Eastern Eye caught up with the fabulous talent to discuss comedy and how becoming a mum gave her new material
By Asjad NazirMay 04, 2023
She may be a talented actress, broadcaster and one half of an acclaimed sketch comedy duo, but Emily Lloyd Saini is arguably at her best when she delivers dynamite solo stand-up sets loaded with explosive jokes.
This ability to light up the stage with her incendiary brand of comedy has enabled the half-Indian British funny woman to deliver unforgettable laughter-filled live sets. She returned to the stage recently, after taking a break for motherhood, and has been part of multiple shows, including the current Ladies Of Laughter tour.
Eastern Eye caught up with the fabulous talent to discuss comedy and how becoming a mum gave her new material. She also spoke about key advice for young girls wanting to pursue comedy, inspirations and revealing too much on stage.
How do you reflect on your comedy journey?
I’m still very much on it. Stand-up has always been my side hustle so I’m constantly falling behind my comedy peers as they become fantastic stand-ups, honestly, they work so hard. I’m glad I found standup, it's taught me so much and I’m grateful that I get to do it.
What has been your most memorable moment?
Rob Delaney hosted the Comedy Central TV gig I did and was really lovely about my set afterwards. It was a brand-new bit I was trying, so was on cloud nine. Then I got a part in his and Sharon Horgans show Catastrophe, which I’m convinced he made happen.
Was it difficult to take a break for motherhood?
The planet kind of decided for me. My baby was born in lockdown one, so there were no gigs to miss. But it took me a while to work up the nerve to come back. Live performance is a muscle, and like with many of my muscles post pandemic, it felt very out of shape.
How does it feel being back on stage again?
Incredible. And it really is a testament to Altaf (Sarwar) who runs Luv Entertainment and Desi Central. The audiences are so up for it that it’s an absolute joy to perform for them.
Has becoming a mum given you new material?
Yes. And it’s cheaper ranting about it to audiences than getting therapy. I wondered about doing it – is it already done? Is it boring to people with no kids? but it’s my life and that’s all I can pull from. And it seems to be going well.
How do you balance being a mum with stand-up comedy, which is predominantly in the evenings?
I’m still finding it. I’m having to learn how to say no. The temptation is to take all the gigs going. I love the practice and hate missing an opportunity. But I promised myself balance. It’s not my only job, so I can’t be swanning off three-four nights a week just yet. Plus, late nights gigging no longer means a lie in the day after.
Where do you predominantly get inspiration from for your jokes?
My life. It usually starts as a shared anecdote with a friend, and if they laugh at the story or observation, I log it and file it away for potential material.
Do you sometimes feel you reveal too much on stage about yourself?
Not so much on stage, as I have a bit of planning with what I will talk about. If anything, when I’m trying stuff out, I can reveal too much about others. That has gotten me into trouble and I’ve learned my lesson. But podcasts, I’ve had to ask them to edit out big chunks of me chatting about personal stuff I definitely don’t want out there. It’s like being at the hairdressers, you get comfy, and they ask questions, and you tell all. We all do that at the hairdressers right?
Has being funny ever helped you in real life?
Being funny is real life. If you make someone laugh, they’re much more likely to like you right? And being liked is always helpful. That’s not to say everyone finds me funny or likes me, but that’s ok, they’re not my people, and not real life.
Who is the funniest person you know in everyday life?
My daughter. But I’m not sure that counts because I’m laughing at her not with her most of the time. So, I’ll say my sketch partner Anna (Leong Brophy), she can make me laugh until I cry with just a look.
What is it like being on an all-female lineup on the Ladies of Laughter tour?
Great fun. Generally, at gigs there’s only one woman on a lineup (#notallgigs), so we don’t get to see each other’s material that often. Also, I’m a big fan of some of the people I’m on the line-ups with.
What advice would you give young girls wanting to pursue comedy?
