He made his directorial debut with the young romance “Maine Pyaar Kiya” right after graduating from college and since then filmmaker Sooraj Barjatya says his films have reflected various stages of his life.
With “Hum Aapke Hain Koun..!” and “Vivah”, he explored marriage in different eras. He presented a nuanced take on broken relationships when he made a film like “Prem Ratan Dhan Payo”, several years after directing the idealistic family drama “Hum Saath Saath Hain”. “When I did ‘Maine Pyaar Kiya’ I was out of college, 21 or 22 years of age, and then got married and had two kids and you learn the value of friendship and you make ‘Hum Aapke Hain Koun..!’.
“And then you lose a mother and you make ‘Hum Saath Saath Hain’, when you realise the value of marriage you make ‘Vivah’ and then with ‘Prem Ratan Dhan Payo’ you realise that every family has problems, you cannot deny (it),” Barjatya, 57, told PTI in an interview.
Every director draws inspiration from the kind of life they have lived and he is no different, the filmmaker said.
“We always borrow from life. Creation comes from your own experiences. What I show in films is somewhat similar to my life but we show it in an aspirational way,” he added.
Barjatya’s upcoming release “Uunchai”, from a script penned by Sunil Gandhi, stems from the current chapter of his life.
The Hindi movie revolves around three friends, played by Amitabh Bachchan, Boman Irani, and Anupam Kher, who go on a trek to Mount Everest base camp to fulfil their late buddy (Danny Denzongpa)’s last wish. A father of three, Barjatya said since the definition of family and togetherness has evolved, it is important for his cinema to keep up with the times.
“Now family is all about allowing space to children, as parents we expect (something) from children but we should have something for ourselves to do.
“We have this film about 65 plus people, who take this trek to challenge themselves. They are leaving behind all the comfort. So, everything has been part of my life,” the director, who grew up in a Marwari film family, said.
With the boom of OTT medium and exposure to global cinema, the grammar of storytelling has undergone a sea of change more so in the past two years. But for Barjatya, rather than staying “relevant” in the film business, it is all about being honest to his calling.
“The moment I try to be relevant that will be my end. You need to be yourself, follow what you do as you will get your own audience. There is an audience for every genre and I know I am there for that genre (family dramas) and I am happy there. If I try to be relevant, I will be fake,” he added.
During the pandemic, Barjatya said he decided to challenge himself as a director with “Unnchai”, which unlike his previous films was shot at real locations across Delhi and parts of Nepal.
“I have never done this much outdoor, like going to 13,000 ft… You fall in love with all these visuals,” he said.
The director is grateful for his cast and crew, who trusted his vision, and followed him to the rough Himalayan terrain.
“We took all the (precautions) because the actors are aged but their motivation is amazing and they are ready to do their work,” he said.
“Unnchai” is scheduled to be released on November 11. Actors Neena Gupta, Sarika and Parineeti Chopra round out the cast of “Unnchai”.
In an exclusive interview with Eastern Eye, Kajol pulls back the curtain on her most daring role yet. Forget the dimples and that signature bindi for a moment. Kajol, the powerhouse we know for fiery roles and infectious energy, is stepping into chilling new territory. Her upcoming film, Maa, which hits screens on 27 June, isn’t built around cheap jump scares. It’s a raw look at the everyday fears that haunt parents, especially mothers. Chatting with her felt less like a fluff piece and more like an honest heart-to-heart.
Kajol wastes no time explaining what makes Maa stand out. “We’re tackling things mainstream cinema tiptoes around,” she says. “Child safety. The constant pressure of raising kids. The unspoken worries when you have a daughter. Even menstruation.” She lets each topic hang in the air before adding, “That’s exactly what drew me to it. It’s a gripping horror story, yes, but it’s also a chance to sneak in conversations most of us avoid.” Her hope however is simple: people might not dissect every theme consciously, but they’ll walk away questioning what we accept as “normal.”
