British Asian teen completes historic solo English Channel swim
Prisha Tapre was motivated by a family discussion about the English Channel to take on the challenge when she was just 12.
The UK-born teenager, whose parents hail from Maharashtra, raised £4,000 for her chosen charity – Akshaya Patra UK. (Photo credit: PTI)
By EasternEyeSep 10, 2024
A BRITISH Asian schoolgirl who recently turned 16 has made history as one of the youngest to cross the notoriously choppy English Channel to raise funds for a charity fighting against childhood hunger across India and the UK.
Prisha Tapre, a pupil at Bushey Meads School in north London, was motivated by a family discussion about the English Channel to take on the challenge when she was just 12.
After four years of training, she went on to complete the 34-kilometre swim from the coast of Dover in England to Cap Gris Nez in France last week in 11 hours and 48 minutes.
“It was quite choppy at the start, but when the sun started to rise, I knew that the worst bit was done with,” said Tapre, reliving her mission in an interview from her home at Watford in Hertfordshire.
“It's always the first two hours that are the hardest part of the swim, because it's about getting your mind around the fact that this is where you're going to be for the next few hours. I was actually beginning to get quite sleepy and my eyes were about to shut, but then the sun started to come up and the sleep went away. The weather conditions were amazing, really still; the best I could have asked for,” she said.
The swimming enthusiast, who describes the lake near her home as her “calm place”, said she used meditative techniques and admitted to feeling “a strange bond” with the jellyfish that stung her along the way.
“The jellyfish stings were probably my favourite bit, because it's just an extra feeling. After swimming for like nine hours, you're in a sort of trance. But then the jellyfish stings kind of reminded me that I'm actually alive. I know it sounds odd, but it was something to tick off my bucket list,” she said.
“I just kept thinking, four years you've dedicated to this one day of your life. It can't be that bad. And, for those four years, my coach has been saying that swimming is 60 per cent mental and 40 per cent physical. So, I kept reminding myself that this is where I am meant to be; giving up would be selfish,” she said.
The UK-born teenager, whose parents hail from Maharashtra, raised £4,000 for her chosen charity – Akshaya Patra UK, the British chapter of the India-headquartered non-profit organisation with a mission to provide hot meals to children in need.
“Part of the reason I chose my charity Akshaya Patra is because I wanted a charity that I could relate to. When I found out Akshaya Patra helps kids both in England and India, it really connected with me. I wanted a charity that has both sides of me. My heart goes out to all those kids who live in poverty, both in England and India, where there's no promise of a meal at the end of the day,” said the young fundraiser.
Jeremy Irvine, open water coach at Watford Swimming Club, guided Tapre through her training, said, “In addition to her usual club training Prisha’s has been swimming six hours, seven hours and 10 hour sea swims. Mental preparation including the knowledge that you have done all the preparation, is key to conquering the Channel.
“Prisha never skips a session despite loathing early mornings.”
Actor and singer Suchitra Krishnamoorthi has issued a public apology after facing strong criticism on social media for questioning the survival story of Vishwas Kumar Ramesh, the sole survivor of the recent Air India plane crash in Ahmedabad.
Deleted post sparks backlash
The controversy began when Krishnamoorthi, known for her role in Kabhi Haan Kabhi Naa, shared a now-deleted post on X (formerly Twitter) alleging that Vishwas Kumar Ramesh had fabricated his account of surviving the 12 June crash. In her post, she wrote: “So this #vishwaskumarramesh lied about being a passenger on the plane & the only survivor? This is seriously weird. Didn't his family in the UK corroborate his story? What about his brother's funeral that he was seen giving kandha to? Deserve not only some serious punishment but some mental asylum time if this is true uff.”
Krishnamoorthi deleted the post and issued a statement of apologyX/ suchitrak
Her comments appeared to have been influenced by unverified social media speculation claiming that Ramesh’s survival narrative was false. The post drew significant backlash from users who criticised her for spreading misinformation and making insensitive remarks without confirmation.
Public apology issued
In response to the mounting criticism, Krishnamoorthi deleted the post and issued a statement of apology, also on X. She wrote: “Took out my last tweet on the Air India crash survivor. Seems to be false news circulated for God knows what reason. My apologies.”
The apology was shared on 19 June 2025, but reactions have remained mixed, with some social media users accepting the clarification while others questioned the haste in making the original accusation.
Who is Vishwas Kumar Ramesh?
Vishwas Kumar Ramesh, a 40-year-old British national, is the only known survivor of the Air India crash that occurred in Ahmedabad on 12 June. The crash claimed the lives of at least 260 people.
