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Not interested in becoming Pakistan Cricket Board chief: Akram

Not interested in becoming Pakistan Cricket Board chief: Akram

PAKISTAN'S former captain and fast bowling great Wasim Akram has denied reports that he is interested in becoming the chairman of the Pakistan Cricket Board (PCB).

Akram, who is in Australia, tweeted that the PCB chairman's job was a specialised one and he was not up for it.


The legendary pacer, however, didn't confirm or deny whether he was offered the position by the patron-in-chief of the board, prime minister Imran Khan.

A source aware of the developments leading to the nomination of former captain Ramiz Raja as PCB chief had claimed that the prime minister had also considered Akram for the post.

Ramiz was nominated by the premier to the PCB's Board of Governors which will elect the new chairman on September 13 for a three-year term.

Akram, who is an influential member of the PCB's Cricket Committee and also director cricket/coach with the Karachi Kings in the Pakistan Super League, is presently in Australia with his wife and daughter.

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Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'
'ASTITVA' pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle
Instagram/jaivantpatelco

Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'

Highlights:

  • Pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle.
  • It insists the community deserves stages for celebration, not just for sharing pain.
  • It walks through four raw, human chapters: Seeking, Desire, Acceptance, and Love.
  • Its core mission is putting brown, queer male bodies on stage in a way that is still rarely seen.

In an exclusive chat with Eastern Eye, choreographer Jaivant Patel spoke about ASTITVA, a new dance work that reimagines what it means to be queer and south Asian through movement, rhythm, and emotion.

ASTITVA translates to “existence,” an apt title for a piece born from the need to simply be seen and heard. It reflects Patel’s journey and the lived realities of queer south Asian people today.

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