Don't bring Paddingtons and Marmalade Sandwiches as tributes to the Queen, mourners told
Paddington and the queen were both, in their own ways, British institutions dating from the 1950s that have retained public affection down through the years.
Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
To bid farewell to Queen Elizabeth II, Sarah Fowles came to Buckingham Palace with not just flowers but a teddy bear too: Paddington in his red hat and his blue duffel coat.
The beloved children's book character is omnipresent among the thousands of bouquets outside the palace, thanks largely to a video of the queen drinking tea with the bear for her Platinum Jubilee.
So numerous have they become that the Royal Parks -- which oversees Green Park where tributes from the palace are being taken -- on Monday asked visitors not to bring any more soft toys, or marmalade sandwiches, Paddington's favourite snack.
"Paddington is a British institution," said Fowles, who said she hoped to leave her Paddington toy in front of the gates of Buckingham Palace despite the crowds there.
"The video was brilliant. It showed the queen's sense of humour. She knew how to create a connection with people, here with children."
The video created for the queen's jubilee marking her 70 years on the throne in June showed Paddington seated opposite her at the palace and offering her a "Ma'amalade sandwich".
The late monarch, known for her dry sense of humour, politely smiled while the bear cub gulped down her tea from a teapot, before then taking her own marmalade sandwich from her handbag.
She then tapped her teacup with a spoon in time with the drums that began to play Queen's "We Will Rock You" in front of Buckingham Palace.
The video immediately went viral and has remained one of the most joyous moments of a jubilee that, even at the time, had a distinctly valedictory tone.
"It was the last time she did anything public," said Julie Williams, 63, who travelled four hours by train from Manchester to pay tribute.
"It was that kind of thing that created an affinity with people."
'Thank you Ma'am'
Paddington and the queen were both, in their own ways, British institutions dating from the 1950s that have retained public affection down through the years.
While the queen came to the throne in 1952, Paddington first appeared in the book "A Bear Called Paddington" by author Michael Bond six years later.
After the queen's death aged 96, and a 70-year reign, they have found themselves reunited.
Paddington even tweeted from his verified Twitter account after the queen's death was announced: "Thank you Ma'am, for everything".
Among the thousands of flowers, many children have left drawings of Paddington, while the youngest have left coloured in pictures of the bear.
In one, the queen was pictured from behind holding Paddington's hand with the moving message: "I've done my duties Paddington, please take me to my husband."
Another drawing showed Paddington in front of Big Ben, next to the queen wearing a crown. Yet another showed Paddington beneath a rainbow with the words "we will always miss you" in a child's handwriting.
Elsewhere, there was a drawing of the bear lifting his hat and a message: "There is only one queen".
"It's so sweet. I still can't get used to it," said one woman from London, showing off a bear accompanied by a drawing.
Paddington was not the only soft toy there, with other well-wishers leaving stuffed animals or even toy corgis, the queen's beloved dogs.
"They will miss you," one child had written under a sticker of some corgis. Horses were also a popular choice due to the queen's love for riding.
But the tide of commemorative gifts was proving too much to bear for the Royal Parks, which looks after eight historic London parks.
"We would prefer visitors not to bring non-floral objects/artefacts such as teddy bears or balloons," it said on its website.
"We'd prefer that marmalade sandwiches and other foodstuffs were not left because of the negative impact to the park's wildlife," a Royal Parks spokeswoman added to AFP.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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