HOME SECRETARY Sajid Javid walked into an LBC studio in London last week just as a listener named "Louis" called presenter lain Dale to offer his personal opinion that 160,000 Tory party members would never pick a Muslim as prime minister.
"I heard that," the home secretary admitted to Dale.
The latter offered almost an apology that Sajid, one of the Tory leadership hopefuls, had been confronted by British politics in the raw in so unkind a fashion.
"I would like to think we are in a country now that doesn't think in that way," sighed Dale. "I was slightly disappointed that Louis, quite an articulate young man, said that.”
Irrespective of the fact that Sajid came fifth in the first ballot with 23 votes last week, his interview with the not unsympathetic Dale indicated that it may be some time before Britain has a British Asian prime minister.
Sajid was determined to see the glass as half full: "I really think we are the most successful, multiracial democracy in the world. I have had the privilege to travel a lot and seen many other countries and many other democracies, and there is nothing like it.
"I will give you an example: when I go to EU council meetings you have ministers from around the world. I have never ever seen any other European country that has an ethnic minority minister sitting around the table. In Britain, it's not just me there are many. That shows how strong our democracy is."
Dale interjected: "You are now home secretary, you hold one of the great offices of state, that ought to send out a message to people like Louis that it is possible for somebody whatever their background, whatever their skin colour, whatever their faith to come forward and take the opportunities that are given to them.
"But it must get slightly debilitating at times when you are constantly having to deal with this kind of thing - Boris Johnson does not have to deal with this”.
Sajid responded: "Part of it is social media. After this evening with you, if I go and look at my social media tonight, there would be a whole bunch of racist comments.
“I suppose, to some extent, I have become a bit desensitised about it, but I also know it doesn't represent what Britain is. It is a tiny, tiny, tiny proportion of the population. So, we should not get carried away with it.”
Normally, home secretaries are invited to Buckingham Palace banquets but a caller, “Abdul from Edmonton” wondered: "Was Sajid Javid left out of the Trump state banquet dinner because is a Muslim?"
Sajid said: "I wasn't invited, and I don't know why I wasn't invited.”
In the absence of a proper explanation from whoever drew up the guest list, one has to assume Abdul may have a point.
CARLOS ALCARAZ will begin his attempt to win a third straight Wimbledon title against Italian Fabio Fognini, while women’s top seed Aryna Sabalenka opens her campaign against Canadian qualifier Carson Branstine.
The draw, held on Friday at the All England Club, featured several notable first-round matchups.
Sinner, Djokovic face Italian, French opponents
Top men’s seed Jannik Sinner, who lost to Alcaraz in the French Open final, has been drawn to face fellow Italian Luca Nardi. Sixth seed Novak Djokovic, who is aiming to match Roger Federer’s record of eight Wimbledon singles titles, will begin against Alexandre Muller of France, ranked 40th in the world.
In the women’s draw, defending champion Barbora Krejcikova, seeded 17th and recently withdrawn from the Eastbourne tournament due to a thigh strain, will face Alexandra Eala of the Philippines.
Second seed Coco Gauff starts her campaign against Ukraine’s Dayana Yastremska. Third seed Jessica Pegula, a potential semi-final opponent for Gauff, plays Italian qualifier Elisabetta Cocciaretto. Fourth seed Jasmine Paolini, last year’s runner-up, will meet Latvia’s Anastasija Sevastova. Sabalenka is seeded to face Paolini in the semi-finals.
Big home presence for Britain
Britain has 23 players in the singles draws, its largest representation since 1984. Fourth seed Jack Draper leads the men’s challenge after a rapid rise in form. Draper begins against Argentina’s Sebastian Baez, ranked 38th. If he progresses, he could face 2017 runner-up Marin Cilic in the second round, and Kazakhstan’s Alexander Bublik in the third round – a player he lost to at the French Open.
Draper’s projected path to the title may include matches against Djokovic in the quarter-finals, Sinner in the semi-finals, and Alcaraz in the final.
Raducanu faces Xu in British clash
Emma Raducanu, Britain’s top-ranked woman, will take on fellow Briton Mingge (Mimi) Xu in the first round. Xu is one of three British teenage wildcards in the women’s draw. If Raducanu wins, she may face 2023 champion Marketa Vondrousova or 32nd seed McCartney Kessler next.
Branstine, Sabalenka’s first-round opponent, advanced through qualifying by defeating former U.S. Open champion Bianca Andreescu. In the third round, Sabalenka could face either Raducanu or Vondrousova.
Key early matchups and returns
A possible second-round highlight could be Olympic champion Zheng Qinwen, seeded five, taking on Japan’s Naomi Osaka, a four-time Grand Slam winner.
