Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
HISTORIAN Sunil Amrith has won the British Academy book prize 2025 for his book The Burning Earth: An Environmental History of the Last 500 Years. The award, worth £25,000, honours outstanding non-fiction work. Professor Amrith, based at Yale University in the US, received the prize at a ceremony hosted by the British Academy in London on Wednesday (22).
Born in Kenya to South Indian parents, Amrith grew up in Singapore and graduated from the University of Cambridge, England. His book, noted by judges as crucial reading amid the climate crisis, explores the extensive link between human history and environmental change.
The work spans continents and centuries, covering events such as the conquest of the Americas, British gold mining in South Africa, the Black Death, and the Second World War.
Speaking via live video from the US, Amrith said the book contains much harm and suffering but also highlights alternative paths not taken — ideas and movements that may have failed but left lasting legacies and more sustainable technologies. He expressed hope that revisiting these paths could inspire a less violent and more cooperative way of living on Earth.
The chair of judges, Professor Rebecca Earle, described the book as a detailed and vital account of environmental transformation throughout human history, calling it essential reading for understanding the roots of the current climate crisis. She praised Amrith's global perspective, which shows how human activity and environmental changes are inseparable.
The British Academy, the UK’s national academy for the humanities and social sciences, noted that the book draws on decades of research to explain how industrialisation, colonisation, and shifting human settlements contributed to today's environmental challenges.
Professor Susan J Smith, British Academy president, added that the book combines rigorous evidence with engaging writing, making it a strong example of the scholarship the prize aims to celebrate.
Five other books shortlisted received £1,000 each. These included The Golden Road: How Ancient India Transformed the World by William Dalrymple, The Baton and The Cross: Russia’s Church from Pagans to Putin by Lucy Ash, Africonomics: A History of Western Ignorance by Bronwen Everill, Sick of It: The Global Fight for Women's Health by Sophie Harman, and Sound Tracks: A Musical Detective Story by Graeme Lawson.
Established in 2013, the British Academy book prize rewards works in the humanities and social sciences grounded in exceptional research. To be eligible, books must be non-fiction published in the UK. Authors may be from any nationality or location, provided the work is available in English.
THE BRITISH MUSEUM, which raised more than £2.5 million from its inaugural Pink Ball last Saturday (18), has said it wants to strengthen its collaboration with India.
Isha Ambani, George Osborne, Nita Ambani, Nicholas Cullinan. (Photo credit: Dave Benett)
The museum’s director, Dr Nicholas Cullinan, went out of his way to extend a special thanks to Isha Ambani, chair of the India-themed ball.
Neeta Ambani at the event. (Photo credit: Dave Benett)
The funds raised will be used to support the museum’s international partnerships, particularly with India.
There will be a focus on “pioneering curatorial collaborations with Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai. The British Museum is also proud of its collaborative, cross-cultural and co-curated projects with CSMVS, which have resulted in critically acclaimed exhibitions in both London and Mumbai.”
Jules Buckley, Anoushka Shankar. (Photo credit: Dave Benett)
The CSMVS was known previously as the Prince of Wales Museum.
Isha Ambani, 33, is the daughter of Mukesh Ambani, head of Reliance Industries in India and said to be “the driving force behind the Nita Mukesh Ambani Cultural Centre” in Mumbai. Isha attended the ball with her mother, Nita Ambani.
Jaya Raheja, Aarti Lohia. (Photo credit: Dave Benett)
The success of the ball must be partly because of the backing from the Ambani family.
There are hopes of further collaboration between the British Museum and the Nita Mukesh Ambani Cultural Centre.
Katy Wickremesinghe. (Photo credit: Dave Benett)
“That would be fantastic,” said Dr Sushma Jansari, who curated Ancient India: Living Traditions, the exhibition which inspired the ball.
The art scene in India is said to be vibrant, reflecting the country’s economic growth. What government-owned museums in India probably need is curatorial expertise from Britain, as well as better cataloguing and help with restoration.
Natasha Poonawalla. (Photo credit: Dave Benett)
“The British Museum’s international training programme also continues to equip the next generation of curators to protect and share heritage worldwide,” the museum pointed out.
The money raised from the ball was described as “a landmark moment in the museum’s history that secures vital funding for its international partnerships”.
Orhan Awatramani. (Photo credit: Dave Benett)
Many families from Eastern Eye’s Asian Rich List attended the ball.
The money raised “incorporates the generous support of table hosts and guests, donations made on the night and proceeds from the ball’s silent auction”, the museum said.
Ray Panthaki. (Photo credit: Dave Benett)
It added: “Chaired by arts patron and businesswoman Isha Ambani, alongside director Dr Nicholas Cullinan OBE, the ball welcomed nearly 900 guests, 70 per cent of whom were new to the museum, including leading cultural figures. Arriving at the museum, guests walked the pink carpet up to the iconic south façade and colonnade. Guests were invited to take their seats for dinner at tables set amid some of the most spectacular objects in the museum collection. Served throughout a number of the ground floor galleries, a menu inspired by the rich flavours of India was served in artisanal, hand-painted tiffin tins.
Alejandra Cicognani, Manav Angelo Kashyap. (Photo credit: Dave Benett)
“The inaugural British Museum Ball has now set a new benchmark for philanthropic and cultural celebration, bringing together leading figures from art, design, fashion, entertainment and public life in support of a shared global mission and to celebrate London’s status as one of the world’s leading cultural capitals.”
There are hopes also of greater collaboration between the museum and the 2.5 million-strong British Indian community, who were consulted about the Ancient India exhibition, along with Jains and Buddhists in the UK.
One of the museum’s ball partners was Kama Ayurveda, a beauty products firm which was represented in a tent in the grounds of Chequers along with other British businesses, when India’s prime minister Narendra Modi travelled to London in July for the signing of the Free Trade Agreement with UK prime minister Sir Keir Starmer.
Sweta Mehta. (Photo credit: Dave Benett)
The ball could also signal greater patronage from wealthy British Indian families for art institutions in the UK, mirroring well-established practices in the US. In the past, Asian businesses, particularly those who came from east Africa, have not always seen a direct link between their own profit lines and giving money to the arts. But this might be changing. The involvement of the Ambanis, India’s richest family, could be a game changer.
In the UK, Akshata Murty, who attended the ball with her husband, Rishi Sunak, has become a trustee of the V&A. Normally, these roles are reserved for the great and the good of British high society. But as the wife of a former prime minister, she probably outranks them, not least because her father, NR Narayana Murthy, the co-founder of Infosys, had made her a very rich woman in her own right.
During the silent auction, one of the prizes was “an opportunity to be among the first to see the monumental Bayeux Tapestry when it arrives on loan next year, and a private dinner and tour of the British Museum, personally led by the director”.
Cullinan said: “The British Museum is at the heart of cultural life in the UK, and the inaugural ball demonstrated this with both an unprecedented level of interest, an extraordinary fundraising sum, and a renewed sense of the mission we are on to transform this remarkable institution. I want to once again thank Isha Ambani.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.