INDIA’S prime minister Narendra Modi and prominent musicians from India and the UK have paid tribute to Zakir Hussain, hailing the percussionist as the “king” of tabla, a one-of-akind musician, and one of the world’s most beloved artists.
Hussain, 73, passed away in a San Francisco hospital early on Monday (16), reportedly due to lung disease.
Modi said he was “deeply saddened” by Hussain’s death.
“He will be remembered as a true genius who revolutionised the world of Indian classical music.“He also brought the tabla to the global stage, captivating millions with his unparalleled rhythm. Through this, he seamlessly blended Indian classical traditions with global music, becoming an icon of cultural unity.
“His iconic performances and soulful compositions will contribute to inspire generations of musicians and music lovers alike. My heartfelt condolences to his family, friends and the music community,” the prime minister wrote on X.
With flautist Pandit Hariprasad Chaurasia in 2023
In a career spanning decades, Hussain collaborated with musical legends such as George Harrison of The Beatles, Mickey Hart of The Grateful Dead, and jazz musician John Handy.He was also a founding member of the fusion band Shakti, which he formed in 1970 with British guitarist John McLaughlin. The group won the Grammy for Best Global Music Album earlier this year for This Moment.
Born in Mumbai (then known as Bombay) in 1951 to tabla maestro Alla Rakha, Hussain began his professional career at the age of 12, accompanying Indian classical musicians.
Moving to the US in 1970, he became a global ambassador for Indian music, elevating the tabla from an accompaniment instrument to a solo art form.
Hussain often described his relationship with the tabla as deeply personal. In an interview last year, he called it a “mate, a brother, a friend,” adding, “I cannot imagine existing without it. It motivates me to get up in the morning and say, ‘hello.’”“What do I bring to the tabla? I think it is openness and clarity ... your musical statement must be created with as much clarity as possible,” Hussain was quoted as saying in a 2018 biography.As Allah Rakha’s son, Hussain said “all inclusive musical creativity” came naturally to him.
“From the age of seven or eight, I would go with him to all his recording sessions with Asha ji or Lata ji, or Rafi and be part of the orchestra,” he said, referring to the legendary Indian playback singers.
With his wife Antonia Minnecola and daughter Anisa Qureshi with sitar maestro Ravi Shankar
“He would give me a khanjari or a tambourine or a little something to play. So I grew up in this situation where being in a combination of musical creativity, which was an all inclusive process as opposed to a singular one, seemed like a natural way to go,” Hussain recalled.“So the mindset as I was growing up tuned itself to the idea that music is music, it’s not Indian music or that music, so when I actually started working with musicians who were non-Indian it seemed like a natural handshake,” he added.
Tabla had long been viewed as an accompaniment in Indian classical music.
Hussain thanked his father and his contemporaries, especially Pandit Kishan Maharaj and Samta Prasad, for bringing notice to the humble instrument.
He said it was their collaboration with Pandit Ravi Shankar, Ustad Vilayat Khan, Ustad Ali Akbar Khan, Ustad Bismillah Khan and Pandit Birju Maharaj that led to audiences appreciating that “this other guy is not so bad and is cool and things started to happen”.“That laid the foundation for the next generation of tabla players, including me, to take things forward,” Hussain added.
He worked with several Indian and international musicians, defying genres and creating masterpieces such as “Planet Drum”, a world music album with American percussionist Mickey Hart that was awarded the first-ever Grammy for Best World Music Album in 1992.Hussain also starred in films such as Merchant Ivory production Heat and Dust,The Perfect Murder and Saaz, opposite Shabana Azmi.
Shankar Mahadevan, Hussain, V Selvaganesh, and Ganesh Rajagopalan after winning the Global Music Album award for This Moment in 2024
Hussain’s Shakti bandmate McLaughlin posted a picture of himself performing with the tabla maestro on Instagram, writing, “The King, in whose hands Rhythm became Magic, has left us... RIP my dearest Zakir. We will meet again.”
In a post on Instagram, sitar player and Ravi Shankar’s daughter Anoushka Shankar said she was “just broken-hearted” and added, “He was like an uncle, he was an idol; I had the privilege of loving him up close and worshipping his musicianship at a distance.
“He was so supportive I can’t explain. At my first show at thirteen, I wanted to back out from fear of performing alongside him in front of thousands, and it was him, his advice, his reminiscing about being in the same position at a similar age, his tight focus on me as we played, that got me through it. He was utterly unique in the world of music.”
Renowned Indian flautist Hariprasad Chaurasia, who collaborated with Hussain for a number of musical projects, including 1999’s live album “Remembering Shakti”, said, “He only lived for his tabla, rhythm and melody.”
Composer and Shakti member Shankar Mahadevan said Hussain’s death was a “big loss”. “I cannot express it in words, but there never will be a musician of this calibre and the tabla is never going to sound like this,” Mahadevan added.
In an X post, American banjo player Bela Fleck said: “Very sad to lose one of the great ones…Zakir…we love you.”
Fleck, who worked with Hussain on this year’s Grammy-winning albums Pashto and As We Speak, also shared a series of pictures with him on social media.
Sarod virtuoso Ustad Amjad Ali Khan said he was speechless and heartbroken.
“Ustad Zakir Hussain was a phenomenon. He was indeed one of the most loved musicians the world saw,” he wrote on X.
Hussain was “an inspiration and a towering personality” who elevated tabla to global acclaim, said music maestro AR Rahman.
“His loss is immeasurable for all of us. I regret not being able to collaborate with him as much as we did decades ago, though we had planned an album together. You shall be missed. May his family and his countless students find the strength to bear this immense loss,” Rahman wrote on X.
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.
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Works are painted on bark cloth from Lake Victoria
Artist Shafina Jaffer presents a new chapter of her Global Conference of the Birds series.
