Families of Grenfell Tower fire victims call for criminal prosecutions
The Grenfell Tower fire, which engulfed the 23-storey social housing block in west London, killed 72 people. (Photo: Reuters)
By EasternEyeSep 05, 2024
HISAM Choucair lost his mother, sister, brother-in-law, and three young nieces in the Grenfell Tower fire seven years ago.
The fire, which engulfed the 23-storey social housing block in west London, killed 72 people.
"Words cannot describe the pain I have gone through," Choucair said at a news conference on Wednesday, as he held back tears. The event marked the release of the final report from a public inquiry into the disaster.
The inquiry found that the fire was caused by failures on the part of the government, the construction industry, and, most notably, the firms responsible for installing the flammable cladding on the building.
Choucair expressed gratitude for the inquiry’s findings and recommendations, but said the process had delayed justice, as criminal proceedings have yet to begin.
A public inquiry aims to establish facts, but it does not have the power to initiate criminal charges. The Crown Prosecution Service indicated it may not make decisions on charges until 2026, meaning trials could be delayed for a decade after the fire.
Choucair also described the inquiry as distressing to witness. "I have seen witnesses laugh while giving evidence, knowing they are partially to blame for what happened," he said.
Karim Khalloufi, whose sister Khadija died in the fire, said the inquiry had deprived victims’ families and survivors of justice. "The minimum we are asking is criminal prosecution for manslaughter," Khalloufi said, adding that they would continue to push for justice.
‘Living in fear’
Khalloufi, representing the Grenfell Next of Kin group, said they would meet with authorities, including the government and prosecutors, to ensure justice is pursued.
Keir Starmer called the release of the report a "long-awaited day of truth" but emphasised the need for justice to follow.
Shah Aghlani, who lost his mother and aunt in the fire, expressed pessimism about the likelihood of criminal prosecution, fearing any charges might result in fines rather than jail sentences.
Aghlani warned that without proper consequences, unsafe cladding like that used on Grenfell Tower would continue to pose a risk. "Seven years on and people are living with this cladding, they are living in fear," he said.
As of July 2024, official data showed 4,630 buildings over 11 metres still had unsafe cladding, with remediation work yet to start on half of them.
Maryam Adam, a survivor of the fire, said it was important to remember the 72 victims. "I just want justice for them," she said.
By day, Prabhu Ram is a senior executive at a top investment bank in London. But when the suit comes off, another world unfurls – one filled with ancient sutras, secret societies, forgotten kingdoms and cosmic adventure.
His debut novel, Nectar on the Seven Hills – The Pure Seed, is a bold, genre-blending odyssey that bridges the sacred and cinematic, the mystical and the modern.
Set deep within the mythical forests of the Eastern Ghats, it is the first in an ambitious fantasy trilogy. The story follows three young protagonists – siblings Magadh and Yukti, and their friend Rudra – who return from America to India, only to stumble into an extraordinary mission. What begins as a routine visit transforms into a high-stakes race against dark forces and ancient enemies. At the heart of their quest lies the Pure Seed, a potent symbol of wisdom and power that could alter the course of humanity.
“The seed of this story was planted during a hike in Tirumala,” says Ram, reflecting on the moment inspiration struck. “The richness of India’s ancient history and wisdom found in Vedic literature, particularly the Bhagavatam and Bhagavad Gita, have always guided me. I often try to apply the core principles from these timeless scriptures to the corporate world, as an investment banking professional. That desire to bring these ancient ideas to a younger audience in a modern and engaging way became the foundation of this creative journey.
“A Harry Potter-style adventure had long been in my mind. Once I began plotting the characters, the story started to evolve into its best version.”
A bilingual writer and award-winning Tamil poet, Ram’s love for language, particularly his mother tongue, has been a lifelong passion.
“My creative writing journey started in Tamil – one of the world’s oldest languages, with a rich literary heritage. I had the opportunity to study the language in depth, which deepened my admiration for its vast and expressive poetic tradition,” he explains. “Discovering the works of many authentic Tamil poets was a turning point in my journey as a writer. I used to write poetry during long bus rides to school when I was young.”
