Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
The Iranian security forces arrest a woman for eating at a restaurant in public without her hijab, according to her family.
Donya Rad was arrested after a photo of her and another woman eating at a Tehran restaurant without their headscarves was widely circulated online, reported CNN. The photo emerged Wednesday showing the two women having breakfast at a cafe that, like most coffeehouses in Iran, is traditionally patronized by men.
According to Rad's sister, security agencies contacted Donya and summoned her to explain her actions.
"After visiting the designated place she was arrested, after a few hours of no news, Donya told me in a short call that she was transferred to Ward 209 of Evin Prison," her sister told CNN.
Tehran's Evin Prison is a notoriously brutal facility where the regime incarcerates political dissidents and is exclusively designated for prisoners managed by Iran's Intelligence Ministry.
In recent days, security forces have reportedly detained several influential Iranians, including writer and poet Mona Borzouei, Iranian football player Hossein Mahini, and the daughter of former Iranian President Ali Akbar Hashemi Rafsanjani, Faezeh Rafsanjani, reported CNN.
Iranian singer Shervin Hajipour was also arrested this week after releasing a poignant song based on tweets shared by Iranians expressing sentiments of why people are protesting, according to NGO Iran Human Rights.
Hajipour's song "For..." went viral online, receiving millions of views and is being shared widely among Iranians inside and outside the country.
The anti-government demonstrations started in the country over the death of a Kurdish woman named Mahsa Amini.
Mahsa, 22, died in police custody after her arrest for allegedly failing to comply with Iran's strict rules on women's dress by wearing an "improper hijab".
The government crackdown has continued after almost two weeks of protests, with dozens dying in clashes between security forces. Iran Human Rights estimates that at least 83 people including children, are confirmed to have been killed in protests following the death of Mahsa Amini, reported CNN.
More than a thousand people connected to the protests have been detained as of last weekend. At least 28 journalists arrested were arrested as of Thursday, according to the Committee to Protect Journalists.
Amnesty International on Thursday said they are "investigating the authorities carrying out mass arrests of protesters and bystanders, as well as journalists, political activists, lawyers, and human rights defenders, including women's rights activists and those belonging to oppressed ethnic minority groups."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.