RAJKUMMAR RAO TALKS ABOUT HIS NEW NETFLIX MOVIE THE WHITE TIGER AND BEING IN DEMAND
by ASJAD NAZIR
A REMARKABLE rise has seen Rajkummar Rao become one of the most in-demand actors in India today.
From small independent films to high-profile multi-starrers, the actor has shown off his impressive versatility and won universal acclaim for his powerful performances. With new Netflix release The White Tiger, the fiercely talented star takes his first big international step and plays a key role in the movie adaptation of Aravind Adiga’s 2008 Man Booker prize winning novel, which looks at India’s class struggle in a globalised world through the eyes of an impoverished driver. Rao plays the unpredictable role of the faithful driver’s employer, who is not all he seems.
With more movies on the way, the hardworking actor is constantly on the move and was hard to track down for an interview. But he made time after a long day and was in good spirits when Eastern Eye caught up with him to discuss The White Tiger, his amazing rise and life in lockdown.
How do you feel about being so massively in demand as an
actor now?
I feel extremely overwhelmed and honoured with the kind of love I have received from the audiences. I promise to keep on giving my best and entertaining them with my work.
It seems like everyone wants to work with you. How are you choosing films?
It’s very important for a character to excite me. The endeavour is always there to push myself and try new things, and new genres. This ultimately helps me choose films better.
Rajkummar Rao with Adarsh Gourav and Priyanka Chopra Jonas in The White Tiger
What did you like about The White Tiger and how aware were you about the novel?
I had read the book when it came out in 2008 and really enjoyed it. The White Tiger is such a special film for more reasons than one. I’ve always been a big fan of (director) Ramin’s (Bahrani) work and getting an opportunity to work with him was something I didn’t want to miss. Making The White Tiger was a great experience and am hopeful the audiences will enjoy our film.
Tell us about the film and character you portray?
My character Ashok is complex and it’s exactly this complexity that attracted me to him. His relationship with Balram, Pinky and his family is very well etched out in the film. He is also a victim of the system I feel, but in a different way. Not to mention the character has been adapted from the book so beautifully by Ramin. Our film is doing complete justice to Aravind Adiga’s writing.
How faithful to the novel has this movie remained?
Like I said, in my opinion, Ramin’s vision will not disappoint the audience and I am sure you will feel the same after you have seen the film.
You have done a wide range of work. How does this compare to other roles you have portrayed?
It won’t be fair for me to compare my characters from other films. Every character I portray has its own unique quirks that are specific to the universe of that film. However, I always endeavour to do better and to grow with each film, and work on my craft in order to ensure I don’t get complacent. I’ve definitely tried to push the envelope with The White Tiger. There are a lot of great moments in The White Tiger.
What is your own favourite moment?
(Smiles) There are so many! I don’t think I can name just one. The film itself is so special to me.
Who are you hoping connects with the film?
Everyone actually! I’m hoping on some level the film connects with everyone given its subject matter. It’s so universal in nature. Though the story is set in India, this can happen to anyone and anywhere in the world.
You are one of the leading actors today and give your characters unique traits. How do you approach each new role?
I have my own process of working on my characters. Every role demands a different kind of preparation. I don’t take my characters for granted. For me, every role is a new journey in its own.
How do you feel before the release of your movies?
There’s always a little nervousness, but I try to be very zen before the release of a film. I’ve done my work and now it’s up to the audiences. If they like it, I will feel honoured and if they don’t, I will be humbled and will take the criticism constructively.
Does the added attention of your success put pressure on you?
Not at all. I don’t really let the pressure get to me. The attention and success, none of it has managed to psych me out yet because luckily, I’ve been surrounded by people who have kept me grounded, and ensured that I don’t lose myself and who I actually am.
Which other confirmed films, you can talk about, do you have on the way?
I’ve finished Roohi with Janhvi Kapoor and am currently shooting for Badhaai Do with Bhumi Pednekar.
You are tackling lots of different characters, but do you have a dream role?
My only dream was to be a film actor and I am living that dream every single day now. So, whatever character I am playing in that moment becomes my dream character.
Now that you are acting in more high-profile big budget projects, does that mean you will do fewer independent films that gave you so much acclaim?
That’s not the case. It’s never about big or small budget, it’s always about the script and my character in the film. If the script is good, these things don’t really matter. I love independent cinema. Our audiences don’t care if it’s an indie film or a big commercial film. If a film is good, people will watch it.
Are you keeping a new year’s resolution?
I just want to continue working on myself and challenge my potential with every role.
How have you coped with lockdown and has it changed you in any way?
The lockdown really wasn’t difficult for me. I feel blessed knowing that I was privileged enough to be safe in my home, not many had that. So, I decided to make the best of that period, picked up a hobby (guitar), had a routine, got a lot of reading done, watched lot of great content on screen and worked on myself. I also attended a couple of online workshops on acting. The lockdown has definitely made me more grateful about everything today.
Why should we watch The White Tiger?
It’s a very important film and the point that our film is trying to make is an important one, especially for the times that we live in. Watch it for the vision that Ramin had to convert Aravind Adiga’s book into this amazing film. It’s a very special film, something that the audiences have never really seen before.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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