Well-known music composer Himesh Reshammiya has joined hands with superstar Salman Khan for a foot-tapping track which will feature in the latter’s upcoming film Radhe: Your Most Wanted Bhai. Khan is currently shooting for his hugely anticipated film at Mehboob Studio in Mumbai.
This is not the first time when Reshammiya has composed music for a Salman Khan starrer. In the past, he has composed blockbuster songs for the superstar in such films as Pyaar Kiya To Darna Kya (1998), Hello Brother (1999), Tere Naam (2003) and Prem Ratan Dhan Payo (2016) among others.
While talking about working with Salman Khan once again, Himesh said, “I am doing a song in Radhe. I have just recorded the song. It is a blockbuster track. Salman Khan is such a big star that your track record with him should always go on the right path. There is always pressure with him to give the correct song. I do not question him ever. I make him listen to my work and then he takes the final call on them. At a conscious level, the pressure is high as the song cannot go wrong. A song would not fail because of him, because he carries every song like a star. So, if the song messes up, you realise that it is your fault. So, this pressure leads to good results. He always tells me that anybody can deliver 50 hits, but what about the future. He has always inspired me. I dedicate all my hit songs to him.”
Also starring Disha Patani, Randeep Hooda and Jackie Shroff in important roles, Radhe: Your Most Wanted Bhai is an official remake of the superhit South Korean film The Outlaws (2017). Directed by Prabhudheva, the cop-drama is slated to roll into theatres on the occasion of Eid 2020.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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