With a model of the Pakistani villa where he lived and a video of Barack Obama explaining his hesitancy about approving the raid, a new exhibition details the operation that killed 9/11 mastermind Osama bin Laden.
Revealed: The Hunt for Bin Laden, which opens Friday at the September 11, 2001 attacks museum in New York, plots the ten-year search for the brains behind the single deadliest attack ever on the United States.
"It's like being in the front row of history," said Alice Greenwald, president and chief executive of 9/11 Memorial Museum.
"We get an insider's view into ... how the raid was actually conducted from the people that were there," she added.
The US intelligence services-led manhunt culminated overnight on May 1 and 2, 2011 with operation Geronimo, the commando raid that left Bin Laden, the orchestrator of the atrocity that killed almost 3,000 people and destroyed the Twin Towers, dead.
The exhibition, which will run until May 2021, contains no shattering revelations, such as possible collaboration between American and Pakistani spies.
But using around 60 objects, including some seized in the villa, and dozens of photos and videos, visitors can see the work of the intelligence services as they try to find the Al-Qaeda leader.
The timeline includes bin Laden's departure without a trace from the Tora Bora mountains in Afghanistan in late 2001 and the key identification of his messenger Abu Ahmad al-Kuwaiti and his jeep in Peshawar in 2010.
Al-Kuwaiti would lead US agents to the quiet garrison city of Abbottabad, 50 miles (80 kilometers) from the Pakistani capital Islamabad and the villa where a mysterious figure would take a few steps inside the compound every day, like a prisoner.
The Americans nicknamed him "Pacer" before becoming convinced over time that he was the man they had been looking for -- bin Laden.
The exhibition focuses on the "human" story of the operation through multiple interviews: from senior officials who validated the assault to Navy Seal commandos who invaded the villa.
Anonymous agents explain how they understood that to find bin Laden they had to follow people who were likely to help him.
"The gravity of that decision-making and the burden of that decision-making really comes across in this exhibition," said Greenwald.
"I think it is a reminder of how decisions that are so momentous actually get made," she added, referring to dilemmas about whether to attack the residence when it puts lives at risk.
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After 9/11, rivalries between the various branches of the US intelligence services were blamed for not sharing information that might have thwarted the attacks.
The exhibition celebrates their renewed unity, tenacity and courage.
It displays a cap worn by an agent who suffered head injuries when a bomb triggered by a double agent exploded at a meeting that they hoped would lead to new information about bin Laden.
Clifford Chanin, deputy director for programs at the museum, said the exhibition is the result of over three years of discussions with government agencies, during which he wondered "how much of the story would they let us tell because it's a classified mission."
"We don't know what we weren't able to get because we don't know what it is. (But) in terms of the artifacts loaned to us and the access we got to people for interviews, we got much further into this story than anybody," he said.
The death of bin Laden, announced by Obama just before midnight eastern US time on May 1, 2011, was celebrated across the United States and particularly in New York, where there were spontaneous rallies in Times Square and at the World Trade Center site.
For many Americans the exhibition is a moment to savor that night again.
"It's awe-inspiring to me to see the amount of work and effort, commitment done on behalf of our loved ones, by the military and intelligence division," said Patricia Reilly whose sister died on the 101st floor of one of the towers.
"It just brings back that feeling of gratefulness that I felt on the day that the president announced that they had killed bin Laden. We had waited so long for justice," she added.
KEY iPhone manufacturer Foxconn is investing £1.12 billion to increase its focus on India, as Apple continues shifting production away from China amid geopolitical and tariff-related concerns.
The Taiwanese company said its Singapore-based subsidiary had acquired 12.7 bn shares in its India unit, resulting in an injection of about £1.12 bn.
The Indian arm, called Yuzhan Technology India, manufactures smartphone components in Tamil Nadu, according to local media reports.
No other details were shared in the filing made by Foxconn with the Taiwan stock exchange on Monday.
India has been working to position itself as an alternative manufacturing destination to China.
Efforts by New Delhi to offer subsidies worth billions have helped boost local electronics manufacturing.
Foxconn’s latest move comes weeks after Apple CEO Tim Cook said he expected most iPhones sold in the United States to have “India as their country of origin”.
Experts say the gradual move from China to India helps Apple reduce risks linked to tariffs and geopolitical tensions, including those stemming from former US president Donald Trump’s trade policy.
Apple’s growing focus on India also drew criticism from Trump, who said last week he told Cook: “We’re not interested in you building in India... we want you to build here.”
Foxconn is also expanding its manufacturing operations more broadly in India.
Last week, the Indian government approved Foxconn’s proposal to build a semiconductor facility in northern India in partnership with the HCL Group.
According to a government press release, the HCL-Foxconn joint venture will invest about £324 million in the plant.
The facility will manufacture display driver chips used in smartphones, laptops, cars and other devices.
The press release said the plant is planned to handle 20,000 wafers – thin slices of semiconductor material – each month, with a designed output capacity of 36 million units per month.
India has offered financial support to companies setting up chip manufacturing facilities in the country to build a reliable supply chain and address national security concerns.