Stills from the trailer of MaaInstagram/devgnfilms
A horror newcomer finds her groove
Fans know Kajol for her loud performances, energy and fiery roles. In Maa, though, her character radiates a quiet, simmering intensity. Did she have to unlearn her signature style? "Not unlearn," Kajol clarified, "but I was a total horror newbie!" She confessed she rarely watches the genre. "I walked in blind. I had no idea how emotionally and physically draining it would be." The biggest surprise? Finding the right pitch. "Horror has its own frequency. My director, Vishal Furia, kept gently nudging me, 'Ma’am, this is horror. You need to sync with the audience's fear, there are things happening behind."
Stills from the trailer of MaaInstagram/devgnfilms
Three decades in: Embracing freedom
With almost thirty years on screen and sky-high expectations, taking on something so different might sound daunting. Not to Kajol. “Daunting? Nah. I feel free. Freer than most, honestly." She dismissed the idea of proving anything. "I’ve never been in the rat race. I don’t have that 'chase, chase, chase' ambition. I’m perfectly happy chilling at home for a year or two, waiting for something that truly sparks my interest." Ironically, her 33rd year is her busiest in two decades. "But it’s because I want to work, not because I have to. Work is part of my life, not my whole life. That balance is very important to me."
Stills from the trailer of MaaInstagram/devgnfilms
Behind the scenes: Producer’s hat
Wearing a producer's hat this time, was there a hill she was willing to die on creatively? Kajol quickly deflected praise. "Honestly, huge credit goes to Ajay Devgn. He was the driving force ensuring 'Maa' looks and feels premium. Ajay made sure Maa looks and sounds top notch,” she admits. “In today’s world, a movie must hit a certain visual and technical bar just to get noticed.” From VFX and music to the film’s overall vibe and marketing push, they poured everything into creating a polished experience. “We can’t wait to see how audiences react on the 27th.”
Stills from the trailer of MaaInstagram/devgnfilms
The Real Takeaway? Just Enjoy Yourself
So, what big truth does Maa hold up for viewers? Kajol cut through expectations: “It’s not a preachy film. You won’t leave thinking, ‘Oh, that was the lesson!’” Instead, she insists, “You might have more fun than you expect. This one sneaks up on you.” For her and Ajay, that’s the point: “We make films to be felt and savoured, not overanalysed. So, relax and feel it and just have a lot of fun.”
Playing a mother pushed beyond reason in Maa. So, how did Kajol the real-life mom handle that? “Protecting your child is primal,” she says without hesitation. What shook her most was her character’s unyielding grit. “In reality, most of us would crumble under that kind of pressure. But she keeps going, even when all hope seems lost. That drive like that ‘I have to do something’ energy, that’s what I want everyone to take away.”
Kajol’s journey with Maa is all about confronting societal shadows and embracing genre challenges she never saw coming. This is a film that confronts real fears head on, guided by a performer unafraid to strip away artifice. Ready to see Kajol like never before? Maa arrives 27 June.
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Facing strong criticism on social media for questioning the survival story
Actor and singer Suchitra Krishnamoorthi has issued a public apology after facing strong criticism on social media for questioning the survival story of Vishwas Kumar Ramesh, the sole survivor of the recent Air India plane crash in Ahmedabad.
Deleted post sparks backlash
The controversy began when Krishnamoorthi, known for her role in Kabhi Haan Kabhi Naa, shared a now-deleted post on X (formerly Twitter) alleging that Vishwas Kumar Ramesh had fabricated his account of surviving the 12 June crash. In her post, she wrote: “So this #vishwaskumarramesh lied about being a passenger on the plane & the only survivor? This is seriously weird. Didn't his family in the UK corroborate his story? What about his brother's funeral that he was seen giving kandha to? Deserve not only some serious punishment but some mental asylum time if this is true uff.”
Krishnamoorthi deleted the post and issued a statement of apologyX/ suchitrak
Her comments appeared to have been influenced by unverified social media speculation claiming that Ramesh’s survival narrative was false. The post drew significant backlash from users who criticised her for spreading misinformation and making insensitive remarks without confirmation.
