Pakistan Tuesday (12) took a giant step towards reviving international cricket at home with a 20-run victory over the World XI in a match before excited crowds amid tight security.
The Twenty20 match, accorded international status by the International Cricket Council, is the first game of only the second series Pakistan has hosted since militants attacked the bus of the visiting Sri Lankan team in March 2009, killing eight people and injuring seven players and staff.
Long before it began at 7:00pm (14:00 GMT), around 9,000 police officers and paramilitary forces were deployed to the area, cordoning off the team's hotels and stadium.
But the large security presence did little to temper the enthusiasm of fans in the cricket-mad country.
"I came here early to watch the teams come but that was not possible due to security so I only watched them in the ground and it made my day," said spectator Azfar Ali.
Pakistan, sent into bat by World XI skipper Faf du Plessis, notched 197-5 with Babar Azam hitting a rapid 52-ball 86. His career best Twenty20 score had ten boundaries and two sixes.
Azam added 122 for the second wicket with Ahmed Shehzad (39) as Pakistan built on the loss of opener Fakhar Zaman for eight.
Shoaib Malik smashed a 20-ball 38 with two sixes and four boundaries to give the final touches to the innings.
The World XI started off well with Tamim Iqbal hitting 18 with three boundaries and Hashim Amla hit three boundaries and a six in his 17-ball 26 but left-arm pacer Rumman Raees dismissed both in the same over to put the brakes on their innings.
Skipper Faf du Plessis hit four boundaries and a six while Darren Sammy thumped three sixes - both scoring 29 - but were unable to see their team through.
For Pakistan, paceman Sohail Khan and leg-spinner Shadab Khan finished with two wickets apiece.
World XI skipper du Plessis blamed his dismissal for the team's loss.
"I needed to get a 50 or 60 for us to win," he said, adding that it was "great to play in front of the Pakistani fans".
Pakistan captain Sarfraz Ahmed thanked the crowd.
"It was a historic occasion and I thank the crowd for coming in good numbers," said Ahmed.
"It was a very important match and I think no praise is too high for our players, especially Azam."
The second game is on Wednesday (13) and the third on Friday (15)- both in Lahore.
Du Plessis said it would be a "quick turnaround, I don't think I've ever played two T20s in two days".
Pakistan hopes the series will showcase an improved security situation as it seeks to entice other foreign opponents. Sri Lanka are due to play a Twenty20 in October, and will be followed by the West Indies who are due to play a mini-series of three Twenty20s in November.
Tuesday marked the first time that five of the Pakistan players - Ashraf, Zaman, Shadab, Raees and Hasan Ali - played an international match on home soil.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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