Just do it and don’t be scared to get it wrong. The worst that can happen is a small room of strangers doesn’t love your set for five minutes. You’ll never have to see them again. And if you’re not sure about performing, then write. Write everything down – because a small thought in Tesco’s could turn into a fantastic joke. But if you don’t write it down, guaranteed you’ll have forgotten it by the time you get home (other supermarkets are available).
Who is your own comedy hero?
Goldie Hawn. I remember watching her growing up and thinking she was such a fearless and hilarious clown. And even now she just gives out such a positive energy (at least, her socials do).
What is the secret of a great stand-up set?
If you find this, tell me. There are so many ingredients that go into a good night. You can have the best set in the world and still not win over a crowd. The host, audience, night of week, time, how drunk that guy in the second row is, all contribute. Also, comedy is relative – what I might find hilarious, you might not and vice versa. So, it’s an impossible question.
Have you ever left anything behind rushing from one event to another?
Doing sketch comedy too means we have so many weird props that we (I) misplace. Once I nearly ruined a whole gig by losing a toilet roll holder and panic rang nearly every stop on the overground to find it. Spoiler, they did not help.
How do you feel being on stage?
Terrified, euphoric, comfortable, excited, and powerful, all at once.
Ladies Of Laughter at Newhampton Arts Centre in Wolverhampton on June 23 and Belgrade Theatre, Coventry on June 24. www.luventertainment.co.uk
Tawseef Khan is a qualified immigration solicitor and academic who made his literary debut with the acclaimed non-fiction book Muslim, Actually. His first novel Determination, originally published in 2024 and now available in paperback, brings his legal and creative worlds together in a powerful, emotionally rich story.
Set in a Manchester law firm, Determination follows Jamila, a 29-year-old immigration solicitor juggling frantic client calls, family expectations and her own wellbeing. Based on Khan’s lifelong proximity to immigration law, including his father starting a practice from their living room, the novel explores the human cost of a broken system with compassion, wit and clarity.
In this interview with Eastern Eye, Khan reflects on the journey behind Determination, his inspirations and why writing about immigration is as much about love as it is about justice.
He says "immigrants are the lifeblood of this country"Instagram/ itsmetawseef
What first connected you to writing?
I've always been an avid reader, ever since I was a child. It helped that my parents were strict about everything except buying books. From there, I started watching TV shows and writing them out in my notebook. I loved the feeling of putting the story down on paper, making sense of what had happened.
What led you towards writing your debut novel?
I grew up with a dad who was an immigration solicitor. He started his practice from our living room when I was about six years old, so it is all I have ever known. I knew there was a strong story there. Immigrants and immigration lawyers are poorly understood but easily reviled. I wanted to explore what it was like to be inside the immigration system, navigating that bureaucracy and helping vulnerable people through the cruelty. It is a lot of pressure.
Tell us a little bit about the story of your book.
Jamila is a 29-year-old immigration solicitor who has inherited the family's precious law firm. She is prone to being woken in the middle of the night by frantic phone calls from clients on the cusp of deportation. She works every hour that God sends her, with no time for friends, family or even herself. Jamila’s life feels hectic and out of control. Then a breakdown of sorts forces her to seek change, to pursue her own happiness while navigating the endless expectations that others seem to have of her and still committing herself to a career devoted to helping others.
What inspired the story, and is any of it drawn from real-life incidents?
While it is inspired by my background, none of the stories or cases in the book are drawn from real life. That would be unethical and would probably get me into trouble since I am still a practising solicitor. But I borrowed a lot from the energies in our office. And since I have a PhD examining the British asylum system, I took a lot from my own research.
What is your own favourite passage of the book?
It is about a character called Nazish, who is appealing the Home Office’s decision to refuse her case. As she fights with Jamila to tell her story on her own terms, there is one part she has been keeping back – the experience of being sent to a detention centre.
Is there a key message you want to convey with this book?
Immigrants are the lifeblood of this country and deserve to be treated with more dignity and respect, as do the lawyers representing them.
What inspired the title Determination?
In immigration law, a final decision is often called a ‘determination’. So the book is constantly exploring the tensions in that term – the desire to build a life for yourself versus the right of the system to decide its outcome for you. It is about power and agency, really. And the term also contains the word ‘deter’, an important reference to Theresa May’s ‘hostile environment’.