Ram creates a global narrative tapestryOm Books International
Drawing on ancient Indian epics, Nectar on the Seven Hills – The Pure Seed is a homage to Indian texts, but also a cross-cultural historical reimagining.
Ram creates a global narrative tapestry that includes a hardened Chinese military officer on a covert mission and an ancient enemy waiting to seize the same force. Their paths intersect with the protagonists in a high-stakes race against time that explores lost knowledge, secret societies, and long-forgotten sutras.
At its core, the novel is a fantasy adventure with heart and heritage. Its cinematic storytelling and rich characterisation have struck a chord with younger Indian readers. The book quickly climbed the Amazon India charts to become a bestseller.
“Many readers have described the world-building as outstanding,” Ram shares. “A distinctive feature of the trilogy is the organic integration of scriptures and Sanskrit verses from the Bhagavad Gita and the Śrīmad Bhāgavatam. This approach has resonated particularly well with younger readers, drawing them closer to our rich spiritual heritage. Reviews from critics have also highlighted this element as a major strength of the work.”
Ram credits his upbringing steeped in literature and the arts, as well as the creative edge demanded by his professional life, as major influences on his writing.
“I try to bring creativity into everything I do, even in my day-to-day work. The corporate world has taught me something important: when you're competing with some of the brightest minds out there, being unique and creative is often the only path to truly stand out. Otherwise, you're just another number in the system.”
His fascination with the cosmos – galaxies, stars and the mysteries of the universe – also plays a role in shaping his imagination.
“These unanswered questions inspire me immensely. They spark ideas, fuel my imagination, and often find their way into my writing in unexpected ways.”
Ram has poured so much passion into crafting the book that he loves every part of it. “But if I had to choose, my top pick would be an epic moment in the story where the modern world suddenly and seamlessly transitions into an enchanting ancient setting. The shift is unexpected and leaves the protagonists completely speechless.”
This turning point in the narrative enables the characters to realise that they are not ordinary individuals, but rather destined for something far greater. It features characters from the lost kingdom of Kishkindha, from the time of the Indian epic Ramayan, who come to life. “Additionally, a pivotal character from the Śrīmad Bhāgavatam – a divine bull – appears to deliver a powerful secret that lies at the heart of the story. It’s a moment designed to leave readers truly awestruck.”
Moments like this elevate the book beyond adventure, tapping into themes of destiny and cosmic purpose.
Ram’s literary influences are broad and global. He cites The Lord of the Rings as a foundational inspiration. “Tolkien’s world-building is peerless,” he says. Among Indian writers, Amish Tripathi’s Shiva Trilogy made a lasting impact. “I deeply admire the way he reimagines mythology with a fresh, contemporary voice.”
Dan Brown’s fast-paced, code-cracking thrillers also played a part in shaping Ram’s approach to suspense and pacing.
As the trilogy unfolds, Ram promises the stakes will grow higher and offer more adventure in the next two books. His aim from is to captivate young readers and draw them into the fascinating world of ancient history, from India’s rich cultural heritage to other great civilisations. “At the heart of this trilogy is a deeper mission: to subtly introduce key messages and teachings from ancient scriptures, making them engaging and accessible. In the second instalment, readers will meet even more characters drawn from ancient texts who come alive to guide and sometimes challenge the protagonists. The story continues to expand in scope, magic, and meaning.”
He explains that the trilogy draws inspiration from the legendary Samudra Manthan – the churning of the ocean – a pivotal moment in ancient Indian history when there was an epic struggle between the Devas (gods) and Asuras (demons). “This symbolic event, representing the eternal battle between good and evil, becomes even more central as the series progresses. In the second and third books, this theme intensifies, with antagonists gaining strength.”
The mythological elements, combined with significant historical events, are woven together to create memorable moments for readers. “My goal is not just to make the sequel better, but to elevate it in a massive way. Expect more magic, more fantasy, and a deeper, darker setting where multiple characters chase their own agendas on the path to an ultimate revelation.”
