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Dickwella and Gunathilaka in record double-ton stand

Sri Lanka openers Niroshan Dickwella and Danushka Gunathilaka on Saturday (8) became the first pair in one-day international history to score back-to-back double century partnerships in the fourth ODI against Zimbabwe in Hambantota.

The batting duo, who had put on a 229-run match winning stand in the previous ODI, once again took the fight to Zimbabwe by putting together 209 runs at the Mahinda Rajapaksa International Stadium.


While Dickwella hit his second successive century with a commanding 116, Gunathilaka missed out on what could have been his second ODI ton after being bowled for 87.

Zimbabwe off-spinner Malcolm Waller dismissed the two left-handed batsmen in successive overs to check the Sri Lankan surge.

Wicketkeeper-batsman Dickwella, who scored 102 on Thursday (6) at the same venue, played a patient 118-ball knock laced with eight boundaries before being trapped lbw.

The Angelo Mathews-led side, which elected to bat first, are looking to take an unassailable lead in the five-match series after being 2-1 ahead.

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Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'
'ASTITVA' pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle
Instagram/jaivantpatelco

Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'

Highlights:

  • Pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle.
  • It insists the community deserves stages for celebration, not just for sharing pain.
  • It walks through four raw, human chapters: Seeking, Desire, Acceptance, and Love.
  • Its core mission is putting brown, queer male bodies on stage in a way that is still rarely seen.

In an exclusive chat with Eastern Eye, choreographer Jaivant Patel spoke about ASTITVA, a new dance work that reimagines what it means to be queer and south Asian through movement, rhythm, and emotion.

ASTITVA translates to “existence,” an apt title for a piece born from the need to simply be seen and heard. It reflects Patel’s journey and the lived realities of queer south Asian people today.

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