Alcaraz, who won Queen’s Club in preparation for Wimbledon, opens against Fognini. The 38-year-old Italian was once ranked as high as ninth but has not replicated that form in recent years. If Alcaraz advances, he could face British qualifier Oliver Tarvet in the next round. Tarvet, ranked 719, will meet Swiss qualifier Leandro Riedi in the first round.
Alcaraz could face third seed Alexander Zverev in the semi-finals. Zverev begins his campaign against France’s Arthur Rinderknech.
Centre Court schedule
As the defending men’s champion, Alcaraz will play the opening Centre Court match on Monday. That day will feature matches from the bottom half of the men’s draw and the top half of the women’s draw. Krejcikova will begin Centre Court action on Tuesday.
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Kalki 2898 AD showcased Prabhas in a genre-blending sci-fi mythological role
It’s been a year since Kalki 2898 AD hit theatres, and whether you loved it, questioned it, or are still figuring out what you watched, one thing’s clear: it cemented Prabhas’ place at the top. A unique experiment packed with mythology, sci-fi, and big-screen ambition, Kalki didn’t just push boundaries—it made sure everyone was paying attention.
Here’s how Kalki quietly reinforced what audiences across India (and beyond) already suspected: Prabhas isn’t going anywhere.
From Andhra to Ahmedabad — he still pulls crowds across the board
There are many stars who rule regions, but very few cut across states and languages the way Prabhas does. Whether it’s a traditional action flick or an experimental epic, people show up.
Prabhas in a still from Kalki 2898 AD which completed one yeargetty images
£94 million+ (₹1000 crore) globally — and not for the first time
With Kalki joining the £94 million+ (₹1000 crore) club, Prabhas added yet another big-budget success to his list. He’s one of the few actors in India whose films regularly cross that mark, without it feeling like a fluke or a one-off.
Kalki 2898 AD became one of the top three biggest openers in Indian cinemagetty images
A top three opener in Indian cinema — again
Kalki had one of the biggest opening days in Indian box office history. No gimmicks. Just the kind of theatre rush most films today struggle to pull off. Say what you want about the film, but its opening confirmed Prabhas’ continued draw for the big-screen crowd.
Kalki 2898 AD brought together sci-fi and mythology in a first-of-its-kind Indian filmgetty images
Fans flew in from Japan — yes, really
It’s not just India. International fans have long backed Prabhas, and Kalki saw that play out in real time, with Japanese fans travelling to Hyderabad just to catch it in cinemas. Not a premiere or event, just a regular screening. That kind of quiet loyalty is rare.
Prabhas plays the futuristic warrior Bhairava in Kalki 2898 AD getty images
He’s still choosing the harder road
A dystopian mytho-sci-fi mash-up isn’t exactly a guaranteed hit. Most stars would’ve played it safe, but Kalki was a risk, and Prabhas took it head-on. It’s part of what keeps his filmography interesting. He’s not here to repeat formulas, and that makes every new release worth watching, even if you don’t love every film.
Prabhas in action during a high-intensity sequence from Kalki 2898 ADgetty images
The calm at the centre of the chaos
One year later, Kalki 2898 AD may still be divisive as a film, but as a career move, it only strengthened what Prabhas has built over the years: a fanbase that shows up, a screen presence that works across regions, and a habit of picking stories that don’t play it safe.
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Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. (Photo: West Yorkshire Police)
A MAN who stabbed his estranged wife to death in Bradford in front of their baby has been convicted of murder.
Habibur Masum, 26, attacked 27-year-old Kulsuma Akter in broad daylight on April 6, 2024, stabbing her more than 25 times while she pushed their seven-month-old son in a pram. The baby was not harmed.
Bradford Crown Court heard that Akter had been living in a refuge since January after Masum threatened her with a knife at their home in Oldham. Masum tracked her using her phone location and confronted her after she left the refuge to meet a friend, believing he was in Spain.
Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. He was arrested three days later in Aylesbury, Buckinghamshire.
Kulsuma Aktergetty images
Masum, of Leamington Avenue, Burnley, had admitted manslaughter and possession of a knife but denied murder. He was found guilty of murder, stalking, making threats to kill, and assault by beating.
The Crown Prosecution Service said the attack was “planned and premeditated”. West Yorkshire Police described it as a “brutal” daylight attack. Det Ch Insp Stacey Atkinson said Ms Akter “should have been safe”.
The Independent Office for Police Conduct found no breach of standards by officers involved prior to her death. Masum is due to be sentenced on 22 July.
In her own words, the London-based artist shares 10 defining moments that turned glitter into grit, pain into power and creativity into connection.
