“THERE are a myriad ways to interpret my top 10 comedy moments. When have I made others laugh? When have others made me laugh? What are my greatest comedic achievements? I’ll
include a bit of all. Here they are, in chronological order…”
French fried: How do you measure laughter? The hardest or longest you’ve laughed? The most often in a short period? (Is it obvious I got an engineering degree?) All these happened at once on a class trip from Cincinnati to Quebec. My friends and I suplexed a bag of potato chips, greasing up our entire sleeping quarters. (Hey, I was 14.) I laughed for an hour, until my friend Danny socked me in the stomach to get me to stop. I cried myself to sleep. If there ever was a training for a career in comedy, this was it.
Sex bomb: At our high school, the valedictorian didn’t give the commencement address. So, the responsibility fell on the class president. I aimed to get laughs and drop knowledge. Unfortunately, in front of a crowd of thousands, including 488 classmates, instead of saying, “Be gracious in your success,” I accidentally said, “Be gracious in your sex.” The place went nuts. I tagged it with, “I mean, I do think you should be gracious in your sex or at least grateful for any sex, not that I’m getting any.”
Chappelle show: In 2000, before I started doing stand-up, I was part of the student government at University of Cincinnati. They were bringing Dave Chappelle to campus and asked me to open for him since I’m funny. I went out in front of 1,000 people and within 30 seconds, got booed offstage. I handed the mic to Dave Chappelle. He told me to hang tight and said he’d bring me out. He goes out and opens with, “Why you gotta boo a ni**a offstage?” That gets ’em. He brings me out and has me sit on the side of the stage, while he does his Killin’ Em Softly set. After the legendary set, he invited me to open for him. I did my first ever weekend performance and did alright. I’d go on to open for Chappelle three more times in Cincinnati and Dayton. That Dave Chappelle. What a guy.
Good and Eva: One night, Eva Longoria came to the Hollywood Laugh Factory. A bunch of us were in the tiny lobby; people were snapping photos of her. Suddenly, she jumped over to me and said, “Oh, my god, you’re hilarious! Get a picture of us!” I couldn’t believe it. I mean, a beautiful A-list Hollywood star paid me that kind of compliment? Ladies and gentlemen, I’ve made it. I asked her if she would pretend to get my attention while I ignore her, and she went along with it.
The love you take: I love doing crowd work. One night at the Comedy Store in Hollywood, I asked a woman in the front row, “What’s a movie you haven’t seen that you think everybody else has?” She replied, “Oh, honey. My life’s a movie, baby.” I looked at her and said, “I hate to ruin it for you, but you die at the end.” Shocked silence, followed by uproarious laughter.
That rings true: In December 2014, I proposed to my then-girlfriend onstage. I got the idea very early that morning and my mom loved it. Of course she did, I was 38. At that point, I could’ve proposed in the loo! (Comedian) Kevin Nealon told me to do it at the end of my set. I asked, “Will you be able to follow it?” In his own hilarious way, he replied, “Yes, Rajiv, I’ll be able to follow it,” and he did brilliantly.
Be a man: On August 2015, my now wife and I got married. Our dear friend Russell Peters turned up! I mean he really turned up and DJed. He snapped hundreds of photos with our guests. And of course, he did a comedy set. Since I was the one getting married, I followed him, jokingly telling everyone that I finally got to say Russell Peters was opening for me.
Oh, that’s rich: Onstage at the Hollywood Laugh Factory, I asked a man in the audience if he liked Lionel Richie. To my amazement, he said he was more rock than pop. He proceeded to tell me his favourite band was Pink Floyd and favourite song was Hey You. His favourite lyric was “Together we stand, divided we fall.” As I broke out into a dance, I flipped it on him and started singing Richie classic “All Night Long.” It was funny, but maybe you had to be there.
The fool on the hill: My latest solo tour, The Man In The Middle, is about US politics. I plan to resume it as soon as this coronavirus allows. Towards the end of 2019, I performed it at the US House of Representatives. We even had opposing politicians tell a joke, as opposed to most of the legislation they write, which is a joke. It was the eve of the impeachment vote. They weren’t exactly in a conciliatory mood. Hey, in comedy, timing is everything.
Magnificent seven: At the very end of the last decade, I became the first person ever to perform stand-up comedy on all seven continents. Having done the other five, I flew to Buenos Aires to headline a bar gig, after which I boarded a ship to set sail across the Drake Passage to perform for some penguins in Antarctica. I’d love to claim to be the first to do stand-up in Antarctica, but some bloke likely got plastered and told jokes at the Faraday Bar (the southernmost bar in the world).
Rajiv Satyal is a stand-up comedian and radio/TV host. Visit Instagram, Twitter, Facebook and all social media: @funnyindian
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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