Kourtney Kardashian recently shared intimate insights into her sexuality, bravely revealing that she identifies as autosexual. The 41-year-old recently opened up in an interview about identifying as autosexual and claimed that 'most women are, even if it's just a little.'
Autosexuality is a nuanced aspect of human sexuality characterised by individuals experiencing heightened arousal when focusing on their eroticism.
This revelation emerged during an interview with therapist and writer Casey Tanner, where Kardashian acknowledged the likelihood of being autosexual and emphasized its prevalence, asserting that most people possess some degree of autosexual tendencies.
Subsequently, Kourtney elaborated on the activities she engages in to create a sensual atmosphere for herself. This involves taking charge of her own grooming, such as doing her makeup and hair, and intentionally dressing up, all designed to cultivate a sense of allure and self-appreciation.
Autosexuality is not a one-size-fits-all concept but rather spans a spectrum. Some individuals exclusively identify autosexuality as their sexual orientation, while others incorporate it into a broader sexual repertoire that encompasses partnered experiences.
This recognition challenges the conventional understanding of sexuality and highlights its diverse expressions. The spectrum of autosexuality extends to various activities like even masturbation can be considered a form of autosexuality.
This involves a profound longing or desire for oneself, showcasing the multifaceted nature of self-arousal. Visualizing, touching, or even smelling oneself can contribute to the ability to self-arouse, underlining the complexity of autosexual experiences.
Kourtney Kardashian delved further into her personal approach to fostering self-arousal, providing a glimpse into the intimate rituals that contribute to her sense of sexiness.
Activities such as doing her own makeup and hair, dressing up for herself, and embracing her own body during bathing all contribute to her journey of self-love and empowerment. In doing so, Kardashian sheds light on the importance of cultivating a positive and intimate relationship with oneself, irrespective of external influences.
Contrary to common misconceptions surrounding autosexuality, Kardashian emphasized that it is not narcissistic but rather a healthy and valuable aspect of one's sex life. This declaration challenges societal norms and encourages a more inclusive and accepting perspective on diverse expressions of sexuality.
Autosexuality, when embraced, offers individuals the opportunity to understand and appreciate their own bodies, reducing dependence on external cues for a sensual mindset.
Kardashian underscored the benefits of knowing how to turn oneself on, emphasizing the impact on reducing reliance on environmental cues for sexual arousal. This ability to self-arouse fosters a deeper connection with one's body and senses, promoting a more profound understanding of personal desires and boundaries.
The message here transcends Kardashian's individual experience, advocating for a broader acceptance of diverse sexual expressions and self-empowerment.
As we explore the concept of autosexuality, it's essential to recognize that this facet of human sexuality has not been extensively studied. However, the acknowledgment that everyone possesses some degree of autosexual tendencies contributes to a more inclusive understanding of human sexual diversity.
Autosexuality, like other sexual orientations, falls on a spectrum, acknowledging the varying degrees to which individuals identify with this aspect of their sexuality.
Distinguishing autosexuality from related concepts such as autoromanticism and autoeroticism provides a more comprehensive understanding of the diversity within sexual experiences. Autoromantic individuals perceive their relationship with themselves as romantic, expressing gestures of love, such as buying romantic gifts.
Autosexual individuals, in contrast, experience intense sexual attraction to themselves, drawing parallels with being in love. Autoeroticism, encompassing self-stimulation or masturbation, is considered a universal and natural expression of sexuality.
While autoeroticism is generally deemed a healthy expression of sexuality, it's crucial to address potential dangers associated with certain practices, such as erotic asphyxiation. Engaging in risky behaviors, like hanging or choking, for sexual pleasure may lead to serious harm or even death. Understanding these distinctions encourages a safe and informed approach to self-exploration and expression.
Common misconceptions about autosexuality often stem from a lack of understanding and research on this aspect of human sexuality. Some erroneously assume that autosexual individuals never engage in relationships with others.
In reality, autosexual individuals may desire closeness with others, identifying with multiple sexual orientations while choosing self-stimulation as their preference at times. Respecting autosexuality as a valid and individualized aspect of human sexuality is crucial, acknowledging that each person's experience is unique and deserving of understanding and acceptance.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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