Shreena Patel has built a vibrant, shimmering world with her signature metallic-sparkle acrylics, one canvas at a time. A graduate of the prestigious University of the Arts London, the London-based abstract artist has earned acclaim both in the UK and internationally, creating bespoke pieces for celebrities, private collectors and public institutions.
But behind the glittering finishes and spiritual symbolism lies a deeper story – one of passion, purpose and personal resilience.
From a childhood curiosity about the minds behind masterpieces to becoming a multi-award-winning artist herself, Shreena’s journey is marked by colour, courage and community. Whether speaking on stage at Diwali on the Square, raising funds through her work, or spotlighting invisible illnesses like ulcerative colitis, her art has always been more than decorative. It is deeply personal and powerfully connective.
Now, for the first time, Shreena shares 10 of her most memorable artistic milestones. Each moment reveals not only her growth as a creator but also her unwavering belief in art as a force for joy, healing and change.
Shreena Patel
Artwork displayed at Hyde Park Corner station
Seeing my Ganesh artwork displayed at Hyde Park Corner station during South Asian Heritage Month was a pinch-me moment. To have commuters and tourists pause in a busy London station to take in my art, rooted in identity, culture and colour, made me feel truly seen. It was public, powerful and proof that South Asian stories belong in mainstream spaces.
Being featured in British Vogue was an unexpected yet unforgettable milestone. Just a few years after Art By Shree was born, seeing my work and story in one of the world’s most iconic fashion publications validated my creativity in a whole new light. It bridged the gap between contemporary style and ancient symbolism and reminded me that tradition and trend can coexist beautifully.
Shreena Patel's work
Painting for celebrities I have had the honour of creating bespoke paintings for celebrities, including Bollywood actors, music artists and famous cricketers, who connected with the spirituality and vibrancy of my work. Each commission has been personal and meaningful, not just because of who they are, but because of the shared energy and intention behind the art. It is surreal knowing my pieces live in the homes of people I once only watched on screen.
Shreena Patel's work
Winning awards and artistic recognition
Winning awards and being recognised as an artist, particularly in Parliament and at the Eastern Eye ACTAs, gave me the confidence to own my creative journey. These acknowledgements are not just about trophies. They are reminders that the risks I took, the pain I turned into paint and the stories I chose to tell matter. Every accolade reflects years of growth, grit and heart.
Raising money for charities and temples
Art with purpose has always been my North Star. Whether raising money for temples close to my heart or supporting charities doing life-changing work, I have been blessed to use my creativity to give back. Each canvas sold for a cause reminds me that art can be a force for good – a way to serve, uplift and unite communities.
Being invited by Neasden Mandir’s head swami for Diwali and PSM10 Being personally invited by Yogvivekdas Swami at Neasden Mandir to take part in the Diwali and 100 Years of Pramukh Swami Maharaj celebrations was an emotional high. To be recognised in such a sacred and historic space was beyond humbling. It felt like a spiritual homecoming, where my art and my faith met in perfect harmony during a once-in-a-lifetime celebration.
Speaking on the centre stage at Diwali on the Square, in front of the Mayor of London, was a surreal and proud moment. I spoke about art, culture and the power of community spirit. To then gift my large Ganesh canvas to the winner of the rangoli competition was the perfect way to honour creativity and celebrate our shared cultural pride in a truly public way.
Shreena Patel's work
Collaborating with Nitin Ganatra OBE
Collaborating with the incredible Nitin Ganatra OBE for a charity auction was a joyful and meaningful experience. Aligning our talents for a cause greater than ourselves reminded me why I started painting in the first place. It is always special when creative worlds come together, especially when it helps raise funds and awareness for those in need.
Uplifting the next generation
Helping the next generation find their creative voice means everything to me. Whether through workshops, mentoring or simply showing them that success can look different, I aim to be the representation I did not see growing up. Especially for young South Asians, I want to say: your stories, your art and your dreams are valid – and so needed.
Shreena Patel's work
Raising ulcerative colitis awareness through art
Living with ulcerative colitis has not been easy, but it has shaped my art and mission. Through creativity, I have turned pain into power and raised awareness about invisible illnesses in ways words never could. Painting became therapy, advocacy and storytelling. If my journey inspires even one person with UC to keep going, then every brushstroke has been worth it.
Anusha Mani’s artistic journey has been anything but conventional. Revered as the velvety voice behind Bollywood chartbusters like Lazy Lamhe, Tera Rastaa Chhodoon Na, and the irrepressibly catchy Gulaabo, she has carved out a distinctive niche for herself as a singer, lyricist, and now actress.
With a foundation in Indian classical and Carnatic music, and a career launched by a serendipitous meeting with Shankar Mahadevan, Anusha’s rise to prominence has been a blend of talent, timing, and tenacity.
