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Pakistan receives lion’s share of Dfid aid

BRITAIN increased its spending on overseas aid programmes in 2015, official data released yesterday (November 17) showed, with Pakistan and Ethiopia receiving the largest share of the money.

The Department for International Development (DfID) spent £12.1 billion ($15 billion) last year, a rise of nearly four per cent from £11.7 billion ($14.55 billion) in 2014.


The government, which has stuck to a UN pledge to spend 0.7 per cent of gross domestic product on foreign aid, has come under increasing scrutiny over how it spends its multi-billion dollar aid budget, which some lawmakers say would be better spent at home.

DfID, which operates predominantly through partner organisations, including charities, private companies and UN agencies, said the rise in the level of fraud was due to “heightened scrutiny” by the department.

According to Thursday’s figures, Pakistan had the largest share of UK aid money with £374 million, followed by Ethiopia with £339 million. These were followed by Afghanistan, Nigeria and Syria.

(Thomson Reuters Foundation)

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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73

Highlights:

  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
  • The National Portrait Gallery is currently showing his exhibition Only Human.
  • Parr’s legacy continues through the Martin Parr Foundation.

Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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