Eastern Eye marks Mehra's death anniversary by presenting his top 10 films, listed in chronological order.
By Asjad NazirMay 10, 2024
LEGENDARY filmmaker Prakash Mehra made a mark in Bollywood with his own brand of entertaining cinema and delivered hit films that entertained audiences, including one that changed the industry forever.
The maverick producer and director did things his own way during an action-packed career filled with magical movie moments. Born July 13, 1939 he passed away on May 17, 2009, aged 69.
Eastern Eye decided to mark Mehra’s death anniversary this week by presenting his top 10 films, listed in chronological order.
Haseena Maan Jayegi (1968): Mehra announced himself as a filmmaking force with this comedy headlined by Shashi Kapoor in a double role. He starred opposite Babita in a unique love triangle revolving around a woman caught between two men who look alike. The mix of comedy, music, drama and twists would lay the foundation for his future masala entertainers. Like many of Mehra’s subsequent movies, his hit directorial debut had great songs.
Mela (1971): Mehra moved into the action space with his second directorial outing. The dramatic village-set story saw real-life brothers Sanjay Khan and Feroz Khan play two separated siblings, unaware they are related, on a deadly collision course. It was another film that combined different elements including family, drama, action, romance and music in an effective way. That formula would earn him another hit movie.
Samadhi
Samadhi(1972): Dharmendra played a double role in this action drama. He portrays a dacoit who gives up his life of crime after falling in love, and then being forced to make the difficult decision of giving up his young son, who later grows up to look like him. Asha Parekh and Jaya Bhaduri were the love interests of the respective characters played by the actor in a movie about love, redemption and trying to do the right thing.
Zanjeer (1973): Mehra produced and directed the game-changing action film that turned Amitabh Bachchan into an overnight sensation. He cast the newcomer as a vigilante cop after numerous bigger names had turned down the role, and introduced a new kind of hero into Hindi cinema. Bachchan would carry that angry young man persona into subsequent movies and become the undisputed king of Bollywood.
Hera-Pheri
Hera Pheri (1976): The clever combination of comedy and action saw Mehra cast superstar actors Amitabh Bachchan and Vinod Khanna in the lead roles. The story of two small-time crooks being unexpectedly torn apart had an interesting twist and was filled with great moments from start to finish. The producer/director brought out the best in two talents, who were at the top of their game and earned himself another blockbuster.
KhoonPasina (1977): Mehra was on producing duties for this film, which reunited Amitabh Bachchan and Vinod Khanna. They played two childhood friends who are separated and collide as adults, before teaming up to take on the bad guys. The under-rated film had many memorable moments, including a scene where Bachchan fights a tiger. It was one of the rare films Mehra didn’t direct himself.
Muqaddar Ka Sikandar
Muqaddar Ka Sikandar (1978): By far the biggest Bollywood success of that year is regarded as one of the finest Indian films ever made. Mehra had cleverly taken the idea of classic story Devdas and turned it into something altogether more powerful. Amitabh Bachchan played the heartbroken man, who finds himself in the arms of a courtesan. Rakhee Gulzar, Vinod Khanna and Rekha made up the lead cast in a film that had action, romance, emotion and magnificent music.
Laawaris (1981): Mehra continued his dream partnership with Amitabh Bachchan in this cult classic about an orphan, with a painful past forced to battle the challenges of life. Zeenat Aman played his fiery love interest in a movie that had superb songs, powerful dialogues and plenty of action. A standout moment included the iconic Mere Angne Mein track, which saw Bachchan sing the song himself and perform it in drag.
Laawaris
Namak Halaal (1982): The super hit film best remembered for classic songs like Pag Ghungroo Bandh, Thodi Si Jo Pee Li Hai, Jawaani Jaan-E-Man and Raat Baaki was another multi-layered entertainer from Mehra. Amitabh Bachchan played a worker in a five-star hotel who finds out some unexpected truths, including about the wealthy owner. The strong star cast included Shashi Kapoor, Smita Patil, Parveen Babi and Waheeda Rehman.
Sharaabi (1984): The last great movie from Mehra saw Amitabh Bachchan play the neglected son of a wealthy industrialist, who becomes an alcoholic, before finally finding redemption. Although the super successful film had much-loved songs like De De Pyar De,Inteha Ho Gayi Intezar Ki and Jahan Chaar Yaar Mil Jaye, it was very much defined by the central performance from Bachchan, which earned rave reviews.