Ramesh was reportedly seated in seat 11A, close to an emergency exit on the Boeing 787 Dreamliner, and managed to escape the burning aircraft. He was treated for injuries at Ahmedabad Civil Hospital and was later seen attending the funeral of his brother Ajay, who also boarded the same flight to London but did not survive.
Suchitra Krishnamoorthi’s comments on social media questioning the legitimacy of a plane crash survivor’s account have drawn widespread criticism. Following the backlash, she deleted the post and issued a public apology, admitting the claim was based on false information.
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From the moment Poppy and Rubina stepped onto the stage of Soho Theatre in central London for Brown Girls Do It Too: Mama Told Me Not to Come, the energy was electric, the laughs non-stop, and the message loud and clear: British Asian women are done with silence.
What began as a ground-breaking, award-winning podcast that sparked online backlash for daring to talk openly about sex and relationships within South Asian communities has now evolved into arguably the most unique and fearless live show of the year.
Set against a cheekily colourful bedroom backdrop, this dynamic duo dived headfirst into everything from sex, shame, fantasies and motherhood to the layered realities of growing up as British Asian women. With sharp, smart transitions between confessional-style conversation and character-driven sketches, the show
managed to feel both intimately honest and wildly theatrical.
It is rare to witness a show that is both this hilarious and this importantAMG
One moment they were sat discussing sexual awakenings and mother–daughter culture clashes; the next, they were morphing into wickedly satirical versions of Priti Patel and Suella Braverman or belting out a catchy song – a side-splitting ode to Jolen bleach and body hair, brilliantly riffing off Dolly Parton’s Jolene. A recurring sketch involving a “Coconut Crimes Hotline” was a comedic masterstroke, and their hilarious mother–daughter bits had most in the audience instantly relating.
It is no surprise the crowd, largely women, many of them British Asian, responded with raucous joy. This representation, delivered with bite, boldness and belly laughs, made them feel seen. They did not just watch Mama Told Me Not to Come – they felt it, because it reflected them.
Poppy and Rubina’s magnetic chemistry, unstoppable presence and ability to straddle personal vulnerability with political satire was nothing short of genius. It is rare to witness a show that is both this hilarious and this important. And just when you think it is all laughs, they deliver a powerful emotional gut punch, ending the evening with heartfelt letters to their respective mothers, which brought tears to many eyes and underlined just how deeply the show resonates.
This is not just a standout – it is the show that is going to take the Edinburgh Fringe by storm in August. Bold,
brilliant, blisteringly funny and ultimately moving, Brown Girls Do It Too is a fantastic five-star triumph in every sense.
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An Air India Airbus A320-200 aircraft takes off from the Sardar Vallabhbhai Patel International Airport in Ahmedabad, India, July 7, 2017. Picture taken July 7, 2017.
INDIA’s aviation regulator has warned Air India for violating safety rules after three of its Airbus aircraft operated flights without undergoing mandatory checks on emergency escape slides, according to official documents reviewed by Reuters.
The Directorate General of Civil Aviation (DGCA) issued warning notices and a detailed investigation report highlighting the breach. These documents were sent days before the recent crash of an Air India Boeing 787-8, in which all but one of the 242 people onboard were killed. The Airbus incidents are unrelated to that crash.
According to the DGCA report, spot checks carried out in May found that three Air India Airbus aircraft were flown even though scheduled inspections on the escape slides – considered “critical emergency equipment” – were overdue.
One Airbus A320 was flown for more than a month before the check was completed on 15 May. AirNav Radar data showed that the aircraft operated international flights during that period, including to Dubai, Riyadh and Jeddah.
In another case, an Airbus A319 used on domestic routes had slide checks overdue by over three months. A third case involved a plane where the inspection was two days late.
“The above cases indicate that aircraft were operated with expired or unverified emergency equipment, which is a violation of standard airworthiness and safety requirements,” the DGCA report stated.
The report also said Air India failed to respond on time to DGCA’s queries on the issue, which “further evidenc[ed] weak procedural control and oversight.”
Air India, which was acquired by the Tata Group from the government in 2022, said in a statement that it was “accelerating” verification of all maintenance records, including escape slide checks, and expected to finish the process soon.
In one case, Air India said the issue came to light after an AI Engineering Services engineer “inadvertently deployed an escape slide during maintenance.”
The DGCA and Airbus did not respond to requests for comment from Reuters.
Vibhuti Singh, a former legal expert at India’s Aircraft Accident Investigation Bureau, said checks on escape slides are “a very serious issue. In case of accident, if they don’t open, it can lead to serious injuries.”
The DGCA report said aircraft that miss mandatory inspections have their airworthiness certificates “deemed suspended.”