Public apology issued
In response to the mounting criticism, Krishnamoorthi deleted the post and issued a statement of apology, also on X. She wrote: “Took out my last tweet on the Air India crash survivor. Seems to be false news circulated for God knows what reason. My apologies.”
The apology was shared on 19 June 2025, but reactions have remained mixed, with some social media users accepting the clarification while others questioned the haste in making the original accusation.
Who is Vishwas Kumar Ramesh?
Vishwas Kumar Ramesh, a 40-year-old British national, is the only known survivor of the Air India crash that occurred in Ahmedabad on 12 June. The crash claimed the lives of at least 260 people.
Ramesh was reportedly seated in seat 11A, close to an emergency exit on the Boeing 787 Dreamliner, and managed to escape the burning aircraft. He was treated for injuries at Ahmedabad Civil Hospital and was later seen attending the funeral of his brother Ajay, who also boarded the same flight to London but did not survive.
Suchitra Krishnamoorthi’s comments on social media questioning the legitimacy of a plane crash survivor’s account have drawn widespread criticism. Following the backlash, she deleted the post and issued a public apology, admitting the claim was based on false information.
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Janhvi Kapoor and Shikhar Pahariya walk the streets of London together fans react to viral video
Actor Janhvi Kapoor was recently spotted in London, walking hand-in-hand with rumoured boyfriend Shikhar Pahariya in a video that has since gone viral. Captured by a passerby, the clip shows the duo casually strolling through the streets. Dressed in relaxed outfits, Janhvi in a black tube top and joggers, and Shikhar in a mint green tee with white trousers, the pair looked at ease in each other’s presence. Janhvi’s sister Khushi Kapoor was also seen walking nearby, playing third wheel.
While Janhvi and Shikhar have never publicly confirmed their relationship, moments like these continue to fuel speculation. From dinner outings to joint appearances at major events, the signs have long been there. Janhvi has also worn a necklace with Shikhar’s name in the past, and he frequently posts photos of her on social media.
This isn’t the first time the internet has buzzed with talk of the two. Their quiet presence together over the years, including a joint appearance at this year’s Cannes Film Festival for the premiere of Janhvi’s upcoming film Homebound, has kept fans guessing. The film, directed by Neeraj Ghaywan, also stars Ishaan Khatter and Vishal Jethwa.
Janhvi had briefly opened up about her dynamic with Shikhar on Koffee With Karan Season 8. When Karan Johar cheekily asked if she had gone back to dating Shikhar after a break, Janhvi smiled and said, “Have you heard that song Nadaan Parindey Ghar Aaja? Shikhar used to sing that to me a lot.”
Shikhar Pahariya's Instagram post on Diwali Instagram/shikharpahariya
Shikhar Pahariya, the grandson of former Home Minister Sushilkumar Shinde and son of producer-actor Smruti Shinde, has kept a relatively low profile despite the public curiosity. His brother, Veer Pahariya, recently debuted in Bollywood with Sky Force.
What’s next for Janhvi Kapoor
Janhvi, meanwhile, has a packed schedule. She stars in Param Sundari, a romantic comedy with Sidharth Malhotra set in Kerala, releasing on 25 July. She’s also reuniting with Varun Dhawan for Sunny Sanskari Ki Tulsi Kumari, a family entertainer slated for September. A sports-action film titled Peddi, co-starring Ram Charan and scored by AR Rahman, is also on the list for 2026.
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Kuberaa Twitter reviews call Dhanush’s performance his best and praise Sekhar Kammula’s storytelling
Sekhar Kammula’s Kuberaa, starring Dhanush, Nagarjuna, and Rashmika Mandanna, hit theatres on 20 June and has quickly made waves online. Reactions across social media, particularly Twitter, have described the film as a bold, emotionally rich crime drama with standout performances, especially from Dhanush. Audiences have called it a “rare gem” in today’s commercial landscape and one of the best Telugu-Tamil bilingual films of 2025 so far.
