Former Pakistani Prime Minister Imran Khan said on Wednesday (17) that police had surrounded his house and that he expected to be rearrested soon, after the government warned him to hand over supporters who it blamed for attacks on the army.
Khan was arrested by the army on May 9 on graft allegations, which he denies, triggering a wave of violence that has deepened political instability in the south Asian nation of 220 million.
Pakistan has also been facing its worst ever economic crisis, with a long delay in securing critical IMF funding.
The country's Supreme Court ordered Khan's release on bail last Friday (13).
But on Wednesday, the government accused him of sheltering aides and supporters wanted over the attacks following his arrest, and warned he had 24 hours to hand them over or face a police operation.
Khan, 70, a former captain of Pakistan's cricket team, said his re-arrest was imminent. Hours earlier, Islamabad's High Court had granted him a bail extension until May 31, his lawyer Faisal Chaudhry said.
"Probably my last tweet before my next arrest," Khan tweeted on Wednesday evening, adding that police had surrounded his house in the eastern city of Lahore.
In a live video statement, he said his opponents were out to trigger a fight between him and the army.
"I'm afraid that this will bring a big backlash that will cause huge loss to our country," he said.
"... If someone thinks that this strategy can win a ban on my party, it is not going to happen."
He demanded a judicial commission headed by the chief justice to probe the violence.
Punjab province's information minister Amir Mir said intelligence and law enforcement agencies had identified that some 30 to 40 people accused of attacking military installations were hiding at Khan's home.
"We're giving an ultimatum that these terrorists should be turned over to the police, or else there will be action," Mir told a press conference.
He said Khan had 24 hours to surrender the suspects, and that a police operation would be launched if he did not comply.
Khan's aide, Iftikhar Durrani,denied the former prime minister was sheltering people suspected of involvement in the violence.
Khan, who has been rallying his supporters to demand a snap election since he was ousted in a parliamentary vote of confidence in April 2022, called on authorities to come to his house with arrest warrants rather than storming it.
Following Khan's arrest, thousands of supporters attacked and set on fire scores of government and public buildings, including the army's headquarters. More than 3,000 people are already in custody over the violence.
Federal information minister Marriyum Aurangzeb described the attacks on army installations as "sedition", saying those involved in them would be tried in military courts.
The military had already announced that those who attacked its installations would be tried under army laws, calling the May 9 attacks "pre-planned" and ordered by leaders of Khan's party, which he and his party deny.
The Human Rights Commission of Pakistan (HRCP), an independent civil rights group, said on Tuesday (16) it opposed the use of military laws to try civilians, saying it risked denying their right to due process.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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