The warning notices and report were issued by Animesh Garg, deputy director of airworthiness, and were addressed to Air India CEO Campbell Wilson, as well as the airline’s continuing airworthiness manager, quality manager and head of planning.
An Indian aviation lawyer told Reuters such breaches often lead to monetary and civil penalties for both the airline and individual executives.
Wilson said in a 2023 interview with Reuters that global parts shortages were affecting most airlines, but the problem was “more acute” for Air India, whose “product is obviously a lot more dated,” with many aircraft not updated since 2010-2011.
‘Systemic control failure’
The DGCA report said some Air India aircraft inspected by officials also had outdated registration paperwork. Air India told Reuters that all but one of its aircraft met the required standards and said this “poses no impact” to safety.
The report criticised the airline’s internal oversight systems, stating: “Despite prior notifications and identified deficiencies, the organisation’s internal quality and planning departments failed to implement effective corrective action, indicating systemic control failure.”
India’s junior aviation minister told parliament in February that airlines were fined or warned in 23 cases over safety violations last year. Of these, 12 involved Air India and Air India Express. One case involved “unauthorised entry into cockpit”, and the biggest fine – $127,000 – was imposed on Air India for “insufficient oxygen on board” during a San Francisco-bound flight.
Air India’s Chairman N Chandrasekaran addressed employees on Monday, calling on staff to remain focused amid criticism following last week’s crash and said the incident should serve as a catalyst to build a safer airline.
(With inputs from Reuters)
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Raj follows with a large glass of mango lassi in an effort to cool him down
A viral video has captured the intense aftermath of a food challenge involving what is being called London’s “hottest curry”, as a man was seen sweating and sitting on the pavement outside the restaurant shortly after attempting the dish.
The footage, shared by Instagram account UB1UB2: Southall, West London, shows a man identified as Daniel taking on the extreme curry challenge at Bengal Village, an Indian restaurant in East London. The video begins with restaurant owner Raj presenting the dish while wearing a gas mask — a precaution, it appears, against the powerful fumes of the curry.
Soon after, Daniel is seen outside the restaurant, visibly distressed, sweating and seated on the pavement. Raj follows with a large glass of mango lassi in an effort to cool him down and encourage him to continue.
Curry made with 72 chilli varieties
According to a report by the Evening Standard, the curry in question is prepared using a specially made paste that blends 72 different types of chilli sourced globally. Among these are the Carolina Reaper — one of the hottest chillies in the world — as well as scotch bonnet, bird’s eye, naga and snake chillies.
The intense blend is cooked with traditional Indian spices including cumin, fenugreek and mustard seeds, along with garlic, onions, and ghee, resulting in a deep red chicken curry known for its extreme heat.
Chefs are reportedly required to wear gloves during preparation due to the potency of the ingredients.
Not everyone can handle the heat
The Standard further reports that previous challengers have suffered strong reactions. One diner was nearly hospitalised, while another was found lying on the restaurant floor, overwhelmed by the curry’s strength.
While the challenge continues to attract daring food enthusiasts, the restaurant has made it clear that it’s not for the faint-hearted, and comes with plenty of warnings.
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Real life inspires me more than fiction: Jay Thakkar on acting, ambition and human truths
Starting his journey on stage at the tender age of four, Jay Thakkar has grown up in front of the camera, having transformed from a precocious child performer into a versatile actor known for compelling roles across television, web, and cinema.
Whether mimicking dance moves in competitions as a child or biting into dark, psychologically complex characters as an adult, Thakkar has always approached his craft with sincerity, resilience, and emotional depth. His latest project, Bhool Chuk Maaf, a time-loop Bollywood film, was recently released on Amazon Prime. It marks yet another bold turn in a career built on fearless choices. In this exclusive interview with Eastern Eye, he reflects on key roles, lessons learned, working with legends, what drives him as an artist, and his future. He also shares fond memories of working with the late actor Sushant Singh Rajput.
Jay Thakkar
How do you reflect on your journey as an actor?
As a child, I participated in various competitions and often found myself mimicking actors and dance performances. These early experiences instilled in me a love for performance and storytelling. Over the years, facing both opportunities and rejections, I’ve grown as an actor and individual. Each experience, whether triumphant or challenging, has shaped my perspective and deepened my commitment to the craft. Performing never felt like a task – it felt like expression. These collective experiences have given me an understanding of resilience, humility, and growth – lessons I still carry with me every day.
Which of the roles has been closest to your heart?
The role of Sethji in Colors TV’s Laagi Tujhse Lagan holds a special place in my heart. Produced by Paresh Rawal and Hemal Thakkar, this character took me on an emotional journey – from innocence to a young gangster, and finally to a heartbroken child dealing with his mother’s incarceration. Adopting the ‘tapori Bambaiyaa’ accent and portraying a lower-middle-class chawl boy added layers to the character. This role allowed me to explore a wide emotional spectrum, making it both challenging and rewarding. It taught me that even in a limited arc, if the emotions are real, they leave a lasting impact.
