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Gurdip Punjj goes all praise for producer Ekta Kapoor

Actress Gurdip Punjj, who has been working in the Indian television space for close to two decades now, has played prominent characters in several successful shows over the years. Last seen in the Star Plus medical drama Sanjivani 2, the talented actress is now looking forward to the premiere of her upcoming web series Kehne Ko Humsafar Hain 3.

The web series has been produced by well-known producer Ekta Kapoor for her leading OTT platform ALTBalaji. After the two hugely successful seasons, Gurdip is psyched up about joining forces with Ekta Kapoor once again for the third season of Kehne Ko Humsafar Hain.


Showering praises on her producer, Gurdip says, “She is a genius. I call her a genius. I call her a boss and she does not like it. Who can wrap up the shooting in March quickly before lockdown, do the edits and get the show ready and launch it during the lockdown and make the most of it? I think it is a brilliant move and a lovely decision to come up with a launch of season 3 during the lockdown. Hats off to her and only she could pull it through. There is one of her kind.”

Talking about her Kehne Ko Humsafar Hain co-stars Ronit Roy and Mona Singh, the actress says, “They are great actors. Now exactly we know each other, what cracks Mona, what Mona does not like, what Ronit likes, what he does not like, how he talks. We are actually friends now. The first season we broke the ice, the second season, we got better, the third season was like house on fire. We all got along really well.”

Starting June 6, Kehne Ko Humsafar Hain 3 will stream on ALTBalaji and ZEE5.

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Maybe Happy Ending Creates Broadway Milestone with Six Tony Wins

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‘Maybe Happy Ending’ wins six Tony Awards as Korean musical makes Broadway history

South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.


From Seoul to Broadway: A story born in two languages

Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.

Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.


While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.


A cultural shift, decades in the making

With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.

The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.


As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.

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