WHY BOLLYWOOD LEGEND JOHNNY WALKER’S SON FORGED HIS OWN ACTING PATH
THERE is something remarkable about respected actor Nasirr Khan that not many people know.
He is the son of Bollywood legend Johnny Walker, who established himself as one of the finest comic actors in the history of Indian cinema and starred in countless classics. Instead of cashing in on his iconic father’s name, the versatile performer chose to struggle and carved out his own career. Whether the project has been successful or not, he has shown off his range as an actor on film and TV. With a renewed sense of purpose, he has various projects on the way, including one revolving around his incredible father, which means audiences will be seeing a lot more of him.
Eastern Eye caught up with the acclaimed actor to discuss his journey so far, fantastic father and future hopes.
You chose to carve your own path. How do you look back on your journey?
There have been a few hits and a lot of misses. But it’s never too late to learn from my mistakes. I am now just looking forward to taking on challenging and impactful roles I believe in.
Which role has given you the greatest joy?
I like to live in the present and look forward to that next challenge. So, right now Niranjan Toshniwal (in TV series Shubh Laabh Aapkey Ghar Mein), which I'm doing at present, is my favourite, as it has given me a new insight on myself.
How much of an influence was your legendary father Johnny Walker on you?
Of course, he was a tremendous influence, not just on me, but so many who followed in his giant footsteps as an actor. While many got inspired by his immense body of work on screen, I wish a lot of people could also learn from his life and lifestyle. The way he handled his personal and professional life. He gave his all in each and always remained humble.
What was it like growing up with such a famous dad?
We never knew how famous he was or the other stars that came home regularly. For us he was just dad, while they were uncle and aunty. He liked it that way because it kept us grounded and for us it was great because there was no background noise of the stardom around him.
What was he like at home?
The name and fame never changed him. He never forgot his humble beginnings and was a very simple person at home. To the world he was actor Johnny Walker, at home he was Badruddin Jamaluddin Kazi, who was a family man of principles and ethics. We, as a family, learned a lot from him.
Which of his roles did you love most?
It is impossible to just pick one role from an immense body of work. Some performances that immediately come to mind are ones in Madhumati, Naya Daur, Mr & Mrs 55, Chhoo Mantar, Chaudhvin Ka Chand, Johnny Walker and all the others. I am and will always remain his biggest fan.
Johnny Walker
Why do you think he was so special?
The simplicity in his performances and incredible comic timing. His dialogues were very basic, but his timing was God-gifted. The way he said his lines was on another level – no one can mimic him properly even till today, not even me. He never did anything obscene or vulgar. His humour on and off screen was very clean and universal. It was enjoyed by young and old, and even today people remember him. They still enjoy seeing his scenes because his performances transcended time.
Not many know that such an icon is your father. Has that been a conscious decision on your part?
It was a conscious decision on both our parts. He used to say “Johnny Walker ke naam pe entry toh mil jayegi, lekin Nasirr ke kaam pe tika rahega” (you may get an entry on Johnny Walker’s name, but your work is what will get you a stamp of approval). Although I am incredibly proud of my heritage, I chose to focus on the craft.
Have you ever felt the pressure of having such a famous dad?
No, I never did and the entire credit for that goes to my parents, as they kept everything simple and real, always.
What else can we expect from you besides Shubh Laabh Aapkey Ghar Mein?
Currently, I am in talks with some web series and I also plan to do something on my father, by year end.
Do you have a dream role?
I believe that as an actor I should be inspired by other actors. I try to supersede myself with each role and make that a dream role for others.
What do you enjoy watching?
I enjoy watching films more than web and TV series. When it is engaging, I enjoy all genres in any language.
What inspires you?
Hard-work, honesty and dedication really inspire me.
Why do you love being an actor?
I get to live so many different lives and emotions in one lifetime.
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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