The God of Small Things by Arundhati Roy: It’s impossible for me to choose my top 10
books, because my favourites make up a never-ending list. But Arundhati Roy’s debut novel will always be at the top of any list for me. Set in Kerala, it is the story of two fraternal
twins, Rahel and Estha, who view the world around them, family heartache, political
turbulence, discrimination, and heartbreak through their childlike eyes. It’s beautiful,
moving and profound.
White Teeth by Zadie Smith: This novel is extraordinary in the sense that it does so much
so well – it is big-hearted, hilarious, poignant and acutely observed. White Teeth introduced me to characters that felt like family, and it’s such a vibrant and engaging storytelling, you’ll lose yourself in the characters and Zadie Smith’s portrait of London.
There But For The by Ali Smith: This story starts with Miles who attends a dinner party and locks himself in one of the bedrooms at his host’s house. I have always admired Ali Smith’s playfulness and originality, and There But For The is a book I read once but scenes from it continue to roam my mind years later.
All My Puny Sorrows by Miriam Toews: This book has a permanent place in my heart. It follows two sisters, Yoli and Elf. Elf seems to have it all, is a world-renowned pianist, and she wants to die. And there’s her sister, Yoli, her life is crumbling, and she is determined to keep her sister alive. It explores death and grief alongside joy, humour and immense compassion. It’s a beautiful book.
May We Be Forgiven by A. M. Homes: A. M. Homes knows how to take an ordinary situation and, with the flick of a switch, make it extraordinary – she finds the absurd in the everyday and turns it up 100 degrees. I read every single one of her books as soon as I can. May We Be Forgiven is, frankly, brilliant. Full of dark comedy. Incredibly compelling!
A Fine Balance by Rohinton Mistry:A Fine Balance reads like an epic. Set in India, in 1975, we follow a whole host of characters from different walks of life. This novel is full to the brim with humanity and compassion and heart and heartache. It is a masterpiece. It is a book that I want to read again, once I have properly prepared myself for the emotional journey!
Strange Weather in Tokyo by Hiromi Kawakami: Tsukiko is in her late thirties and incredibly lonely. When she bumps into her former teacher, Sensei, at a bar, a blossoming, yet awkward, friendship and intimacy grows between the two of them. I love this book, I love Tsukiko and Sensei’s awkwardness more than anything. I love how it makes you a little uncomfortable. It perfectly captures loneliness, isolation and our desire to connect with others.
Girl, Woman, Other by Bernardine Evaristo: This novel needs no introduction. Bernardine Evaristo writes 12 different characters, in different places, spaces, and times. Every character comes fully formed. I’d heard so many amazing things about this book, but nothing prepared me for how wonderful it actually is. So, all I can say is, if you haven’t already, read it.
Tin Man by Sarah Winman: I don’t even know where to start with Tin Man. It is, in some ways, a love story – and follows best friends Ellis and Michael, and Annie too – it’s a story of enduring friendship, of finding yourself as well as one another. It is devastating and heart-breaking and not a single word in the book is wasted.
The Reading List by Sara Nisha Adams: This is cheating slightly, because it means I can include nine books at once. My debut begins with a stranger’s reading list, discovered within a library book that unites two lonely Londoners, a widower and a librarian. The books they read are: The Time Traveler’s Wife, To Kill A Mockingbird, Rebecca, The Kite Runner, Life of Pi, Little Women, Pride and Prejudice, Beloved and A Suitable Boy. These books helped shape me as a reader, just as they shape these two very different characters, and the community around them.
Sara Nisha Adams’ debut novel The Reading List will be released on July 22, 2021 and is available for pre-order now. Visit Instagram: @SaraNishaAdamsBooks & Twitter: @SaraNishaAdams
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.