Dhanush’s career-best, Rashmika’s surprise, and Nagarjuna’s steady hand
The highlight of most audience reviews is Dhanush’s performance, hailed by many as his “career-best” and even “National Award-worthy.” His portrayal of Deva, a beggar caught in a complex web of crime and morality, has been described as transformative and deeply immersive. One viewer wrote that few actors could pull off such a layered character with the same mannerisms in multiple avatars. Fans have also praised Rashmika Mandanna, calling this her strongest performance yet. Her portrayal is described as subtle yet powerful, giving the character both vulnerability and resilience. Nagarjuna’s presence, though noted to be slightly underused, was still appreciated for its gravitas and emotional weight.
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Sekhar Kammula’s direction was lauded for steering clear of formulaic mass elements, there are no item numbers or excessive heroism and instead relying on a grounded narrative. Viewers appreciated the film’s quiet intensity, emotional pacing, and the director’s ability to build tension without gimmicks. Cinematographer Niketh Bommireddy received special praise for his frames and lighting, with many calling the visuals “painterly” and emotionally charged. Devi Sri Prasad’s background score was also credited for amplifying the film’s emotional beats.
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Long runtime, uneven pacing but still worth the ride
Despite widespread acclaim, some viewers felt Kuberaa’s three-hour-plus runtime could have been tighter. A few pointed out that the second half dragged slightly and the climax felt rushed compared to the strong build-up. Others mentioned that some of Kammula’s philosophical themes did not fully land in execution. Still, even the critics agreed the film is a worthwhile experience that deviates from standard commercial fare.
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In all, Kuberaa is being celebrated as a rare cinematic effort: emotionally grounded, superbly acted, and visually distinctive. Whether or not it’s a perfect film, audiences seem to agree that this is Dhanush’s show, and it’s one worth watching.
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Stephen Fry says JK Rowling's views on trans rights have crossed the line
Stephen Fry has spoken out against JK Rowling’s stance on trans issues, saying the author has become “radicalised” and calling her views “cruel” and “mocking”. This is, in fact, a significant shift from Fry, who had previously refused to take sides in the heated debate surrounding Rowling’s statements on gender identity.
In a recent interview, the 66-year-old British actor, author and longtime LGBTQ+ advocate said Rowling’s repeated comments had crossed a line. “She has been radicalised, I fear, perhaps by TERFs, but also by the sheer backlash she’s faced,” he said. “I’m afraid she seems to be a lost cause for us.”
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Fry says Rowling’s tone has changed for the worse
Fry, who famously narrated all seven Harry Potter audiobooks, said he once enjoyed Rowling’s company and admired her wit, but feels her recent behaviour is no longer something he can overlook. “She says things that are inflammatory, contemptuous, and mocking,” he said. “It’s a terribly distressing time for trans people, and her words only make it worse.”
He added that while public debate is important, Rowling’s rhetoric has contributed to a toxic atmosphere. “There’s bullying, violence, and suicide in the trans community,” he said. “It’s not the time for smugness or cigar selfies on yachts.” This was in reference to Rowling’s post celebrating a recent UK Supreme Court ruling that defined women by biological sex, something LGBTQ+ charity Stonewall called “deeply worrying” for trans people.
Fry joins Daniel Radcliffe and Emma Watson in supporting the trans communityGetty Images
Fry also reflected on the damage done by shouting on both sides of the issue: “Screaming ‘transphobe’ at anyone who doesn’t agree with every detail doesn’t help either. You have to let people love you.”
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Cast and colleagues have also distanced themselves from Rowling
Fry now joins Harry Potter stars Daniel Radcliffe, Emma Watson and Rupert Grint in publicly rejecting Rowling’s stance. All three actors have declared support for trans rights in recent years. By contrast, Tom Felton, who played Draco Malfoy, has remained neutral, choosing instead to focus on Rowling’s legacy as a writer.
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This growing divide among those closest to the Harry Potter universe shows how Rowling’s position has shifted the conversation from literary legacy to personal ethics and how even long-time allies like Fry are no longer staying silent.