BRITISH Pakistanis have dismissed fears that a new film highlighting “disappearances” in Kashmir will spark tensions in the UK and have praised the director for highlighting human rights.
No Fathers in Kashmir, directed by Ashwin Kumar, was released in cinemas in January and is about a British-Kashmiri teenage girl who travels to the state to search for her father and discovers he was killed after being taken away by Indian soldiers for interrogation.
An estimated 8,000 people have “disappeared” over the past 30 years in Indian-administered Kashmir with allegations that they were taken by security forces, according to human rights groups.
An Indian political group based in the UK has warned the film could trigger tensions between British Indians and Pakistanis.
But community leaders believe the movie is a vital insight into the region's problems after the Indian government revoked its special status and placed it in lockdown last August.
Khalid Mahmood, a Labour MP who was born in Kashmir, told Eastern Eye: "Thousands of women are leading this life in Kashmir, their husbands are not going to come back, they have been gone for too long.
"It is not about taking sides with any particular country but focus on the women in this instance and the human rights.
"It is raising good awareness, I praise the producers for doing this.
"It is a brave step. It won't heighten any tensions.
"We should look to empower the rights of these women, it is not about being against any individual nation."
No Fathers in Kashmir, which is partly funded by a group of British Kashmiris, was released in India last year after the country’s board of censors insisted some scenes be cut and the film also contain a number of disclaimers.
Kuldeep Shekhawat, head of the UK branch of the Overseas Friends of the BJP, said the film "does not serve any purpose".
He added: "It will just inflame hostility and tension. Things were difficult enough last year between the two communities but have calmed down a lot since then.
"If Kashmir is an issue then it is between India and Pakistan. We are all British here, so why should we be getting so obsessed with Kashmir?
“This film will not help community relations. India is a democracy and has an effective legal system, so if there are any human rights violations they are addressed through these channels.”
However, Fiyaz Mughal OBE, founder of the Faith Matters charity, said the film shows human rights abuses in Kashmir which need to be highlighted.
He told Eastern Eye: "Gross human rights abuses need to be highlighted. However, those watching the film should also realise that no-one deserves hatred and intolerance and that the human rights abuses need to be held to account through political action and activity, and not through violence.
"Kashmir has so much potential and "disappearances" of people need to be highlighted”.
It comes after hundreds of people protested outside the Indian High Commission in London in January over the Indian government's handling of the region.
The Rise For Kashmir rally aimed to raise awareness of the area's lack of internet and phone access along with the large military presence.
Of the 1.1 million Pakistanis in Britain, more than one million hail from the part of Kashmir governed by Pakistan with the majority living in Bradford, Yorkshire.
Usman Younas, who runs the Watan Superstore in Bradford, said: "It is a good idea to raise awareness among our community and other communities.
"It has been closed off for that part of the world because of the shutdown of the media.
"It is difficult to evaluate the circumstances, we never get a feel of it from here.
"This movie should give an insight into what is going on.
"I doubt it will raise any tensions between communities, there is always going to be two sides to it."
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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