It is no secret that Bollywood loves to remake successful films from different languages, which have the potential to rake in huge moolah in the Hindi market. It has been remaking films for several decades now, and the trend is only going to grow in the future.
In the past couple of years, Murad Khetani-led Cine1 Studios has purchased the remake rights of several successful South Indian films. The banner decided to invest in such projects after tasting huge success Shahid Kapoor and Kiara Advani’s Kabir Singh (2019), which turned out to be an instant blockbuster at the box office. The film was the official remake of the successful Telugu film Arjun Reddy (2017).
After the blockbuster Kabir Singh, Murad Khetani bagged the rights to remake Tamil film Thadam (2019) and Telugu blockbuster Ala Vaikunthapurramuloo (2020). Apart from South Indian films, Khetani has also acquired the remake rights of Amitabh Bachchan and Hema Malini-starrer Namak Halal (1982). That's not all! The latest we hear that he has also picked up the official remake rights of Madhuri Dixit and Anil Kapoor's cult classic Tezaab.
“There were two producers who were eying the remake rights to Tezaab. Murad Khetani fetched it for a little higher price than his counterpart. He plans to put the whole project together once he is done with the Bhool Bhulaiyaa (2007) sequel and the Thadam remake. He also has Namak Halal and Tezaab will be his fourth remake to be precise,” a source in the know informs a publication.
The makers plan to modernise the script keeping the essence of the original film intact. The remake of Tezaab will see two saleable actors front the cast. There is no knowing whether or not Madhuri Dixit and Anil Kapoor will return to the remake.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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