Over the years, she has lent her voice to everything from big-ticket Bollywood productions to indie projects, explored diverse languages and genres with ease, and even penned lyrics for memorable tracks like Dil Mein Jaagi. But her creative curiosity did not stop at the recording studio. In 2025, Anusha stepped into the world of acting with her web series debut Hai Junoon, embracing a new challenge that once seemed unimaginable.
In this candid conversation with Eastern Eye, Anusha reflects on the unpredictability of her career, the joy of reinvention, the songs closest to her heart, and the passion she has discovered in front of the camera.
How do you reflect on your journey in music?
It has been extremely unpredictable and gratifying at the same time. I never intended to become a playback singer, and my journey has been a sum total of chance meetings with the right people at the right time. Each experience has led me to the next chapter. The disappointments and failures have taught me the value of patience, perseverance, and living in gratitude. I do not take anything I have for granted anymore.
What has been your most memorable moment on your music journey?
Meeting Shankar Mahadevan ji with my demo and getting called the very next day to sing for Johnny Gaddar is by far my most memorable moment. I had no expectations, no self-belief that this would happen. It changed my life in a very drastic way, in that I started believing in myself more and began taking more chances in life.
Which of your songs has been closest to your heart?
It is hard to pick just one. I have many that are close to my heart. Lazy Lamhe because it was the biggest hit of the year and put me on the map as a playback singer. Gulaabo because it gave me a fresh start of sorts and a lot of love from listeners. Dil Mein Jaagi from Dev D because I got to write the song too. I think it is impossible to pick just one.
Does your approach as a singer change between different languages?
The only thing that changes is the time it takes to get the words right and understand the meaning of the lyrics – which words to emphasise, getting the pronunciation correct, and so on. There are wonderful language supervisors and lyricists who really help you perfect the language. Sometimes you focus so much on pronunciation that you lose the emotion. I like to speak the lines out first, loudly like a conversation, a few times before singing them to get comfortable with the words.
What inspired you to go into acting?
To be honest, it was not inspiration but pressure from my team and family that pushed me to give it a shot. I always thought acting was not my cup of tea. It was a running conversation for over a decade with my husband, who kept insisting I was made to be on screen. It is strange how he saw something in me that I never did. I said yes thinking it would be a good experience to try something new.
What has the experience of acting in Hai Junoon been like?
From not wanting to act to now feeling so passionately about it, life has changed drastically for me over the past year. I had the most wonderful time playing my character – learning the dialogues, going to set, watching the collective effort that goes into making each scene. It felt like learning a new skill for the first time, with fascination and awe for the craft. It has blown my mind and made me respect actors and film crews so much more.
Anusha Mani
What is the biggest thing you learned while working on this show?
My biggest life lesson has been to never say no without giving something an honest shot. I would not have done this show if I had listened to the voice that kept doubting myself. I cannot be the naysayer in my life. Changing that perspective has been hard, but it has also given me a new purpose.
Is the plan now to balance acting and music?
Absolutely. I am in the middle of recording new singles while also doing meetings and auditions. It is a long process and only time will tell how things turn out. I just want to enjoy the journey and soak it all in.
What are your biggest passions away from work?
I love animals. I sponsor a camel in an equine rescue place in Karnataka called The Backwater Sanctuary. Zoha, who runs the place, is just incredible, and I feel privileged to contribute in the smallest way. I also enjoy working out – going to the gym and weight training with my trainer is very therapeutic for me. (Smiles) Other than that, because our lives are so hectic, doing absolutely nothing with my husband is something I am very passionate about.
What music dominates your own personal playlist?
Oh, it is a strange mix of Marathi natya sangeet, ghazals, Bollywood songs by some of my favourite composers like AR Rahman, Shankar Ehsaan Loy, Vishal Bhardwaj, and Pritam. Then there is John Mayer, Ed Sheeran, Sting, and some film scores. It is an odd blend and gets played during both cardio and naps on flights.
You have sung, written songs, and acted – is there anything else you would love to do in the creative field?
If I can do these three things properly, with constant growth and learning, that will be enough for now. I am not someone who always wants to keep working. I value quality time with family, alone time, playing with my dog, and just pausing every now and then to be still. Life cannot always be about doing something.
What inspires you?
Stories of resilience, patience, and focus, but also stories of kindness, empathy, and working for the greater good. My brother is a huge inspiration for the way he leads his life with empathy and focus. My husband inspires me every day. I learn patience and kindness from him. Even my house help, whom I call my house manager – she is particular and punctual every single day and has never complained in 12 years. She is very inspiring to me. There is something to learn from almost everyone if you are willing to look around and stay open.