Ranbir Kapoor, who recently welcomed his first child with Alia Bhatt, made millions of heads turn with his magnetic appearance at the Red Sea International Film Festival in Jeddah, Saudi Arabia, where he also received the Variety International Vanguard Actor Award.
During an interactive session at the festival, Kapoor was asked if he would be open to the idea of working in a Pakistani film.
“Now we have a platform like Saudi Arabia where we can jointly do films, I would love to sign you for a film. Would you be willing to work with the Pakistani team along with your team in Saudi Arabia?” a Pakistani filmmaker asked the star.
Responding to the same, the Besharam (2013) actor said, “Of course, sir. I think there are no boundaries for artists, especially for arts.”
The actor even congratulated the Pakistan film industry for the worldwide success of Fawad Khan and Mahira Khan’s recently released film The Legend Of Maula Jatt (2022).
“It is one of the biggest hits we have seen in the last few years. Of course, I would love to,” he added.
As expected, his statement did not go down well with a number of his Indian fans and they took to Twitter to bash the actor.
One user wrote, “How shallow their patriotism is …for money… kuch bhi”.
Another wrote, “That’s like Mahesh Bhat's true son-in-law.”
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“He should leave Indian citizenship and permanently settle in Pakistan. We will support this great move of Ranbir Kapoor,” wrote a third one.
— (@)
A fourth user wrote, “Both Alia & Ranbir Kapoor should shift to Pakistan. They can comfortably eat beef there and work in Pakistani films.”
On the work front, Ranbir Kapoor has a few high-profile films in the works. He will next be seen in filmmaker Luv Ranjan’s yet-untitled film. Scheduled to hit screens on Holi 2023, the upcoming film also stars Shraddha Kapoor in the lead role. He also has Sandeep Reddy Vanga’s Animal slated to release in 2023. The film also features Rashmika Mandanna, Anil Kapoor, and Bobby Deol in lead roles.
Keep visiting this space over and again for more updates and reveals from the glitzy world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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