YASHPAL Sharma, part of the India team that won the 1983 World Cup, has died of a heart attack at the age of 66, cricket authorities said on Tuesday (13).
Sharma played a key part in India's first World Cup win that triggered cricket's rise in South Asia. He played 37 Tests and 42 one-day internationals as a middle-order batsman between 1979 and 1985.
Sharma was the second-highest run-getter for India at the 1983 World Cup after captain Kapil Dev. He scored 89 against the West Indies in a first-round game and 61 in the semifinal against England.
India beat two-time champions the West Indies in the final at Lord's.
"Shocked and deeply pained by the demise of Yashpal Sharma-ji. Have fond memories of watching him bat during the 1983 World Cup," Sachin Tendulkar wrote on Twitter.
"His contribution to Indian cricket shall always be remembered."
After retiring, Sharma remained involved in coaching, commentary and cricket administration, including two stints as national selector.
Jay Shah, secretary of the Board of Control for Cricket in India, said Sharma "will always be remembered for his knock of 89 runs against West Indies, which provided impetus to India's World Cup journey in 1983."
Frederick Forsyth, the internationally renowned author of The Day of the Jackal, has passed away at the age of 86. His agent, Jonathan Lloyd, confirmed the news, describing Forsyth as one of the world’s greatest thriller writers.
With a career spanning more than five decades, Forsyth penned over 25 books, selling 75 million copies worldwide. His work, including The Odessa File and The Dogs of War, set the standard for espionage and political thrillers. Bill Scott-Kerr, his publisher, praised Forsyth’s influence, stating that his novels continue to define the genre and inspire modern writers.
From fighter pilot to novelist
Born in Kent in 1938, Forsyth lived a life as thrilling as his novels. He joined the Royal Air Force (RAF) at 18, becoming one of the youngest pilots in the service. However, his passion for writing led him into journalism, where he worked as a foreign correspondent for Reuters and the BBC.
Forsyth’s reporting took him to politically volatile regions, including Biafra during the Nigerian Civil War. His experiences there deeply affected him, shaping the narratives of many of his future works. In 2015, he revealed that he had worked with British intelligence agency MI6 for over 20 years, drawing on his real-life encounters with espionage for his novels.
The birth of The Day of the Jackal
Forsyth’s literary breakthrough came in 1971 when he published The Day of the Jackal. At the time, he was struggling financially and decided to write a novel as a way out of his difficulties.
“I was skint, in debt, no flat, no car, no nothing, and I just thought, ‘How do I get myself out of this hole?’” Forsyth later recalled. “And I came up with probably the zaniest solution – write a novel.”
Set in 1963, the book tells the gripping story of an English assassin hired to kill French President Charles de Gaulle. It quickly became a bestseller and was adapted into a film in 1973, starring Edward Fox. The novel’s impact continued decades later, with a TV adaptation starring Eddie Redmayne released in 2024.
An enduring literary legacy
Forsyth’s ability to blend real-world political intrigue with compelling fiction cemented his reputation. His follow-up novel, The Odessa File (1972), explored Nazi war criminals and was later adapted into a film starring Jon Voight.
Other major works include The Fourth Protocol (1984), which became a successful film starring Michael Caine and Pierce Brosnan, and The Dogs of War (1974), inspired by mercenary conflicts in Africa.
His latest novel, Revenge of Odessa, co-written with Tony Kent, is set to be published this August.
Tributes from colleagues and admirers
Following Forsyth’s death, tributes poured in from fellow authors, entertainers, and public figures.
Jonathan Lloyd reflected on Forsyth’s extraordinary life, recalling how they had recently watched a documentary on his career, In My Own Words, set to air later this year on BBC One.
Bill Scott-Kerr described working with Forsyth as one of the highlights of his career, praising his professionalism and meticulous approach to storytelling. Forsyth’s background in journalism, he noted, gave his novels a sharp sense of realism and ensured they remained contemporary and engaging.
Forsyth was awarded a CBE for services to literature in 1997Getty Images
Singer Elaine Paige, a personal friend, expressed her sadness, calling Forsyth’s knowledge of world affairs unparalleled. Andrew Lloyd Webber, who collaborated with Forsyth on Love Never Dies, the sequel to Phantom of the Opera, thanked him for his ability to craft stories that will endure for generations.
