Chef's curry night triggers a 'cultural takeover' row
By Amit RoyNov 22, 2021
Cookery writer Basu objects to Pakistani and Sri Lankan dishes being tagged as Indian cuisine
WHAT exactly is an Indian “curry”? Mallika Basu objected when celebrity chef Gizzi Erskine mixed up the cuisines of India, Pakistan and Sri Lanka under the catch-all heading of Indian “curry”.
Basu, who is herself a well-known cookery writer and a consultant to the food industry, explained why she had written a private message to Erskine, pointing out her errors.
Gizzi, who was opening her new restaurant, Love Café in Margate, Kent, told her 200,000 Instagram followers that to mark the occasion, she was “celebrating classic curries from all over India”.
According to the Daily Telegraph, which picked up on the exchanges between Basu and Erskine, “two chefs have become embroiled in a ‘cultural appropriation’ row after one promoted an ‘Indian’ curry night featuring Sri Lankan and Pakistani recipes. “Gizzi Erskine, the London-born television chef, sparked a backlash after promoting” the event at her new restaurant, the Telegraph said.
The paper pointed out that the attached menu for the evening “featured a Sri Lankan beetroot and coconut curry and tarka dhal. It had the attached note, ‘we’ve stolen the recipe from Tayyabs’, of Pakistani origin.
“This prompted an outcry from Indian chefs led by Mallika Basu, the cookbook writer, who accused Ms Erskine of culinary cultural appropriation including ‘reductive’ terminology.
“It prompted Ms Erskine, who has featured on ITV’s This Morning and Channel 4, to change the advert’s wording from ‘India’ to ‘Indian/Asian continent’ curries. This drew further criticism online as Ms Basu, who has featured on Jamie Oliver’s YouTube channel, wrote a widely shared Twitter thread, which did not name Ms Erskine. Many social media users questioned ‘what the heck the Indian/Asian continent was’.
“As the row escalated, Ms Erskine, 42, then edited the curry night’s advert on Instagram for a third time, this time simply to read ‘Asia’ dishes. Other meals listed included Goan pork vindaloo, described as ‘the real deal’, and saag aloo with pilau rice and naan bread, with recipes from her latest book Restore: A modern guide to sustainable eating.”
It maybe that a new generation of Britons have grown up believing curry to be as indigenous a dish as roast beef – an impression London-based Basu is anxious to correct.
Basu is the author of two well regarded books. The first, Miss Masala: Real Indian Cooking for Busy Living, was published in 2010 by HarperCollins, which described the author as a “cookery goddess and girl about town”. The book had “handy hints on how to cook a jalfrezi and still head to the bar an hour later without reeking of eau de curry”.
In 2018, Basu came out with her second book, Masala: Indian Cooking for Modern Living, which was published by Bloomsbury. On her differences with Erskine, Basu told Eastern Eye: “It was never meant to be a personal attack. I left a comment, saying I slid into your DMS (direct messages). I hope that the intel is useful. It was never my intention to name, shame or encourage bullying or trolling. It was done with the prime purpose of educating people. Someone like me gets bees in their bonnet about cultural appropriation and cultural insensitivity.”
Gizzi Erskine. (Photo by Tim P. Whitby/Getty Images)
Basu acknowledged Erskine was “a talented celebrity chef. She’s been on TV. She’s written some great books, she has been around a long time. She has lots of big national platforms supporting her. And that’s one of the reasons I felt it was important for her to make the clarification because she has a huge platform – 200,000 followers on Instagram plus lots of followers on Twitter. I expected her to just reply and say, ‘Thank you. I’m going to fix that now.’ But it didn’t quite go as expected.
“She had recipes for a curry night, featuring recipes from across India. And the menu had a recipe that she’d said she had stolen from Tayyab which is obviously not Indian – it’s a Pakistani restaurant. And then a Sri Lankan recipe. So I basically reached out to say, ‘Tayyab is Pakistani, and Sri Lanka is not in India, they’re two different nations. And if you’re going to bunch them all together, you’re probably better off saying ‘food of south Asia’. And I got quite a snarly response back, saying, ‘I am aware of that type of thing. And I’ve amended it,’ but when people make mistakes, they get defensive.”
Basu added, “I don’t have an issue with the word curry. There are curries from a lot of different nations, from Malaysia, from Thailand, from India, from all across Asia. That is not the issue here.
“The problem is when the word is used as a reductive term to describe the entire cuisine of a nation. Indian food is not curry. Those two things should not be used interchangeably. I think, unfortunately, what’s happening here is, first, the term has been used incorrectly to describe the food of India. And second, we’re not providing enough homage to what is actually curry. Because curry in Britain is British-born curry.”
She set out her views: “It is essentially the creative genius of British Bangladeshis. And it’s a very delicious kind of food, but Indian cooking, it is not. And I think you’ve got a double problem here, which is that, in this discussion about the word curry, we’re actually forgetting that huge numbers of Sylheti Bangladeshi cooks have made massive sacrifices and worked really hard. We mustn’t forget that British curry is distinctive. The annoyance for
Indians is that it’s often used as a blanket term that is generic and reductive. It’s a fine distinction, but it needs to be made. And the time is right.”
Basu emphasised: “I am not an activist, but I’ve been doing a lot of consulting on cultural appropriation and cultural sensitivity generally. But it’s been quite a tough thing to deal with.”
Her late grandfather, Jyoti Basu, was the Marxist chief minister of West Bengal from 1977 to 2000.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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