Bieber posted over a dozen updates in a matter of hours, many of them laced with frustration. One post read, “Happy daddy day to me u lil ho,” while another simply stated, “quit f–ing with me. I’m really not the one.” Accompanying the messages were moody selfies and a video of him silently shaking his head with the caption “how I feel about you.”
The timing raised even more eyebrows. Just days earlier, Justin had an angry confrontation with paparazzi outside Soho House in Malibu. When one photographer wished him a happy Father’s Day, Bieber snapped: “You don’t go to people you don’t know and say sh–t out of nowhere with a camera in their face.” He went on to say, “I’m a father. I’m a dad. You guys are on private property.”
The next day, he followed up with unseen photos of his baby boy, Jack Blues, and captioned it with a middle finger emoji and the phrase “ay bay bay.” His wife Hailey, who gave birth to their son in August 2024, liked the post, but fans remained unsettled.
Fans express concern over Bieber’s emotional health
Longtime followers have noted a pattern in Bieber’s recent behaviour. Last week, he lamented on Instagram about feeling drained by “transactional relationships.” In his story, he wrote, “If I have to do something to be loved, that’s not love.” In another post, he added, “I don’t think any of us can handle hearing ‘try harder and you’ll be like me.’”
Though some fans supported his right to speak openly, many expressed worry. Comments ranged from “I love you but I’m worried, king,” to “I just hope you find peace.”
While his representative previously dismissed drug rumours as “pitiful and exhausting,” Bieber’s emotional vulnerability and anger continue to fuel speculation. As of now, he hasn’t addressed the backlash or clarified the meaning behind his Father’s Day posts.
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Fielder’s work often revolves around themes of performance in everyday life
Canadian comedian and writer Nathan Fielder has long been known for his unconventional television work. Gaining recognition through Nathan for You, Fielder built a reputation for creating boundary-pushing, satirical content that blurred the lines between reality and performance. One of the most talked-about episodes involved a frozen yoghurt flavour that deliberately tasted unpleasant, while The Rehearsal, another of his projects, explored the complexities of human behaviour by meticulously recreating real-life scenarios to prepare people for difficult conversations or events.
Fielder’s work often revolves around themes of performance in everyday life, the blending of public and private personas, and the anxiety surrounding authenticity. His limited media presence and rare interviews add to the intrigue, leaving audiences unsure whether he is playing a version of himself or deliberately maintaining a fictional persona.
The Curse and a shift to fictional storytelling
In 2023, Fielder made a significant shift in his career by co-creating and starring in The Curse, a limited series that further explored his interests through scripted drama. Co-created with filmmaker Benny Safdie, the show also stars Academy Award-winner Emma Stone. This marked a departure from Fielder’s earlier, semi-documentary style work and introduced him into the realm of fictional narrative television.
The Curse follows a married couple, played by Fielder and Stone, who are producing a home improvement reality show while also trying to start a family. Their personal and professional lives take a dark turn after an unsettling encounter with a young child who places a curse on them. The story examines themes such as performative activism, media manipulation, and the illusion of kindness, set against the backdrop of a seemingly well-intentioned couple who struggle with their own moral contradictions.
Nolan’s high praise for the series
Acclaimed director Christopher Nolan expressed his admiration for The Curse in an interview, describing it as a rare and groundbreaking piece of television. “It’s an incredible show, and it’s unlike anything I’ve ever seen on television before,” Nolan said. “There are so few shows that come along that have genuinely no precedence. You’re going back to things like Twin Peaks, or The Prisoner, or Dennis Potter’s The Singing Detective… you’re in an amazing space, and I can’t wait to catch up with the climax.”
Nolan’s comments place The Curse among some of the most influential and surreal television dramas of the past, underlining its unconventional storytelling and emotional impact.
Critical reception and cultural relevance
The Curse has received praise for its sharp commentary on social media, authenticity, and the performance of morality in the public eye. The show’s unsettling tone and layered narrative structure have sparked discussions around the ethics of entertainment and the lines between fiction and reality.
- YouTubeYouTube/ Rotten Tomatoes TV
Emma Stone’s participation in the project aligns with her previous roles in unconventional films, particularly her collaborations with director Yorgos Lanthimos. Her performance, alongside Fielder’s restrained and often ambiguous portrayal, has been noted for adding depth to the show’s central themes.