Looking for a fun, energetic, and inclusive way to stay fit in London? Bollywood Fitness Classes with Mevy are taking Highams Park by storm this May, offering women of all ages and fitness levels the chance to dance their way to health and happiness. Taking place at All Saints Church on Church Avenue, these sessions blend the colour, rhythm, and excitement of Bollywood music with high-energy dance workouts designed to boost both your physical and mental wellbeing. Whether you're a total beginner or a seasoned dancer, these classes are the perfect midweek pick-me-up for any woman looking to move, groove, and glow.
Bollywood Fitness is a unique fusion of traditional Indian dance styles, contemporary moves, and cardio-based fitness routines. Led by the passionate and charismatic instructor Mevy, these classes are designed to get your heart pumping, lift your mood, and help you stay active in a way that feels more like a celebration than a chore.
Each class lasts around 60 minutes and features a full-body workout set to a playlist of iconic Bollywood tracks, from timeless hits to the latest chart-toppers. Expect upbeat choreography, friendly vibes, and an environment where every woman feels confident and supported—no matter her fitness level or dance background.
Location: All Saints Church, Church Avenue, Highams Park, London E4 9QZ Dates: Thursdays, May 22 and May 29 Time: Evening sessions (exact time available on booking site)
The venue is easily accessible by public transport and offers a warm, welcoming space perfect for letting loose and enjoying some “me-time” away from the daily grind.
These classes are designed exclusively for women and are open to all ages and fitness levels. Whether you’re looking to try something new, reconnect with your cultural roots, or just want a fresh way to stay active, Mevy’s Bollywood fitness classes offer a safe and inclusive environment for everyone.
No previous dance experience is necessary—just bring your energy, a bottle of water, and a willingness to have fun!
Spaces are limited, and demand is growing fast! To secure your place for one or both sessions, visit www.eventbrite.co.uk and search for “Bollywood Fitness Classes with Mevy.” Booking in advance is recommended to avoid disappointment.
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Aishwarya Rai and daughter Aaradhya land in France ahead of the Cannes 2025 red carpet event
Aishwarya Rai Bachchan has once again touched down in France for the Cannes Film Festival, and this time, as always, her daughter Aaradhya is by her side. The duo was seen arriving at Nice Airport, where they were warmly received. A video of their arrival, now circulating widely online, captures Aishwarya chatting warmly with a greeter who hands a gift to Aaradhya before they head off.
Clad in a navy blue trench coat, Aishwarya kept it simple yet elegant. Aaradhya wore an all-black outfit and seemed at ease, exchanging smiles and laughter during the brief encounter at the airport. Despite recent speculation about whether Aishwarya would attend Cannes this year, especially after a video of her dancing with husband Abhishek Bachchan at a wedding in Mumbai, her airport appearance has laid all doubts to rest.
Fans quickly jumped into action online, sharing excitement over her return to Cannes. Comments ranged from “She is back!” to eager anticipation over her upcoming looks. However, not all responses were glowing, with some commenting on her choice of hairstyle.
Aishwarya is expected to walk the Cannes red carpet on 21 and 22 May, marking her 22nd year at the prestigious event. Her first appearance was in 2002 for the premiere of Devdas, where she made headlines arriving in a traditional gold saree, accompanied by Shah Rukh Khan and director Sanjay Leela Bhansali.
As for Aaradhya, her presence at Cannes is no surprise. Aishwarya has often said that her daughter enjoys the experience, not just for the glamour but for the atmosphere and the people she’s grown familiar with over the years. She once shared that Aaradhya understands the significance of the festival and appreciates the world of cinema.
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This year’s Cannes also sees other Indian names on the guest list, including Payal Kapadia on the competition jury, and stars like Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa promoting their film Homebound. Meanwhile, the restored version of Satyajit Ray’s Aranyer Din Ratri brings legends like Sharmila Tagore and Simi Garewal back to the spotlight.
With Aishwarya back on the red carpet, the countdown to her Cannes look has officially begun.
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Washington often imposes such visa restrictions without naming the individuals involved.
THE US State Department on Monday said it was imposing visa restrictions on owners and staff of travel agencies in India who it says knowingly facilitate illegal migration to the United States.
An unspecified number of individuals associated with these travel agencies are being subjected to visa bans under the Immigration and Nationality Act. The action is based on information collected by the US mission in India, according to department spokesperson Tammy Bruce.
Washington often imposes such visa restrictions without naming the individuals involved.
"We will continue to take steps to impose visa restrictions against owners, executives, and senior officials of travel agencies to cut off alien smuggling networks," Bruce said. She did not provide details on how the travel agents had facilitated illegal migration.
The action is part of a broader effort under president Donald Trump's administration to curb migration to the United States and deport undocumented immigrants already in the country.
The US embassy in New Delhi has also issued repeated warnings on its social media platforms, advising Indian nationals visiting the United States not to overstay their authorised period of stay. It warned that overstaying could lead to deportation and a permanent ban from entering the country.
(With inputs from Reuters)
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Taylor Swift’s voice echoes through The Handmaid’s Tale in a surprise Reputation (Taylor’s Version) debut
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.