Conservative MP Sir David Davis, who considered Forsyth a close friend, described him as a man of honour, patriotism, and courage, as well as an outspoken defender of the armed forces.
Recognition and personal life
Forsyth was awarded a CBE for services to literature in 1997, honouring his immense contribution to British storytelling.
He was married twice and had two sons with his first wife, Carole Cunningham. His second wife, Sandy Molloy, passed away in October 2024, just months before his death.
Passing marks
Frederick Forsyth’s influence on thriller writing is undeniable. From his groundbreaking debut with The Day of the Jackal to his final works, he leaves behind a literary legacy that will continue to captivate readers for years to come. His ability to merge real-world intrigue with gripping narratives made his books essential reading for fans of espionage fiction.
Forsyth’s passing marks the end of an era, but his stories will live on, shaping the genre and inspiring new generations of thriller writers.
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Charli XCX celebrates a year of Brat’s cultural takeover
It’s been a full year since Charli XCX dropped Brat, and the album’s neon-green grip on pop culture has not loosened. Forget fading summer anthems; Brat feels permanently wired into the now. How did an artist long celebrated for being ahead of the curve finally make the whole world tune in? Well, she did it entirely her own way.
Charli was no newcomer. She smashed charts a decade ago with “Fancy” and penned hits for others. Yet mainstream stardom on her own terms felt elusive until Brat. The rollout was masterful, starting with the divisive “Von Dutch”, then the It Girl-packed “360” video featuring faces like Julia Fox and Chloë Sevigny, who soon became unavoidable.
Charli XCX arrives for the 2025 Met GalaGetty Images
Crucially, she nurtured her core fans (“Angels”) with intimate pop-up shows, birthing the iconic Brat Wall, where teasers about collaborations and the deluxe album kept excitement boiling. When Brat landed, hitting No. 3 in the US and No. 2 in the UK, it was a moment of absolute cultural takeover.
Beyond the music: building a movement
Brat’s fire spread far beyond the songs. A simple tweet : “Kamala IS brat”, saw the US Vice President’s campaign adopt the album’s aesthetic overnight, sparking global chatter. Charli directly addressed fan speculation, confirming “Girl, So Confusing” was about Lorde, then brilliantly working it out with her on a remix weeks later. She refused to let the moment die, dropping a full remix album (Brat and It’s the Same but There’s Three More Songs so It’s Not), featuring everyone from Billie Eilish to underground stars, which pushed Brat to UK No. 1.
Charli XCX performing on stage Getty Images
The Sweat and Brat tours became must-see events, packed with surprise guests. Grammy wins followed, plus SNL, Coachella and film cameos. Even her older song “Party 4 U” surged up the charts years later. Charli questioned at Coachella: “Does this mean brat summer is finally over?” The answer seems clear. Brat wasn’t just a seasonal hit. It was almost like Charli XCX meticulously crafting a phenomenon, proving that staying fiercely true to her vision was the ultimate key to connect with a wide audience.
This summer, Northolt becomes the stage for an elegant celebration of South Asian heritage, movement, and expression, as weekly Bharatanatyam Dance Classes take centre stage every Wednesday throughout June. Hosted at the Grand Union Village Community Centre (1st Floor, Weaver House, Higham Mews, Northolt UB5 6FP), these sessions will be held on June 11, 18, and 25, offering a rare opportunity for both newcomers and trained dancers to deepen their understanding of one of India’s oldest and most revered classical dance traditions.
Bharatanatyam is not merely a dance—it is a profound narrative art form that weaves together intricate footwork, hand gestures (mudras), facial expressions (abhinaya), and rhythm (nritta) to convey stories drawn from Hindu mythology and ancient texts. Originating in the temples of Tamil Nadu over 2,000 years ago, this sacred dance has evolved into a global cultural phenomenon, admired for its precision, beauty, and spiritual depth. These Northolt classes aim to make that heritage accessible to all, regardless of age, gender, or prior experience.
Led by accomplished and passionate instructors, the course is structured to accommodate dancers at all levels. Beginners will be introduced to the foundational elements—basic postures, sequences (adavus), and symbolic gestures—while those with prior training can refine their techniques and explore more advanced compositions and performance aspects. Each session fosters physical discipline, mental focus, and emotional expression, making it not only a dance class but a full-body, cultural experience that nurtures confidence and creativity.