A bold entry into prestige television
With The Curse, Nathan Fielder has successfully transitioned into the world of prestige television drama, maintaining the thematic interests that defined his earlier work while exploring them in a new, scripted format. The show’s ability to provoke discussion, confuse genre expectations, and attract praise from figures like Christopher Nolan marks it as a standout series in today’s media landscape.
Whether audiences view it as satire, drama, or something in between, The Curse demonstrates Fielder’s continued commitment to challenging conventional storytelling, and his growing influence in both comedy and drama alike.
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Prabhas brings back romance and humour in The Raja Saab teaser
After years of playing intense and brooding characters, Prabhas seems to be in his element again with The Raja Saab, a horror comedy directed by Maruthi. The teaser, released on 16 June, gives fans a refreshing look at the actor in a light-hearted, funny role, a rare shift from his recent string of larger-than-life action heroes. With visuals full of humour, horror, and romance, the teaser is already gaining attention not just for the plot but also for its theatrical rollout and unexpected nod to Shah Rukh Khan.
A haunted haveli, SRK-style romance, and spooky laughs
The teaser opens with a quirky love story, as Prabhas’s character openly declares his love for Nidhhi Agerwal in typical Bollywood style, even likening it to Shah Rukh Khan’s legendary on-screen charm. But the story soon shifts to a spooky, ghost-filled haveli, an elaborate set spanning 41,256 sq ft, which the makers claim is India’s largest horror backdrop. The teaser combines eerie folklore visuals, comedy, and a touch of madness, offering glimpses of other lead actors Malavika Mohanan and Riddhi Kumar. Sanjay Dutt’s surprise appearance adds to the intrigue. The haunted house isn’t just a gimmick, the filmmakers say they wanted the space to “feel haunted,” not just look scary.
Director Maruthi, known for youth-centric comedies like Bhale Bhale Magadivoy, calls this film a “genre-defying journey,” bringing together fantasy, romance, and horror. Prabhas appears in dual looks and delivers a hilarious one-liner toward the end: “Amma Durgamma Thalli... Kaapaadammaa,” adding to the film’s desi horror-comedy vibe.
Fan frenzy, leaked teaser, and December release date
The teaser wasn’t just launched online, it was also screened on IMAX screens in Hyderabad, drawing massive crowds. Fans celebrated with dances and even performed a milk bath ritual on a Prabhas cut-out. However, excitement spilled over early when visuals from the teaser leaked online. The makers issued strict warnings on social media, threatening to suspend accounts sharing pirated content and urging fans to respect the film’s release.
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Originally slated for an April release, The Raja Saab is now confirmed to hit theatres on 5 December. With horror, comedy, action, romance, and Prabhas in a never-before-seen avatar, this film could offer a refreshing break from the usual big-budget spectacles.
Parle Patel has been a magnetic force in entertainment for nearly 15 years, combining laughter, language and layered identity into sketches, stage shows, radio and social media reels.
The “all-round entertainer”, best known as a fierce champion of Gujarati culture, has gained a loyal global following that spans from London to the heartlands of India.
This year, the popular British talent added another significant milestone to his creative journey by making a winning debut in Gujarati cinema with the film Umbarro. With a unique blend of humour, heart and heritage, Patel has added another huge chapter to an inspiring story of proudly representing his community.
Eastern Eye caught up with the great British hero to discuss his creative journey, film debut, inspirations and future plans..
In Gujarati film Umbarro
How do you reflect on your creative journey? I take stops throughout the year to reflect on what I have done creatively and see if it aligns with my values and aspirations. This includes time away from the UK to reflect. I also think about inspiring figures I look up to and see if I can build on what I have taken on board from them.
You have always championed Gujarati culture. How important is that to you? My main aim was always to speak up for those not properly seen within our Gujarati community. I started making comedy because not enough was being said, explored or celebrated about us. After nearly 15 years, it is not just about ethnicity or religion, but about representing anything you feel is not seen or heard. Now, it is also important for me to celebrate other Gujarati artists and talent too, by highlighting them through my platforms.
