YOUNG London-based artist Amina Malik recently launched her own gallery in the South Norwood district of London.
The Amina Malik Art Gallery opened with a group exhibition featuring the work of four artists, including her own, and has already received a positive response. Apart from contributing to her local community through arts, she is hoping to create a platform and meeting point for creative people.
Eastern Eye caught up with Amina Malik to talk about art, her newly opened gallery and inspirations.
What first connected you to art?
As a child, I always enjoyed drawing, but it wasn’t till I began drawing inspiration from the religion I followed (at the time) that I first consciously felt a connection.
What inspired you to open a gallery?
Opportunity! I was looking for a studio and this space became available. It was bigger than I needed, but it felt like a good opportunity to incorporate a gallery and events space for other creative people, while bringing a fun space to the local community.
Tell us about the gallery?
Our vision is to provide a diverse space for like-minded artists to showcase their talent, while bringing more opportunity for the local community to interact and come together in a creative environment.
Tell us about the artists being exhibited?
Exhibiting at our first exhibition Divine Stroke are Rahima Begum, Samir Malik, Umer Murtaza and myself. Each of the artists has their own unique style. The works currently exhibiting at the gallery are inspired by what the artists perceive as spiritual experience. To feel the art you need to see it in person so mosey on over. Divine Stroke runs till Christmas and the theme is art created through spiritual experience.
Tell us about your own artwork?
My artwork is an introspection. I don’t talk about it a lot and prefer people to see them in person to feel their own experiences.
Where do you draw your artistic inspirations from?
Inspiration is both outward and inward, but I’m unable at this point to pinpoint where precisely it comes from.
What are the plans for your gallery?
To nurture a creative environment for individuals looking for a space to give room for their creative spirit to grow. Specifically, to host events from all walks of artistic paths.
How do you balance running a gallery with being an artist?
As it’s a new gallery, I haven’t managed to find my balance yet, but I’ll get there.
Which artist is your hero?
I don’t have a hero-artist. There are many I admire, and I appreciate the variety.
Why is art important?
Art crosses all human-made boundaries. We may appreciate different forms and some forms the admirer may not even call art. But there’s a beauty in creative expression that reaches hearts. And it’s the reaching hearts that’s important.
Why do you love art?
In other people’s art, I enjoy details. I enjoy contemplating the thought process and looking for the strokes that formed a piece of art and the construction. In my own art, there’s a freedom in creating that my soul finds delight in and I love how that feels. But I don’t create art because I love art, I do it because I must. There’s an urge that I can’t quite articulate.
Amina Malik Gallery, 28 Station Road, London SE25 5AG. Visit Twitter, Instagram & Facebook: @aminamgallery
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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