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‘I made that decision’: Ana de Armas says she didn’t feel exploited during filming nude scenes in Blonde

Blond is a fictional look at the life of Marilyn Monroe, especially during her rise to fame in the 1950s and up to her death in 1962.

‘I made that decision’: Ana de Armas says she didn’t feel exploited during filming nude scenes in Blonde

Actress Ana de Armas is currently in the limelight for her upcoming film Blonde, which is a fictional look at the life of Marilyn Monroe, especially during her rise to fame in the 1950s and up to her death in 1962. de Armas plays Monroe in the film, and talking about filming some nude scenes, she said that she felt “safe and protected” when filming them on the set.

"It's harder for people to watch [those scenes] than for me to make them because I understood what I was doing and I felt very protected and safe. I didn't feel exploited because I was in control. I made that decision. I knew what movie I was doing. I trusted my director. I felt like I was in a safe environment. We had hundreds of conversations about these scenes. Everyone felt a deep respect for the movie we were making. And in that sense, I had no fear. I didn't feel uncomfortable at all, even though they were really hard scenes,” the 34-year-old actress told a publication.


The nudity in the film is something that de Armas is well aware will be discussed online, but she knows that there is nothing she can do to stop that. She previously said: “It’s upsetting just to think about it. I can’t control it; you can’t really control what they do and how they take things out of context. I don’t think it gave me second thoughts; it just gave me a bad taste to think about the future of those clips. I did things in this movie I would have never done for anyone else, ever. I did it for her, and I did it for [Blonde director Andrew Dominik]."

Blonde is scheduled to start streaming on Netflix on September 28.

Keep visiting this space over and again for more updates and reveals from the world of entertainment.

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Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice

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Sudha Kongara on ‘Parasakthi’ and online backlash: ‘There is slandering and defamation of the worst kind’

Highlights

  • Sudha Kongara on the turbulence around Parasakthi, from certification demands to online attacks
  • Why the film frames the 1965 anti-Hindi agitation through one man’s choices
  • Balancing politics, melodrama and cinema
  • How music, casting and tone were shaped by craft, not compromise

A film surrounded by noise

Sudha Kongara is among the few Tamil directors whose films carry a distinct voice. With Parasakthi, that voice has had to compete with chaos. Long before release, the film was caught in disputes over its title, shifting cast announcements, ED searches, plagiarism claims and, finally, a list of changes demanded by the Central Board of Film Certification.

In all that, the film itself risked becoming secondary. Parasakthi, starring Sivakarthikeyan, Ravi Mohan, Atharvaa and Sreeleela in her Tamil debut, retells the 1965 anti-Hindi imposition agitation in Tamil Nadu. The core of the film unfolds over just 19 days , from January 24–25 to February 12, 1965.

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