What makes a great novel, he believes, is the ability to completely absorb a reader.
“A great book is unputdownable. It should grip the reader so fully that they do not want to do anything else until they’ve turned the last page. When a novel feels as addictive as binge-watching a Netflix series, the writer has truly succeeded.”
He says for that to happen, everything must align. “The story must connect. The plot must feel fresh and original. The language should be simple yet powerful. The style needs to inspire. The characters must come alive, so much so that the reader feels what they feel, roots for them, fears for them, and even wants to take revenge on the antagonists themselves.”
For aspiring writers, Ram has one central message: don’t stop until you’re holding the paperback in your hands. “That moment is worth every struggle,” he says.
And why should readers pick up his novel now available in UK? Ram smiles: “You don’t just want to read a book, you want to live in it. That’s how I feel every time I pick up a great story. It should pull you in, leave you breathless, and never let go. If you're ready to experience history like never before, in a universe that is both ancient and astonishingly new, then Nectar on the Seven Hills – The Pure Seed is your next adventure. Truly magical. Admirably global. Ambitiously rooted in ancient wisdom. The characters will leave you awestruck. The plot will give you goosebumps.”
Nectar on the Seven Hills – The Pure Seed is available now, published by Om Books International
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We’re also both very physical with our humour and play off each other well
After a smash-hit UK debut, India’s most-watched crowd-work comedy duo is back – and this time, they’re armed with an even wilder new show. Abishek and Nirmal: The Great Indian Positivity House invites audiences into a bizarre world where you can anonymously confess your darkest deeds and most questionable opinions.
Staged at Soho Theatre in London from July 21–25, the show will then head to the Edinburgh Fringe in August. It promises their signature fast-paced crowd work and razor-sharp improvisation. With no two shows ever the same, they aim to make every night unrepeatable and unforgettable. Eastern Eye caught up with the dynamic duo to talk about comedy chemistry, on-stage secrets and their biggest influences.
What made you two want to team up?
Abishek: We come from similar backgrounds, consume similar content, and laugh at each other’s jokes. A middle-class upbringing, a love for theatre, and a shared passion for the same kind of humour brought us together.
Did you both expect to become such a successful double act?
Nirmal: It struck me early on during touring. Initially, we’d do 20 minutes each and then come together for the final 20, which audiences really enjoyed. We soon realised our on-stage chemistry worked. We’re also both very physical with our humour and play off each other well. (No innuendo intended.)
What’s been your most memorable moment as a duo?
Nirmal: After every show, we’d go out with some audience members and ask them to show us around their city. I think our last day at Edinburgh Fringe was epic – we were up till 4 am dancing, drinking pints, with a flight back to India at 8 am. Total chaos. Abishek: Touring internationally will always be a core memory. I’ll never forget our first show in Dubai – it felt so surreal. We genuinely felt taller than the Burj Khalifa that day!
How would you describe your brand of comedy?
Abishek: We do a lot of crowd work and improv. Our biggest strength is our physical comedy, combined with (self-proclaimed) impeccable chemistry on stage.
What drew you to interactive comedy?
Nirmal: I love stand-up, but it takes a year or two to build a solid hour. Audience-interactive shows let us flex our improv muscles and keep it fresh every night. We never ran out of shows this way. And repeat audience could enjoy our shows too. It’s liberating – we get to respond to the exact moment we’re in. And we love being surprised by the crowd.
What’s the biggest challenge of interactive comedy?
Abishek: You never know how a joke will land. You have to read the room well and only prolong an interaction if the person is clearly enjoying it.
With no two shows ever the sameInstagram/ theabishekkumar
How much of your routine is planned in advance?
Nirmal: The beginning, middle, end, and format are always set. But that’s it. We’ve built our shows on the road, so we keep adding and experimenting with new bits.
What’s the secret to great improvisation?
Abishek: Ride the scene’s energy – no matter how dumb the premise sounds. Go with the flow. BS with full conviction!