The exhibition runs from 7–12 October 2025 at Mall Galleries, London.
Works are painted on bark cloth from Lake Victoria, combining spiritual themes with ecological concerns.
Exhibition details
Artist Shafina Jaffer will open her latest exhibition, Whispers Under Wings (Global Conference of the Birds), at the Mall Galleries in London on 7 October 2025. The show will run until 12 October 2025.
This practice-led series reinterprets Farid ud-Din Attar’s 12th-century Sufi allegory, Conference of the Birds, reflecting on themes of unity, self-realisation and the idea that the Divine resides within.
Material and meaning
Each work is painted on sustainably sourced bark cloth from the Lake Victoria region, using natural pigments, minerals and dyes. Large panels are formed from the bark of single trees, aligning material ecology with the spiritual narrative.
The series weaves together sacred geometry, Qur’anic verses and depictions of endangered bird species, underscoring the connection between ecological fragility and spiritual awakening.
Previous recognition
Whispers Under Wings follows earlier presentations in London and Dubai, extending the project’s message of peace, unity and environmental care.
A central work from the series — the Simurgh, conceived as a symbol of light (Noor) — was recently acquired by Prince Amyn Aga Khan for the new Ismaili Centre in Houston. A feature on the exhibition also appears in the September edition of Twiga, Air Tanzania’s inflight magazine.
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Each character in the set has been carefully designed to reflect cultural narratives
British-Bangladeshi prop maker Anika Chowdhury has designed a handcrafted glow-in-the-dark chess set celebrating heritage and identity.
The limited-edition set, called Glowborne, launches on Kickstarter in October.
Each piece draws from South Asian, Middle Eastern, and African cultural references, re-rooting chess in its origins.
The project blends art, storytelling, and representation, aiming to spark conversations about identity in play.
Reimagining chess through heritage
When Anika Chowdhury sat down to sculpt her first chess piece, she had a bigger vision than simply redesigning a classic game. A British-Bangladeshi prop maker working in the film industry, she grew up loving fantasy and games but rarely saw faces like hers in Western storytelling.
“Chess originated in India, travelled through Arabia and North Africa, and was later Westernised,” she explains. “I wanted to bring those forgotten origins back to the board.”
The result is Glowborne — a limited-edition, glow-in-the-dark fantasy chess set that blends craft, identity and cultural pride.
Anika Chowdhury says she has many ideas to further fuse craft and culture in future projects Glowborne
Crafting Glowborne
Each character in the set has been carefully designed to reflect cultural narratives: Bengali kings and pawns, Indian bishops with bindis, Arab knights, and African queens. Chowdhury sculpted each piece by hand, drawing on her prop-making training at the National Film and Television School.
Once sculpted, the pieces were cast in resin, painted, and finished with South Asian-inspired motifs filled with glow-in-the-dark pigment. “The characters glow both literally and metaphorically,” she says, “as a chance for them to take the stage.”
Cultural pride and visibility
For Chowdhury, the project is about more than gameplay. “Fantasy doesn’t need to fit into the Western mould to tell a great story,” she says. “South Asian, Middle Eastern and African stories are just as powerful, and they can transform something as traditional as chess by reconnecting it with its roots.”
She hopes Glowborne will resonate with South Asian and Eastern African communities as a celebration of identity and belonging. At the same time, she sees it as a bridge for wider audiences — chess enthusiasts, collectors, and design lovers who appreciate craftsmanship and storytelling.
A personal journey
Chowdhury’s career in film and prop-making has influenced her creative process, but Glowborne marks her first independent project. She created it outside her film work, after hours and on weekends.
“At 28, I finally feel like I’ve found my voice,” she reflects. “For a long time I felt pressure to hide my identity, but now I see my culture as a superpower. This project is about using art to express that.”
Looking ahead
Launching this October on Kickstarter as a collector’s edition, Glowborne is only the beginning. Chowdhury says she has many ideas to further fuse craft and culture in future projects. “This is the proof of concept,” she says. “I can’t wait to create more stories that blend heritage, art and play.”
Banksy’s ‘Piranhas’ artwork, painted on a police sentry box, is being stored ahead of display at London Museum.
The piece was originally one of nine works that appeared across London in August 2024.
It will form part of the museum’s new Smithfield site, opening in 2026.
The City of London Corporation donated the artwork as part of its £222m museum relocation project.
Banksy’s police box artwork in storage
A Banksy artwork known as Piranhas has been placed in storage ahead of its future display at the London Museum’s new Smithfield site, scheduled to open in 2026. The piece features spray-painted piranha fish covering the windows of a police sentry box, giving the illusion of an aquarium.
From Ludgate Hill to Guildhall Yard
The police box, which had stood at Ludgate Hill since the 1990s, was swiftly removed by the City of London Corporation after Banksy confirmed authorship. It was initially displayed at Guildhall Yard, where visitors could view it from behind safety barriers. The Corporation has since voted to donate the piece to the London Museum.
Museum’s first contemporary street art
London Museum’s Head of Curatorial, Glyn Davies, said:
“With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art. This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
Formerly known as the Museum of London, the institution closed its London Wall site in December 2022 as part of its relocation. It rebranded as the London Museum in July 2024, with £222m allocated by the City of London Corporation to support the move. The project is expected to attract two million visitors annually and create more than 1,500 jobs.
Part of Banksy’s animal-themed series
Piranhas was one of nine animal-themed works Banksy created across London in August 2024. The series also featured a rhino on a car, two elephants with interlocked trunks, monkeys swinging from a bridge, a howling wolf on a satellite dish, and a goat painted on a wall. Some of the artworks were later vandalised, removed, or covered up.
Preserving street art for the public
Chris Hayward, policy chairman of the City of London Corporation, said:
“Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions. By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”