T20 and anyone can beat anyone on the day," said Rashid, who stepped down from the captaincy ahead of the event over not being consulted in squad selection.
"We have a mixture of both experienced and young players and most importantly it's quite balanced with a few all-rounders which makes the side very balanced, especially in T20 when you have more of that all-round option."
Afghanistan are in Group 2 of the World Cup with India, Pakistan, New Zealand and two qualifiers in the Super 12 stage which begins on Saturday.
BBC Asian Network is starting a new show called Asian Network Trending.
The show runs for two hours every week and is made for young British Asians.
It covers the topics that matter most to them like what’s trending online, questions of identity, mental health etc.
Amber Haque and the other hosts will share the show in turns, each talking about the issues they know and care about.
The network is moving to Birmingham as part of bigger changes behind the scenes.
Speaking up isn’t always easy. This show gives young people a space where their voices can be heard. Music on the radio, sure. Bhangra, Bollywood hits, endless remixes. But real conversations about identity, family pressure, mental health? Rarely. Until now.
From 27 October, Asian Network Trending goes live every Wednesday night for two hours of speech instead of beats. The first hour dives into trending news; the second hour goes deeper into family expectations, workplace racism, LGBTQ+ issues, and mental health stigma. And it’s not just one voice. Amber Haque and other rotating presenters keep it fresh.
Young British Asians finally hearing voices that reflect their experiences and challenges Gemini AI
What exactly is Asian Network Trending?
Two shows in one, really.
First hour: The hot takes. Social media buzzing? Celebrity drama? Immigration news? Covered while it’s relevant.
Second hour: The deep dive. One topic per week, unpacked with guests and people who know what they are talking about. Mental health, dating outside culture, career pressures, unspoken hierarchies, all of it finally getting the airtime it deserves.
Head of Asian Network Ahmed Hussain said the new show was designed to give space for thoughtful and relevant conversation. “It’s a bold new space for speech, discussion and current affairs that reflects the voices, concerns and passions of British Asians today,” he said.
Why go for a rotating hosts format?
It is because you can’t sum up the “British Asian experience” with just one voice. A kid in Leicester whose family speaks Gujarati has a very different life from a Punjabi speaker in Southall and a Muslim teen’s day-to-day reality isn’t the same as a Hindu’s or Sikh’s. Then there’s money, family pressures, school, work, and everyone is navigating their own different path.
Why now? Why speech radio?
British Asians are visible, sure. Big festivals, business power, cultural moments. Yet mainstream media often treats the community like a footnote.
Music connects to heritage, yes. But it can’t talk about why your mum nags about you becoming a doctor when you want to study film. Radio forces that engagement, intimacy, and honesty.
Surveys back it up. 57% of British South Asians feel they constantly have to prove they are English. 96% say accent and name affect perception. This show is a platform for those contradictions to exist out loud.
Who’s on air and why does it matter?
Amber Haque is first up, but the rotating system means different voices each week. BBC Three and Channel 4 experience under her belt helps navigate sensitive topics without preaching.
Representation isn’t just faces. It’s who decides what stories get told, who gets to question, who sets the tone. Asian Network Trending is designed to widen that lens, not narrow it.
What topics will the show cover?
Identity and belonging: balancing Britishness and South Asian heritage.
Mental health: breaking taboos in families.
Careers: that awkward "but why?" when you mention graphic design and the side hustle your parents call a hobby.
Relationships: the 'who's their family?' interrogation and the quiet terror before saying you're gay.
Community: the aunty and her "fairness cream" comments or the gap between your life and your grandparents' world.
Challenges and stakes
British South Asians aren’t all the same. Differences in religion, language, region, and class make their experiences varied and complex. Cover one slice and you alienate the rest. Go too safe and the younger audience won’t listen. Go too risky and conservative backlash is real.
Another big challenge: resources are tight.
Speech radio costs money: producers, researchers, fact checks.
Can it sustain deep conversations without cutting corners? That is the test.
What could success look like?
Not just ratings. Real impact: young people hear themselves articulated, families spark conversations, new voices get a platform and ultimately policymakers listen. Even a single clip prompting debate online counts. The proof is in that engagement, in messy human response, not charts.
A mic, not a manifesto
This launch isn’t a cure-all. It’s a step, a loud, messy one. It hands the mic to people who mostly spoke filtered, cautious words. Let it stumble, argue, and surprise. Let it be uncomfortable. If it does that even sometimes, it has already done its job. Because for the first time, British Asian youth get to hear themselves, not through music, not as a statistic, but as real, living voices.
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