How do you stay in sync on stage?
Nirmal: It’s muscle memory at this point. I know when he’ll take a punchline or jump in, and he knows when I’ll interrupt. It’s built over time by doing this again and again.
What has performing in the UK been like?
Abishek: Amazing. We’ve toured the UK multiple times now, and every visit feels like coming home, thanks to the huge Indian diaspora.
How do UK audiences compare to those in India?
Nirmal: I love our international audiences – they come for a sense of familiarity. They’re away from home, and our references, language, and vibe create that comfort. For at least an hour and a half, it feels like home.
The beginning, middle, end, and format are always setInstagram/ theabishekkumar
Do you have creative differences – and how do you manage them?
Abishek: We do, but we don’t shy away from tough conversations. We’re brutally honest with our feedback and open to change. That’s the healthy part of this duo.
Tell us an embarrassing secret about each other.
Nirmal: When Abishek is sleep-deprived, he goes full chaos mode – like an elephant about to mate. He starts doing sixth-grade-level pranks on everyone around. This is a 30-year-old man. Abishek: Nirmal has to poop before every show. The moment the announcement plays, he’s off to the loo.
Who are your comedy heroes?
Abishek: Robin Williams, Russell Peters, Jim Carrey, Adam Sandler, Ricky Gervais... and Indian legends like Nagesh and Crazy Mohan, who’ve had a huge influence on me. Nirmal: Kanan Gill, Rahul Subramanian, Kenny Sebastian, Hasan Minhaj, Aziz Ansari and Dave Chappelle.
Why should people come to your London shows?
Nirmal: To feel like you’re in South India for a whole hour. It’s better than the North. (I say this in jest.) I could have said I’m joking, but I had to say jest, didn’t I? It is a nice word though.
Abishek & Nirmal: The Great Indian Positivity House at Soho Theatre in central London from July 21-25. www.sohotheatre.com
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Priyanka Chopra opens up about an on-set injury while filming Heads of State
Priyanka Chopra Jonas has opened up about a minor but shocking accident that occurred while filming her new action-comedy Heads of State, which premieres on Prime Video on 2 July. Appearing on The Tonight Show Starring Jimmy Fallon, the actor recalled how she injured her face during a high-intensity scene, losing a piece of her eyebrow in the process.
The incident took place during a rainy stunt scene that required her to fall and roll on the ground as the camera closed in. “The camera operator came in a little closer, I came in a little closer, and boom! The matte box hit me right here,” she said, pointing to her eyebrow. “It took out a chunk. I was lucky it didn’t take my eye.”
Despite the bleeding cut, Priyanka didn’t halt filming. Instead, she reached for surgical glue, patched herself up on set, and wrapped up the day’s shoot. “I didn’t want to come back and shoot in the rain again,” she joked.
In the film, Chopra plays Noel Bisset, a sharp MI6 agent pulled into chaos after a diplomatic mission unravels. She stars opposite John Cena and Idris Elba, who play the heads of state she’s tasked with protecting. The actor shared that her character does a fair amount of the heavy lifting when it comes to action, including hand-to-hand combat and stunts.
While discussing the film, Chopra also spoke about the off-screen dynamics with her co-stars. She revealed that Cena and Elba hadn’t met before the shoot, so she stepped in to ease the introductions. “I was like the buffer. I had to make sure we didn’t just start punching each other,” she laughed.
She also mentioned how the set was filled with laughter, banter, and plenty of pranks, most of them aimed at her. “I guess I was the easy target,” she admitted.
Directed by Ilya Naishuller, Heads of State features an ensemble cast including Paddy Considine, Carla Gugino, Jack Quaid, Stephen Root, and Sarah Niles. The film will be available in English, Hindi, Tamil, Telugu, Malayalam, and Kannada.
Up next, Chopra is set to appear in SSMB 29 with Mahesh Babu and The Bluff, where she plays a reformed pirate.