This book is, in a way, a love letter to how they raised meInstagram/ itsmetawseef
How did you feel when the hardback was published last year?
Elated. The book was a hard one to write and it had a long road to publication: I had the idea at 23, I started writing it at 29, and I published it at 37. My parents were very proud too. This book is, in a way, a love letter to how they raised me and the life we have lived – in service to our clients.
Who are you hoping connects with your novel?
People who are interested in reading about the world and understanding it better. I did not write the book for any audience in particular, but there is no doubt that those who care about migration issues, about the world we currently live in, and who have some affiliation with south Asian communities will feel seen and represented in this book. How many times do we get to say a book is filled with smart, independent and unapologetic brown women?
What kind of books do you enjoy reading yourself?
I have always tried to read the ‘world’, using it to travel to places and lives I could not imagine visiting. Since I write both fiction and non-fiction, I tend to read both too.
What, according to you, makes for a great novel?
That is a hard question. I think it has to be some combination of complex characters, a compelling story and gorgeous prose – but I am open to it all.
What inspires you as a writer?
I find inspiration everywhere – in films, books, TV shows, paintings, my garden, and in my culture, community and family. These are the stories I am most interested in telling.
What can we expect next from you?
I never speak of the next project until it is a solid, confirmed thing – I am very superstitious. But also, publishing is such a difficult, unpredictable industry, you never know if you will be lucky enough to publish again.
Why should we pick up your new book? Because it is moving, enlightening, funny and hopeful, all in one. And it is written with a lot of love for South Asian communities in Britain – men and women, and the different generations of migrants that have come here.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
A NEW play looks at the cultural divisions in society, especially in the West, and shows how people can still come together and build a community even if they don’t always agree, its playwright has said.
The Ministry of Lesbian Affairs, by Iman Qureshi, follows a group of women, mostly lesbians, who come together to sing in a choir, while sharing their lives, making new friendships, experiencing love, and finding humour during their time spent together. Themes of identity, politics and personal struggles are explored in the story.
“I hope everyone comes to watch it,” Qureshi, 38, told Eastern Eye.
“When I wrote this, I wanted to show how a minority community, like a group of lesbians, can represent a universal story that anyone can connect with. So, I hope the play reaches a broad audience. Of course, I’d love all the lesbians to come and see it, but I believe it has a much wider appeal. “
The play touches on issues that affect many people, especially women, today.”
First performed at Soho Theatre three years ago to a packed audience, the play has now been reworked for the Kiln Theatre by Qureshi and director Hannah Hauer-King.
The writer said, “It’s quite rare for a play to transfer, especially three years after its original run. We’ve worked hard to update it, so it feels fresh and relevant to 2025. During the initial performance, the audience laughed a lot, which actually surprised me. “
I kept telling the marketing team it was a drama, but they insisted it was a comedy. I didn’t realise it was that funny. During the performances, the actors had to pause because people were laughing so much. The response was very warm and joyful.”
Describing the changes for the Kiln production, Qureshi added, “The ending has changed a lot. We rewrote parts during rehearsals. At the Soho Theatre, the first half felt light and comedic, while the second half felt quite heavy. We wanted to bring more lightness and music into the second half, so it didn’t feel like we were switching genres. Now, the whole piece feels more unified in tone.”
Qureshi was born in Pakistan, grew up in Saudi Arabia, and moved to London at 16. She said her hope was that the word “lesbian” in the title will not stop south Asians from coming to see the play.
“I know the word ‘lesbian’ in the title might put off some in the Asian community, like aunties and uncles. But I really hope they come. My mum watched it the last time and loved it. Both my parents are coming this time. I hope others from south Asian backgrounds see that lesbians are human, too. There’s humour, love, and passion. I hope people are moved by it.”
The crew of The Ministry of Lesbian Affairs
Qureshi said the play reflects real issues faced by many Asian women and added that there is still “a lot of ignorance” in Britain about how hard it is to migrate. “People think you can just come here, get a job, a council house and benefits. But that’s not true,” she said.