Set in the welcoming environment of the Grand Union Village Community Centre, these classes serve as a cultural bridge for the local community, promoting inclusivity, mindfulness, and a shared appreciation for traditional arts. It's also a great way to meet like-minded individuals, engage with Indian classical music and heritage, and take a break from the digital noise of everyday life.
These classes are perfect for individuals looking to reconnect with their roots, build a strong foundation in classical dance, or simply experience the meditative power of movement and music. Participants are encouraged to wear comfortable traditional attire and bring an open heart ready to learn and grow.
Don’t miss the chance to be part of this artistic journey that celebrates the spirit and soul of Indian dance. Whether you're just beginning your dance story or adding a new chapter, Bharatanatyam offers a timeless path of expression and self-discovery.
Glastonbury has taken the unprecedented step of selling thousands fewer tickets for its 2025 event following dangerous overcrowding last year. Festival chief Emily Eavis confirmed the capacity reduction just weeks before Olivia Rodrigo, The 1975 and Neil Young headline the iconic event. The move addresses 2024’s critical incidents, where crowd crushes forced performances to halt and areas to close. “We’ve sold a few thousand fewer tickets to see how that affects site dynamics,” Eavis stated on the Sidetracked podcast.
In its most dramatic transformation, the festival’s legendary nightlife zone Shangri-La will become a tree filled sanctuary, abandoning its industrial aesthetic entirely. “It’s completely the opposite of anything we’ve done,” Eavis revealed. Simultaneously, newly acquired land has created Dragon’s Tail, a public hilltop area overlooking the southeast corner. The dual strategy is to disperse crowds after last year’s chaos, when fans missed sets like Sugababes and Charli XCX due to unsafe congestion.
A secret Pyramid Stage booking named “Patchwork”, which required a year of complex logistics, fuels intense speculation alongside major acts. The line-up also features Rod Stewart’s coveted legends slot, Irish rap trio Kneecap and breakout star Raye. Demand remains high despite reduced capacity: November’s first ticket batch sold out in 30 minutes, with coach packages disappearing even faster. “There were years we couldn’t give tickets away,” Eavis reflected, contrasting the current frenzy with past struggles.
Organisers now leverage crowd data from the festival app’s schedule planner, which accurately predicted 2024 pinch points. Post-pandemic movement patterns show attendees move more in a herd, prompting new traffic management including 10 alternative routes across the sprawling site.
The festival runs from 25 to 30 June with additional measures like expanded space at the Other Stage, where Charli XCX’s Saturday headline set is expected to test the new systems. While operating below its capacity of 210,000, Glastonbury maintains its non-corporate ethos despite £10 million (₹1,025,000,000) pandemic losses. “The whole thing is based on goodwill,” Eavis emphasised, rejecting commercial takeovers. Final preparations include £1 million (₹102,500,000) wet weather contingencies, ensuring the show proceeds rain or shine.
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The Canary Wharf business district including global financial institutions in London.
THE UK’s unemployment rate has increased to its highest level since July 2021, according to official data released on Tuesday, following the impact of a business tax rise and the introduction of US tariffs.
The Office for National Statistics (ONS) said the unemployment rate rose to 4.6 per cent in the three months to the end of April. This was up from 4.5 per cent in the first quarter of the year.
The figures reflect the early effects of a business tax increase announced in the Labour government’s first budget in October. April also marked the beginning of a baseline 10 per cent tariff on the UK and other countries introduced by US president Donald Trump.
“There continues to be weakening in the labour market, with the number of people on payroll falling notably,” said Liz McKeown, director of economic statistics at the ONS.
“Feedback from our vacancies survey suggests some firms may be holding back from recruiting new workers or replacing people when they move on,” she added.
The data also showed a slowdown in wage growth. Analysts said the overall picture could encourage the Bank of England to continue cutting interest rates into 2026. The trend pushed the pound lower but supported gains in London’s stock market during early trade on Tuesday.
“With payrolls falling, the unemployment rate climbing and wage growth easing, today’s labour market release leaves us more confident in our view that the Bank of England will cut interest rates further than investors expect, to 3.50 per cent next year,” said Ruth Gregory, deputy chief UK economist at Capital Economics.
The Bank of England last reduced interest rates in May, cutting them by 0.25 points to 4.25 per cent.