NEW YORK-BASED music producer, DJ and entrepreneur, Kahani, has built a career around catchy music.
Real name Armaan Gupta, he balances his time between crafting beats with live percussion and melodic instruments from India, and helping artists grow with his label and collective, Nonresident. He went through his mammoth music collection to select 10 songs he loves right now and revealed some hidden gems.
Sinister by Tech Panda & Kenzani: They have been releasing heavy hitters the past year that can help anyone get into a groove. Sinister has been a track I've recently been spinning at events and the crowd loves it. I can't seem to get it out of my head.
KU KU by Omar: The incredibly talented producer out of Los Angeles is the definition of a tastemaker. He has an ear for blending south Asian sounds with global rhythms. I have a habit of dropping KU KU on top of a variety of electronic-based tracks to bring in the Indian flavour.
Jeth Ne Kutti by 2NV & Romey Gill: 2NV absolutely crushed it with his 2020 album, All or Nothing. I play it at least once a month, front to back. As a bhangra dancer, I can't help but put on the biggest smile when listening to this song.
Dheeray by HYDR & PDNY: This past summer, someone came up to me while I was DJing and asked me to play HDYR's latest track, as he was at the party. I ended up meeting HDYR later that night and knew his love for music was real. He blessed one of our future stages, alongside PDNY, and I look forward to seeing them grow and fight for the crown in the r’n’b space.
Velli by Indian Cinema, GSING & KAEM: Shameless plug. Last year, while heavily experimenting with different sound spaces, I worked with GSING and KAEM to carefully craft a hard-hitting Punjabi hip hop track that felt like it could be used in a futuristic movie. This was the result.
Kaise by Rusha & Blizza: The incredible duo out of New Delhi have my full attention. Their sound design is unlike anything I've come across before. Working on a remix with them as we speak.
Manole by &lez:Manole will always have a special place in my heart. This track was played recently by Black Coffee at his show in the legendary Brooklyn Mirage. His performance changed the way I process sound. As global drum patterns moved a crowd filled with people from all over the world, you could feel the energy rising through every segment.
Her Entrance by Parra For Cuva: The music producer and DJ captured my attention earlier this year with his live set for Cercle at Cañon del Sumidero, Mexico. A beautifully pleasant sound that helps me internally reset and let go of any present anxiety.
Turiya by ShiShi: Blessed to call ShiShi a good friend and partner in the music scene. We first met when Irequested his presence to perform at a music festival, I was organising in New York City. Since then, we've organised multiple events throughout North America, bringing unique sounds to every dance floor.
Challa by Hari & Sukhmani: I wish Hari and Sukhmani the best of luck on the beautiful journey that lies ahead of them. What they're building together is something that I have not seen in a while – beautiful production with immaculate folk vocals, all in-house. Looking forward to seeing them perform live one day.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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