According to her, the heart of the play is about listening. “We live in a world where it’s easy to avoid people who don’t think like us. Online, we only see what we agree with. But the theatre is different, you can’t switch it off. You have to sit and listen. You might not agree, but you can still understand and empathise,” she said.
Qureshi added that the play’s choir conductor has a line that sums up this message: “You sound best when we listen to each other.”
Another theme is about finding one’s voice, especially for those who have felt shame about who they are. “Many characters in the play have struggled with identity – gay shame, lesbian shame,” she said. “The choir gives them a safe space to be proud, to discover who they are, and to celebrate each other.”
Qureshi studied English literature, initially worked in journalism, law and the charity sector, and became a full-time playwright around six years ago. Her earlier play, The Funeral Director, won the Papatango Prize in 2018 and opened the door to more writing opportunities.
Reflecting on representation in British theatre, Qureshi said Asian stories are still underrepresented. “We struggle to get big names or access large stages. Often, when our stories are told, they’re negative – about terrorism or honour killings. That makes me angry. I wanted to prove I can write anything, not just ‘Asian’ topics.”
She believes Asian stories matter because they challenge racism and help people feel seen. “ G r o w i n g up, everyone I saw on TV was white. I remember wishing I was white. Today, I’m proud of my heritage, my skin, and my language. But young people shouldn’t have to feel like I did.”
Qureshi credits role models such as the National Theatre’s Indhu Rubasingham, and Asian playwrights Tanika Gupta and Anupama Chandrasekhar for paving the way for those like her.
The Ministry of Lesbian Affairs opened at Kiln Theatre on June 13 and will run until July 12.
Keep ReadingShow less
The 2005 film Sarkar explored power, loyalty, and justice in Mumbai’s underworld
There have been many Hindi cinema projects inspired by Hollywood films, and Sarkar ranks among the finest. The brooding political crime drama, which paid tribute to the epic 1972 gangster film The Godfather, became a gritty, homegrown tale of power, loyalty and justice.
Directed by Ram Gopal Varma and set in Mumbai’s morally murky corridors of influence, the film centred on Subhash Nagre – a man feared, respected and mythologised. Played with majestic restraint by Amitabh Bachchan, the story followed Nagre’s control over the underworld, political power centres and a grey zone where justice was delivered through unofficial means. His sons, the hot-headed Vishnu (Kay Kay Menon) and the more composed Shankar (Abhishek Bachchan) – became central to this tale of betrayal, legacy and redemption.
A still from Sarkar, inspired by 'The Godfather' and rooted in Indian politicsIndia Glitz
Released on July 1, 2005, it marked a turning point in Indian cinema, celebrated for its storytelling, atmospheric visuals and memorable performances. Eastern Eye marks its 20th anniversary with 20 fascinating facts about the film.
1. The main character, Subhash Nagre, was loosely inspired by real-life figures such as Indian politician Bal Thackeray.
2. Unlike most Bollywood remakes of international cinema, Ram Gopal Varma openly acknowledged that Sarkar was heavily inspired by The Godfather.
3. Varma had originally planned to make the same film in the early 1990s, with Sanjay Dutt and Naseeruddin Shah in the lead father and son roles. Dutt’s legal troubles led to the project being shelved.
4. Varma had initially signed Amitabh Bachchan for another film titled Ek, but he scrapped that script and instead focused on making Sarkar with him.
5. Interestingly, the first film Amitabh and Abhishek were supposed to appear in together was their home production Ranveer, co-starring Sanjay Dutt and directed by Rajkumar Santoshi. The project was shelved after its launch.
Sarkar became a landmark gangster film in Indian cinemaIndia Glitz
6. Although Bunty Aur Babli (released in May 2005) marked their first on-screen appearance together, Sarkar was the first project the father and son signed as co-stars. Both actors delivered powerful performances that reflected their on-screen synergy and off-screen bond.
