Interview: Sharvari, Mona Singh, and Abhay Verma talk about their new film ‘Munjya’
Our conversation with the stars delves into their thrilling journey on set, the camaraderie that fuelled their performances, and the sheer joy of balancing horror with humour.
Bollywood’s new horror comedy Munjya promises to be a refreshing concoction of scares and laughs. As the film hits cinemas today on June 7, we sit down with the three dynamic lead cast members – Sharvari, Mona Singh, and Abhay Verma - who bring this unique film to life.
Our conversation with the stars delves into their thrilling journey on set, the camaraderie that fuelled their performances, and the sheer joy of balancing horror with humour. They share behind-the-scenes anecdotes, the challenges of blending two seemingly opposite genres, and their thoughts on why Munjya is a must-watch for audiences everywhere.
How excited are you about your film Munjya?
Sharvari: We're very excited and we are, obviously, a little jittery about the release. We are also doing something so new, which is happening for the first time in India, a CGI actor Munja, who plays the titular role. We've all put so much love and so much hard work into the film. When you make something one of a kind, it's just super special. And we're hoping that the audiences love it just as much as we've put in our love and effort while making it.
Mona Singh: So I am, of course, very excited and a little nervous. Why a little nervous? Because I think, the trailer was very well received. You know, the song has been trending. The trailer has been trending. People have been making their personal reels with Munja. There's a lot of excitement even in the audience. I've received so many direct messages on Instagram. They're waiting for the release and can't wait to watch. So, yeah, I just feel very, very happy about the fact that the public is excited.
How do you balance the elements of horror and comedy in your performance Because this is something that you are doing for the first time?
Abhay Verma: Absolutely. That's what I love to do also. I'm more inclined towards playing more than one sort of a layered thing. And this one was a lot of fun. I mean, kudos to the writer, everything was on paper. And we just had to be ourselves and have fun, which, I think, sounds easy, but it's not a very easy thing to do - to just be ourselves and just have fun. That's, I think, more difficult than acting someone or playing a character because a lot of it has to do with the camaraderie between the co-actors.
Please continue.
Abhay Verma: Thankfully, I had these wonderful ladies and other great actors on set to be able to achieve that very naturally and organically. It shows on screen also whenever you're shooting. I was thankful for all the other actors and, of course, our director, who made it very easy – the ongoing process and day-to-day thing. Doing a film like such where every actor is, you know, there and is there for a reason, and everyone has a story and an arc of its own. So, the camaraderie really has to come out.
Could you please tell us something about the film and the character that you are playing without revealing too much about the plot?
Mona Singh: So, my name in the movie is Pammy, and I run a salon, a beauty parlour. And my son, who is played by Abhay Verma, is called Bittu. He helps me in the parlour. I got to learn a new skill because of this role. Pammy is an independent mother, a single mother, very fierce, and very, very possessive about her son because of her own personal reasons. Even if you see the movie, you will know what the personal reasons are. And, they live in Pune. She was married to a Maharashtrian. Then something happens in the family and then to capture Munja, they go to Konkan. And that is when all the drama and the deepest, darkest family secrets come out. And then, of course, we get onto this madcap journey of finding Munjya.
Sharvari: I'm gonna tell you about my character in brief so that we don't reveal anything. The name of my character is Bela, and she is, gen Z girl who, you know, loves her family and who loves her career more than anything else. And I think that a lot of young girls will relate to this because I think all girls today are trying to make their own mark in their own way in whatever fields that they are in. A lot of girls will absolutely relate to this factor of Bela. Also, she is absolutely confused about her love life, which I think a lot of girls will also relate to. A true Gen Z girl, I would say in a true sense.
If you could have any supernatural power, what would it be and why?
Mona Singh: I would like to be Mister India and just disappear and then go to places where you are not seen and then observe.
Sharvari: I think the superpower that I would want is to be able to hear thoughts of all animals because I would love to know what my dog would want to say about me. I would love to hear all dogs and what they feel about humans and stuff like that.
Abhay Varma: I would like to have the superpower of traveling in times, before or maybe in future also, but I would prefer before. I would like to travel in time and see why all these wars happened. That's the superpower which I wanted to acquire.
What is your favorite horror movie or a comedy movie?
Mona Singh: Stree. For me, it is it's a perfect combination of horror and, comedy.
Sharvari:Stree. I think Stree is just the best horror comedy. I would also say Bhoothnath. I know that it was not that scary, but the initial bits of Bhoothnath were. You didn't know because he was grumpy. Like, Amitabh Bachchan, sir, in in the initial bits of Bhoothnath was supposed to be scary. And I remember that I was really young when I watched that film, and then it was super fun. So, I would also say Bhoothnath.
Did you guys pull any pranks on set, or were there any funny bloopers during the filming?
Abhay Verma: There, of course, were a lot of things, but one thing which is coming onto my mind is that I would secretly go to people and draw wired patterns on their legs so that it feels like there is some cockroach or a spider. The reaction of people was hilarious, including, the executive producer, Shraddha, and, Sharvari also. So that's one plank which I put in the wheel is a lot of fun.
Sharvari: I wouldn't say that there was a prank, but I would say that, honestly, we used to laugh so much when other people were performing, and we were supposed to react at that time. I remember recently when I was dubbing for Munjya, there's a scene when I'm supposed to be very serious. Like, I'm actually supposed to be, like, almost crying, and the actor in front of me, has a super like, a really funny dialogue. And, I just couldn't give my emotion because it was so funny. So even while dubbing, I had to tell the director don't give me that line because every time I'm hearing that line, I'm laughing. And I can't laugh. I think it was generally the jokes that are actually in our film.
Mona Singh: Same. Nobody was serious on set too. We all were laughing. It was a very happy, you know, atmosphere. Our director himself is a very funny and, and very good with one-liners. So, you know, we used to have a lot of fun.
What is the USP of this film that the audience should notice and watch it in theatres?
Mona Singh: See, the USP that we all have been talking about is that it is the first time ever there's a CGI actor created. So, it'll be a lot of fun to experience, something like this in on the on the big screen. It's gonna it's gonna be a different fantasy world for all the viewers to experience. So I'm also very excited to go on the 7th June and watch it and feel it.
Sharvari: I think everything in our country is an emotion, be it crickets or cinema. I think that the fact that people can actually experience this, coming together, and they can experience something like this, as a group experience and go back home with lots of memories and lots of stories because I'm sure that those stories that happen between groups is a great memory, and I think that, people must go watch this film so that they obviously get a little scared, laugh a lot, but make lots of memories.
Abhay Verma: Well, they both said it, whatever is on my mind also. But just a little thing that there are very few places where all of the age groups in the family can go together. Supposedly, if you have a joint family. And just equally have a good time with each other. As Sharvari said, everything is an emotion in our country. So, I think it will be a good experience for everyone to have their loved ones around and just have a good 2 hours of their life.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.