You have done diverse work from the online space to theatre, but which has been closest to your heart? All of them have bits of my heart. Each has helped me in different ways. YouTubing and being online showed me you can just start with yourself and build an audience – especially now, when people need that community. It built a worldwide audience. I never thought people in India would like my content, or that I would be doing shows in the US. And getting recognised on a tiny island in Thailand? The power of the internet is mind-blowing.
What about radio and theatre? Theatre is just as good, but different. Hearing everyone laugh together, or the silence during a serious bit, is so raw and real. You know what has made them laugh. Online, you get ‘lol’, or emojis, which is not the same. Radio is another world, with just the voice. It is massively challenging making comedy or saying what I think without the face or acting. Each one is different, but they all fit together – like bits of me, Parle.
How does all your amazing previous work compare to working in a Gujarati film produced by a company from India? With digital content, it is a one-man team, but in film, there is an entire cast and crew helping you stay energised. There are also random people or guests who have come to watch the shoot. So, it is a very different environment, where you really learn to focus with so much going on around you. The team was like a family – so warm and helpful. My fantastic director was so supportive. He never made me feel like this was my first feature film.
How did you feel when you got that film offer? It was really exciting. To work for a director, Abhishek Shah, whose work I am immensely inspired by – like Hellaro, which was a superhit globally. Also, for this role, I had to specifically represent British Gujaratis, and that was going to be fun.
Thumbnail from his social media reel
Tell us about Umbarro and your character. The film follows the lives of seven Gujarati women from different walks of life, travelling to London on a tour. Each lady has a different backstory that needs healing. It beautifully shows that there is no one type of Gujarati woman and has a beautiful element of sisterhood. They help one another through issues like grief, loss and relationships, but also empower each other. I was playing Simran, a half-Punjabi and half-Gujarati. That was where the humour stemmed from. All our characters were on a journey, and had gender-neutral names, which is important when there is not that much representation.
What was your most memorable moment from this Gujarati film journey? A few special things happened. What really struck me was how much the team persevered without ever complaining. Freezing night shoots, a 12th take – everyone just rallied with pure dedication to Gujarati storytelling. Then connecting with senior actors and legends, who knew my UK comedy stuff? It was heart-warming and humbling when they asked my opinion. The Northern Lights also appeared during a shoot, which felt like a sign and blessing. That was unforgettable.
How much do you love that Gujarati cinema has been on the rise? I am so happy and grateful that directors in the industry have not given up or stopped. They are so passionate about the Gujarati language. For ages, I felt like the only one who cared. But then this ‘renaissance’ happened after that lull since the golden oldies. There is often a bias against our regional films. People say, ‘I cannot speak Gujarati, so I will not watch’, but they happily watch a series like Squid Game with subtitles. Surely, it’s about the story?
You have worked on so many different mediums and platforms. What is the plan going forward? With so many things happening globally, I feel my audience is really hungry for more online content. People want to connect, feel a sense of community, and escape as well. In the beginning, I was almost told off for making escapist content. But I think it is important to help people escape the stresses of day-to-day life and laugh at relatable funny things. So, everyone is definitely going to see more online content. It is how people from remote locations get to connect with Gujarati language, comedy and culture.
What about other platforms? I will go back to the stage in some capacity. I really hope to connect with people who want to collaborate and are also passionate about telling authentic stories – especially ones about British Gujaratis, Asians, Hindus and Indians here in the UK. There is so much more that is waiting to be told. I just want to keep representing.
Are you hoping to work in more films? I would love to work in more films. I will always push myself and audition for roles that I feel I can play. I will always try my best to take training and learn more about each medium.
What inspires you creatively? It can be a spark from anywhere. But proper inspiration comes from stories – my own life and family. During tough times, you remember the bad stuff, right? But later, you can choose how to look back – grief, drama or comedy. I pick comedy. It is a human superpower. Turning sad memories into funny ones, adding my ‘masala’. It may not be funny at first, but give it a day or two. That is being a comic – spinning the mundane. Loads of my videos are just everyday stuff, heightened a bit.
Tell us about the family aspect. My parents are a massive inspiration. Dad put me in front of the camera first and taught me how to frame a shot. Mum has always been sharp, witty and has a love for Gujarati dance. I grew up around that. They are proper powerhouses, making me see the funny everywhere. My partner shows me the funny in stuff I would miss. Being with someone who loves comedy and theatre unlocks so much. We get through the mad times by just laughing.
Instagram: @planetparle
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Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
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Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
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This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.