7. The success of Bunty Aur Babli followed by Sarkar marked a major turning point in Abhishek Bachchan’s career. After struggling to establish himself since his 2000 debut Refugee, he went on to win multiple Best Supporting Actor awards and earned wide critical acclaim.
8. Varma was working on Naach simultaneously with Abhishek and declared that he was a better actor than Amitabh. Abhishek appreciated the compliment but responded that no one is better than his father.
9. As this was newcomer Katrina Kaif’s third film, she was still working on her Hindi language skills – resulting in all her dialogues being dubbed by a voice artist. She had earlier debuted with Amitabh in Boom (2003), but had no scenes with him in Sarkar.
The film introduced a uniquely Indian take on the mafia genreRotten Tomatoes
10. Supriya Pathak, who played Amitabh’s wife in the film, had previously acted with him only once – in Shahenshah (1988), where she portrayed a sister figure.
11. This remains the only Ram Gopal Varma film to feature Anupam Kher.
12 . Sarkar broke the Bollywood norm of including traditional song-and-dance numbers. Instead, music was used exclusively in the now-iconic background score, which enhanced the film’s realistic tone.
13 . The haunting ‘Govinda Govinda’ chant, integral to the film’s atmosphere, was originally composed for Varma’s 1994 Telugu film Govinda Govinda. (Amitabh Bachchan had initially questioned its relevance in Sarkar.)
14. Kay Kay Menon revealed that his role in Sarkar gave him confidence and wider recognition. He said, “It marked a turning point in my career, where I felt truly acknowledged for my work and could confidently present myself as an established actor.”
Set in Mumbai, Sarkar portrayed the dark world of parallel justiceRotten Tomatoes
15. The acclaimed film went on to spawn the sequels Sarkar Raj (2008) and Sarkar 3 (2017).
16. A 2014 Telugu remake titled Rowdy was made with veteran actor Mohan Babu and his real-life son Vishnu Manchu in the roles originally played by the Bachchans. Although it received positive reviews, it met with only moderate success.
17. The film is archived at the Academy of Motion Pictures Library.
18. Sarkar is referenced in Ed Glaser’s book How The World Remade Hollywood, which explores international remakes and reinterpretations of iconic American films.
Ram Gopal Varma’s Sarkar marked 20 years of influence and acclaimIMDb
19. Earlier this year, Amitabh revealed that he rewatched Sarkar for the first time since its 2005 premiere and wrote in his blog: “I was absolutely amazed at the quality of the film, its direction, and above all – this is not a father speaking – dazzled by Abhishek’s performance. What restraint, what close-ups, what eye expressions, what presence, what a performance!”
20 .Other Bollywood films loosely inspired by The Godfather include Dharmatma (1975), Aakhri Sanghursh (1986), Dayavan (1988), Zulm Ki Hukumat (1992), Aatank Hi Aatank (1995), Sapoot (1996) and The Power (2021). However, Sarkar arguably remains the most faithful – and finest – adaptation.
Keep ReadingShow less
It was part of a global promotional campaign for Jackson's HIStory: Past, Present and Future, Book I album
Ten giant Michael Jackson statues were built in 1995 to promote his HIStory album
The 32ft figures appeared around the world and followed him on tour
Some remain visible in places like Switzerland, Italy, and South Africa
Others have been removed or stored due to controversy after Jackson’s death and allegations
Owners now face challenges selling, relocating or preserving the monuments
A colossal promotion campaign
In June 1995, Londoners witnessed an unusual spectacle: a 32ft statue of Michael Jackson being floated down the River Thames. It was part of a global promotional campaign for Jackson's HIStory: Past, Present and Future, Book I album. A total of ten fibreglass statues were made, all modelled on the album cover image, and they accompanied the singer on his worldwide tour.
The statues were the product of a transatlantic effort. American sculptor Diana Walczak worked closely with Jackson to design a clay prototype. In the UK, artist Stephen Pyle oversaw the construction of the fibreglass versions, assisted by sculptor Derek Howarth and a team based at Elstree Studios. Built in just four months, the statues bore some differences from the original prototype due to limited access.