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On World Music Day, we revisit the songs that made Shreya Ghoshal more than just a singer, but a sound that shaped our lives
From soul-stirring ballads to playful love anthems, Shreya Ghoshal has given us songs for every emotion. On World Music Day, we’re celebrating the magical voice that has become the soundtrack to our lives. Whether it's heartbreak, romance, devotion or pure joy, Shreya doesn’t just sing a song, she lives it. Here are 12 timeless tracks that define her legacy as India’s most beloved singer.
1. Sunn Raha Hai (Female Version) – Aashiqui 2
Raw and haunting, Shreya’s version of this heartbreak anthem gave it a delicate intensity that cut straight to the soul. You could hear the silence between the words and feel it.
2. Tujh Mein Rab Dikhta Hai (Female Version) – Rab Ne Bana Di Jodi
Her serene, soft rendition turned this romantic track into a quiet prayer. Shreya’s voice here isn’t just melodious — it feels like devotion in motion.
Only Shreya could match Geet’s wild, carefree energy with such powerful vocals. This Sufi-tinged love song bursts with reckless joy and she’s the reason we still belt it out like we’re in the snow.
The debut that made history. From the iconic “Ishhh” to her classical finesse, Shreya arrived like a storm of talent and walked away with a National Award.
One of Bollywood’s most romantic songs wouldn’t be the same without her. Shreya’s emotional depth pairs perfectly with Rahat Fateh Ali Khan’s vocals, a duet that still gives goosebumps.
A recent hit that shows she’s still at the top of her game. Her voice glides with elegance and warmth, bringing vintage romance into a modern love story.
From every "Ishhh" to every high note that made us cry, Shreya Ghoshal isn’t just a singer, she’s an emotion.
On World Music Day, we celebrate her voice like a constant companion through our best memories, toughest heartbreaks, and everything in between.
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Adil Khan (left) and Qari Abdul Rauf. (Photo credit: Greater Manchester Police)
PAKISTAN may reconsider accepting two convicted leaders of the Rochdale child sexual abuse gang if direct flights between the UK and Pakistan are restored, a senior Pakistani official has said.
A judge had ordered their deportation to Pakistan, but both men renounced their Pakistani nationality just before their court appeals, effectively blocking the deportation process.
Since then, the UK has been unable to remove them, as Pakistan has refused to accept individuals without citizenship. Although courts have rejected their appeals multiple times, the two men remain in the country.
A senior official from Pakistan’s Foreign Office told The Times that talks are ongoing with British authorities, both over the deportation of the two men and the resumption of Pakistan International Airlines (PIA) flights to the UK.
“This complex case involves several legal challenges, and we are currently in discussions with UK authorities, although no significant progress has been made yet,” the official said.
Direct flights by Pakistani airlines have been banned in the UK since 2021 due to concerns over aviation safety. The UK Civil Aviation Authority found that a number of Pakistani pilots had been flying with fraudulent licences. Pakistan has applied to be removed from the UK’s Air Safety List, but a decision is still pending.
British officials have insisted that the aviation review is entirely independent of the deportation issue.
Legal experts say deporting someone who has no nationality is generally against international law. However, UK law allows such deportations in limited cases, particularly if the home secretary believes the person may be eligible for another nationality.
Osama Malik, a UK-trained immigration lawyer, said it was unlikely Pakistan would accept Rauf and Khan without a change in their legal status.
“If these convicts have legally renounced their Pakistani citizenship, it would be very difficult for Pakistan to accept these deportations,” he was quoted as saying. “If they reapply for citizenship, they could be accepted, but that is unlikely.”
Malik also questioned the fairness of the approach: “They have lived most of their lives in Britain and have more ties to the UK than Pakistan. Once they’ve served their sentences, they should be treated like any other British convict.”
Meanwhile, former UK minister Michael Gove confirmed claims made by Dominic Cummings that civil servants had pressured him to stop The Times from publishing details about child sexual abuse in Rotherham. Speaking to GB News, Gove said some local officials believed the reporting could damage efforts to address the issue.