Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Jason Isaacs has revealed that every cast member of The White Lotus Season 3, regardless of experience or fame, earned the same salary: £32,000 (₹33,60,000) per episode. That totals around £256,000 (₹2,68,80,000) for the full eight-episode run. While that figure might seem significant, Isaacs called it “a very low price” for a hit HBO show, but said he had no complaints.
“We would’ve paid to be in it,” Isaacs said in an interview, adding, “We probably would’ve given a body part.”
Jason Isaacs opens up about financial regrets and career lowsGetty Images
Equal pay, no ego
The show’s ensemble approach meant that veterans like Isaacs and Parker Posey received the same as newer faces such as Patrick Schwarzenegger and Sam Nivola. Asked if it bothered him to be paid the same as his younger co-stars, Isaacs shrugged it off: “I never work for money. I’ve done alright. People assume I have piles of cash, but I’ve basically matched my spending to my income and spent everything over the years.”
The pay structure, introduced from Season 1, was meant to ensure fairness and avoid ego clashes. “Everyone is treated the same,” said producer David Bernad in an earlier interview, explaining how the alphabetical billing and equal salaries were key to creating a drama-free, committed cast.
The White Lotus cast shares the screen and the paycheck equallyGetty Images
Isaacs admitted that while the rate was lower than typical network or streaming pay outs, the prestige of working on The White Lotus and with creator Mike White made it worthwhile.
Cautionary tales and career lows
Isaacs also took the opportunity to share hard-earned lessons with his younger co-stars, urging them not to get emotionally attached to the final product. “You don’t control how it’s received. That’s Mike’s job,” he said. Reflecting on his own past, he pointed to Peter Pan (2003), where he played Captain Hook, a big-budget project that tanked commercially and nearly derailed his career.
“It was the lowest I’ve ever felt professionally. I thought I’d never work again,” he confessed. Isaacs said it was his partner Emma Hewitt who helped him through that dark phase, crediting her support over their decades-long relationship.
Jason Isaacs says Emma Hewitt helped him through his dark phase in lifeGetty Images
The White Lotus Season 3 is now streaming on Max, and while the actors may not have earned big bucks, the series continues to score big on screen, with critics and fans alike.
ACTRESS and writer Meera Syal and DJ Bobby Friction will reflect on their memories of the BBC’s Asian-themed output as the broadcaster this month celebrates six decades of programmes to serve the community.
From Nai Zindagi Naya Jeevan in the late 1960s to Desi DNA and Goodness Gracious Me in the 1990s and more recently, Virdee, the corporation said it has widened “the space for British south Asian expression”.
Syal will reminisce at the Asian programming she grew up watching in Network East with Meera Syal, while Friction will go through the archives in South Asian Music at the BBC.
BBC head of creative diversity, Jessica Schibli, said, “60 years of south Asian programming across the BBC is a significant moment – celebrating pioneering shows that launched trailblazing talent, to today’s bold storytelling woven across our content.
“This anniversary is a celebration of the journey so far and a reaffirmation of the BBC’s mission to serve all audiences and reflect modern Britain, including South Asian voices on air and in shaping our creative output.”
To mark 60 years of content aimed at south Asians, the BBC said there will a special night of classic shows on BBC Four and iPlayer.
Among new shows, the BBC said drama series Film Club – which dwells on love, family and friendship - will be launched on October 7. It stars Nabhaan Rizwan; his brother and BAFTA-winner Mawaan Rizwan created the comedy series Juice.
Later this year, Guz Khan will star in a new Christmas comedy Stuffed and The Split Up introduces fresh British south Asian voices to drama, the corporation said.
The BBC Film Hamlet, featuring Riz Ahmed, is a contemporary take through a south Asian lens on Shakespeare’s story, exploring identity and power, it added.
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