Prime minister Narendra Modi will look to reinvigorate the BRICS group of emerging nations at a summit this weekend, with India seen as a bright spot in a bloc whose clout has been undermined by economic woes.
BRICS – a club made up of Brazil, Russia, India, China and South Africa – was formed in 2011 with the aim of using its growing economic and political influence to challenge Western hegemony.
The nations, with a joint estimated GDP of $16 trillion (£13tr), set up their own bank in parallel to the Washington-based International Monetary Fund (IMF) and World Bank, and hold summits rivalling the G7 forum.
But the countries, accounting for 53 per cent of world population, have been hit by falling global demand and lower commodity prices, while several have also been mired in corruption scandals.
Russia and Brazil have fallen into recession recently, South Africa only just managed to avoid the same fate last month while China’s economy – the recent engine of world growth – has slowed sharply.
By contrast, India is now the world’s fastest-growing major economy in an otherwise gloomy environment, and its GDP is expected to grow 7.6 per cent in 2016–17.
Indian foreign ministry official Amar Sinha said the leaders would debate “global growth prospects, the role of BRICS in leading this global growth and our contributions to it”.
He also confirmed regional security and climate change were on the agenda while Russia is expecting talks on Syria.
President Vladimir Putin’s office said in a statement that “international terrorism and the Syria peace process” would be discussed as Moscow faces international anger over its airstrikes in support of the Assad regime.
China’s vice-foreign minister Li Baodong, meanwhile, said the leaders would “exchange in-depth views on BRICS cooperation and other global and regional issues”, according to state news agency Xinhua.
Some of the more substantive talks are expected at bilaterals on the sidelines of the summit in the tourist state of Goa, with Modi expected to separately meet China’s president Xi Jinping and Putin.
Brazil’s new president Michel Temer, who replaced impeached Dilma Rousseff, will look to such meetings to boost trade ties and help drag his country out of its worst recession in half a century.
The summit comes amid some scepticism about the future of BRICS, especially given India’s efforts to reach out to the US and Europe since Modi came to power in 2014.
Eswar Prasad, professor of trade and economics at Cornell University in the United States, said BRICS had been weakened by its collective burdens.
“The economic troubles faced by many members of the BRICS group have reduced its potency and influence in the world economy,” he said.
Prasad said BRICS needed to focus on a global issue such as pushing back against mounting anti-globalisation rhetoric to stay relevant.
“Given its sheer size and continued significant contribution to global growth, this group could have some clout if it acted in concert in dealing with issues of global governance and the international monetary system.”
Geethanjali Nataraj, currently at the Brookings Institute India, agreed the summit needed to focus on areas of common concern, warning India against pursuing contentious issues with regional rival China.
“India needs to tread with caution and avoid all controversial issues that would lead to friction,” Nataraj said.
India will also be looking for BRICS to condemn recent cross-border attacks blamed on militants in Pakistan that have spiked tensions between the neighbours, according to local media.
Analysts, however, are sceptical of India’s chances of securing a joint condemnation given China’s strong diplomatic support for Pakistan and Russia’s efforts to forge closer defence ties with Islamabad.
Taking place at the same time in Goa is a meeting of heads of a seven-nation grouping called BIMSTEC, loosely based around the Bay of Bengal.
Myanmar’s Aung Sang Suu Kyi, Bangladesh prime minister Sheikh Hasina as well as the leaders of Thailand, Sri Lanka, Bhutan and Nepal are set to attend for talks focused on trade. (AFP)
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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