Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Elijah Wood has shed light on an often-overlooked aspect of Hollywood blockbusters: the financial realities for actors in major franchises. Despite the Lord of the Rings trilogy raking in nearly £2.2 billion (₹23,000 crore) worldwide, Wood, who played the lead role of Frodo Baggins, revealed that the cast did not receive the kind of paycheques that would guarantee lifelong financial security.
Speaking at the Texas Film Awards, Wood explained that because all three films were shot back-to-back, the actors never had the chance to renegotiate their contracts as the series became a global phenomenon. “It wasn’t the kind of payday where you could sit back and never work again,” he said.
Elijah Wood shared that the cast couldn’t renegotiate their contracts, limiting their financial gain from the blockbuster trilogyGetty Images
Director Peter Jackson and New Line Cinema took a significant risk in adapting J.R.R. Tolkien’s beloved novels, and to manage costs, the actors were reportedly paid modest salaries. This was in stark contrast to how Hollywood typically operates, where sequels often allow actors to command higher fees. Since the trilogy was filmed as a single project, there was no opportunity for the cast to benefit from its later financial success.
Cate Blanchett, who played the ethereal elf Galadriel, shared the same sentiment in a previous interview, joking that she was essentially paid in sandwiches and got to keep her elf ears as a souvenir. Orlando Bloom, who portrayed Legolas, previously disclosed that he earned around £138,000 (₹1.44 crore) for all three films, an amount that, while substantial by everyday standards, is relatively modest for a franchise of this magnitude. Sean Astin, who played Samwise Gamgee, stated in another interview that he was paid around £197,000 (₹2.06 crore).
Wood played the iconic role of Frodo but admitted his salary didn’t grant him lifelong financial securityGetty Images
Despite the financial constraints, Wood holds no resentment. Instead, he emphasises the life-changing experience of being part of such an iconic project. “The real reward was the opportunity to be involved in something so special,” he said. “These films are a part of us forever.”
The Lord of the Rings trilogy is one of the most successful and beloved franchises in film history, proving that the biggest payoff isn’t always about money, sometimes it’s about legacy.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.