On Friday, (03) the Quad group, consisting of the United States, Japan, India, and Australia, raised concerns regarding the militarisation of waters in Asia. This was understood to be a reference to China's increasing presence in disputed seas.
The foreign ministers of the four nations, including US Secretary of State Antony Blinken, gathered in New Delhi for the discussion.
In a joint statement issued by India, the Quad called for "the importance of adherence to international law" in the East and South China Seas "to meet challenges to the maritime rules-based order".
"We strongly oppose any unilateral actions that seek to change the status quo or increase tensions in the area," it said.
"We express serious concern at the militarisation of disputed features, the dangerous use of coast guard vessels and maritime militia and efforts to disrupt other countries' offshore resource exploitation activities," it added.
China has laid claim to nearly the entirety of the South China Sea, a crucial passage for trade worth trillions of dollars each year. Despite a ruling from an international court that its claims are unfounded, China has constructed military bases in the region, causing concern among Washington and other nations with territorial claims in the area.
While the Quad's recent statement did not explicitly mention China, the rising Asian power has accused the group, led by the US, of attempting to encircle it. The Quad, however, maintains that it is not a military alliance and is focused on collaboration in areas like disaster relief.
After their meeting, Japanese Foreign Minister Yoshimasa Hayashi said China had no reason to fear the Quad.
"This is not military but just practical cooperation," he said at the Raisina Dialogue, a forum in New Delhi.
"We don't try to exclude anybody. This is an open dialogue," he said.
"As long as even China abides by the laws and international norms, and also acts under the international institutions, standards and laws, then this is not a conflicting issue between China and the Quad."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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