Which project challenged you the most as an actor?
Portraying psycho-terrorist Muzammil in Sony LIV’s Adrishyam was one of my most demanding roles. The character was sociopathic, merciless, and completely devoid of empathy. In one intense scene, he bites off his father’s ear and, during interrogation, chews on his own nails – highlighting how unhinged he is. Sharing the screen with Divyanka Tripathi, who played an Indian secret agent, added further intensity to the performance. It pushed me to dive deep into the psyche of someone emotionally detached from humanity. I had to access a kind of darkness I had never explored before – it changed me as an actor.
Does your approach change between film and television?
Yes and no. Technically, film allows more time for introspection and preparation, while television trains you to think on your feet. But emotionally, my commitment remains the same. Whether it is a 30-second scene or a three-minute monologue, I aim to serve the character with authenticity and heart. The medium may shift, but my mindset is always rooted in honesty and empathy. Television’s fast-paced nature demands quick adaptability, often with limited preparation time.
Jay Thakkar
And what about film?
In contrast, films allow for deeper exploration of character and more time to develop nuance. But regardless of the medium, my approach stays consistent: understand the character’s psyche fully and deliver a performance that resonates with the audience.
What was the experience of working on Bhool Chuk Maaf?
It was a transformative experience. I spent months preparing – working with a dialect coach and immersing myself in Banaras to learn the local slang and tone. That preparation was essential to bring authenticity to the role. Working alongside Rajkummar Rao, Wamiqa Gabbi, and legends like Sanjay Mishra ji and Seema Pahwa ji was enlightening.
Do any moments from the shoot stand out?
Yes, one in particular. During a dance sequence, Rajkummar and director Karan Sharma sir noticed my energy and insisted I join the song, even though I had not rehearsed. Their encouragement made me feel valued and reinforced the collaborative spirit on set. There was a deep respect for the craft throughout the team. When you are surrounded by such passion, it does not feel like work – it feels like purpose.
You also worked with Sushant Singh Rajput on Pavitra Rishta. What are your fondest memories of him?
Sushant bhaiya was pure magic on set. He stayed grounded, no matter how much fame came his way. He would joke with me, share his food, and talk to everyone like a playful, innocent child. He once told me, “Never stop being a student of life,” and that has stayed with me. He was not just an actor – he was a thinker, a dreamer, and a beacon of humility. I fondly remember him stealing theplas from my tiffin during shoots.
Jay Thakkar
Tell us more about your time working with him.
Even as his fame grew, he remained humble and generous with his time. He encouraged me and offered guidance. His dedication to acting and his authenticity left a lasting impression. One of my favourite memories is him telling me to stay curious and keep learning – advice I live by today.
What can audiences expect next from you?
I am looking forward to the release of my next film, Apna Amitabh. I am also part of a web series titled Pranksters. I have done several high-profile ads and am in talks for new film and series projects that will begin soon. Right now, I am focused on roles that challenge me and say something meaningful. I am not in a rush, but I am hungry for layered storytelling.
Do you have a dream role?
I am drawn to characters that challenge societal norms and explore deep emotional layers. I would love to play a morally grey protagonist – someone who is flawed, yet relatable. Such roles let you explore the full range of human behaviour and complexity. I would love to play a conflicted revolutionary – someone who walks the line between right and wrong and makes the audience think. Such characters allow you to show both strength and vulnerability.
Who is your acting hero?
Shah Rukh Khan has always inspired me. His journey from humble beginnings to global stardom shows what passion and dedication can achieve. His emotional range and authenticity on screen are remarkable. Internationally, I admire Denzel Washington – the intensity and depth he brings to every role is powerful. Both actors prove how cinema can transform and move people.
Jay Thakkar
If you could master something new, what would it be?
I would love to master calisthenics, martial arts, and classical Indian dance. These disciplines train not only the body but also the mind and spirit. As an actor, your body is your instrument. The more control and expression you develop, the more powerful your performance becomes – sometimes without saying a single word.
What inspires you as an actor?
Real life inspires me more than fiction ever could – the flaws, contradictions, and hopes people carry. I observe unspoken gestures – a tired smile, a long pause, a look of doubt. Every person is carrying a story, and as an actor, it is my job to honour that with honesty. The struggles and triumphs of everyday people drive my passion. Everyone has a unique narrative, and I want to bring those stories to life with empathy and truth. The human experience is endlessly rich – and it reminds me why cinema matters.