A statue above a Dutch McDonald's
One of the most well-known statues stood for years above a McDonald’s car park in Best, a village in the Netherlands. Restaurant owner Peter Van Gelder purchased the statue from Sony at a 1996 charity auction and installed it as a promotional feature.
The monument became a local landmark, drawing Jackson fans who visited regularly to celebrate the singer's birthday or commemorate his death. However, in 2019, following the release of the Leaving Neverland documentary which raised new allegations of child sexual abuse, McDonald's corporate headquarters in the US requested its removal. It now lies in storage, hidden under a tarp.
Van Gelder has considered donating it to a fan club, but due to its size, relocating it requires a building permit. “The interest in the statue is decreasing,” he notes.
From nightclub attraction to unsold collector’s item
In Austria, another statue stands in the courtyard of a closed nightclub west of Vienna. Franz Josef Zika, the former owner of The Baby'O, bought the statue at a radio charity auction in 1998 for around £9,300. Initially met with scepticism by family members, the statue eventually became a feature at the venue, placed in the smoking area and surrounded by bars.
The club closed in 2023 due to nearby residential development. Zika is now looking to sell the statue and has received interest from Sweden and Hungary but cites cost as a barrier. “Maybe I’ll send it to Mars. Elon will do this for me!” he jokes.
Fairground fixture in Switzerland
Another Jackson effigy resides with Luna Park, a long-running fairground event in Lausanne, Switzerland. Purchased in 2008 from a previous owner, the statue has been lightly refurbished, with gold accents added to its uniform. Although it has not been displayed in recent years, organisers confirmed it is not for sale.
Out of place in South Africa’s miniature world
Santarama Miniland in Johannesburg, once a popular educational park showcasing miniature replicas of South African landmarks, also hosts one of the Jackson statues. Despite the park being largely abandoned, the statue still stands, oddly juxtaposed against the park's "miniature" theme.
Blogger Heather Mason, who visited the park in 2013, described the scene as strange but memorable. “The MJ statue was the best photo op in the park,” she wrote.
Repainted and on sale in Italy
In Milan, Europark Idroscalo unveiled a freshly restored version of the Jackson statue in June 2019, just months after Leaving Neverland aired. A flash mob accompanied its reintroduction, and the statue was given new paint and sunglasses.
Park officials revealed the statue had previously been covered due to the allegations, and at one point modified to resemble a robot to distance it from Jackson's image. It is now up for sale once again.
Legacy in limbo
The statues were the product of a transatlantic effortGetty Iamges
While some of the statues remain visible in unlikely corners of the world, many have been removed or hidden due to shifting public sentiment. For others, storage, cost, and controversy have made preservation difficult. Thirty years after their creation, the towering monuments to Michael Jackson's legacy now stand as both relics of a global pop campaign and reminders of a career clouded by enduring debate.
Keep ReadingShow less
Each painting is visually vivid and scientifically supported
The exhibition Swara Raga Chitra by HN Suresh, Director of Bharatiya Vidya Bhavan, Bengaluru, was inaugurated on 14 June by Supreme Court advocate Sri Santhana Krishnan. Open daily until 22 June, the exhibition runs from 11 am to 7 pm at The Bhavan.
Artworks grounded in cosmology and music
The 50 digital paintings showcase a blend of cosmology and Indian classical music, with a focus on their scientific and metaphysical links. Featured works include Navagraha Mandala (nine planets) and Rashi Mandala (twelve zodiacs), grounded in astronomy and astrology.
Inspired by tradition, enriched by research
Each painting is visually vivid and scientifically supported, resulting from Suresh’s collaborations with leading scientists in India and abroad. Central themes of time and space tie the exhibition to deeper philosophical ideas.
The 50 digital paintings showcase a blend of cosmology and Indian classical musicThe Bhavan
The compositions accompanying the artworks were created by scholar-musician Dr. T. S. Sathyavathi, drawing inspiration from the Sri-Tatva-Nidhi of Krishnaraja Wodeyar III.