Skip to content
Search

Latest Stories

Gwyneth Paltrow reveals she and Timothée Chalamet had ‘a lot of sex’ in 'Marty Supreme'

The Oscar winner returns to the big screen in a bold new role, questioning Hollywood’s evolving approach to on-set intimacy.

Gwyneth Paltrow & Timothée Chalamet

Gwyneth Paltrow reveals she and Timothée Chalamet had ‘a lot of sex’ in 'Marty Supreme'

Instagram/ fotogramas_es

Gwyneth Paltrow is returning to the big screen after years away, and she’s making headlines for more than just her comeback. In her latest film, "Marty Supreme," the actress shares the screen with Timothée Chalamet in a sports comedy that promises plenty of drama and a lot of intimacy.

Speaking to Vanity Fair, Paltrow revealed that the film features a significant number of sex scenes between her and Chalamet. The two actors play characters caught in a complicated relationship, with Paltrow’s role being that of a woman married to a member of the so-called "Ping-Pong mafia." Her character's life takes a turn when she meets Chalamet’s, leading to a passionate yet a transactional dynamic.


Gwyneth Paltrow & Timothée Chalamet heat up the screen in Marty Supreme—and she says they had “a lot of sex” on setroar-assets-auto.rbl.ms


While filming these scenes, Paltrow encountered an industry change she wasn’t expecting: the presence of an intimacy coordinator. These professionals have become a standard part of film productions to ensure actors feel comfortable during intimate scenes. However, Paltrow admitted she wasn’t entirely on board with the process, saying that she and Chalamet requested the coordinator to step back.

“I come from a time when you just got in bed and the camera rolled,” Paltrow explained. She acknowledged that times have changed, but she felt that too much guidance on set might have interfered with the natural flow of their performances. While some actors have embraced the role of intimacy coordinators, others, like Paltrow, have expressed concerns about over-instruction stifling their artistic instincts.

Gwyneth Paltrow & Timoth\u00e9e ChalametBehind the scenes of Marty Supreme: Gwyneth Paltrow opens up about steamy scenes with Timothée Chalamet and why she resisted an intimacy coordinatorInstagram/ fotogramas_es


Beyond the steamy scenes, "Marty Supreme" is in fact an important shift in Paltrow’s career. Known in recent years more for her wellness brand than for acting, she’s stepping back into a major role for the first time in nearly a decade. Director Josh Safdie praised her on-screen presence, noting that her time away from Hollywood has added depth to her performance.

Gwyneth Paltrow & Timoth\u00e9e ChalametGwyneth Paltrow’s big-screen comeback is making waves—for its wild romance, shocking scenes, and her take on Hollywood’s changing normsInstagram/ fotogramas_es


The film is set for release on December 25, making it a potential awards contender. Alongside Paltrow and Chalamet, the cast includes Fran Drescher, Tyler, the Creator, and Abel Ferrara. Given the buzz already surrounding its production, "Marty Supreme" is hoping up to be one of the most talked-about films of the year.

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less