WHITE BRITONS with tumours are more likely to die within a year than people from other ethnic backgrounds, a study has found.
Data of more than 24,000 adult patients in England, with malignant primary brain tumour diagnosed between 2012 and 2017 - was seen by researchers from King's College London.
When compared with patients of white British ethnicity, people of Indian origin were 16 per cent less likely to die within a year. Those whose ethnicity was recorded as "other white" were 17 per cent less likely to die, and those categorised as "other ethnic" were 30 per cent less likely to die.
For those whose ethnicity was unknown, the risk was 19 per cent less.
“It is probably too early to speculate on what may lie behind these differences, but a number of factors may be involved," Hiba Wanis, a PhD student and research assistant in the Centre for Cancer, Society & Public Health at King’s College London, who presented the research at the National Cancer Research Institute Festival, said.
She added: “These include how early people ask about symptoms, how early a diagnosis is made, better reporting, lifestyle and cultural factors, deprivation, tumour characteristics and behaviour, and treatment options.”
The study was the first of its kind to look at the effect of ethnicity on brain tumour survival.
Wanis said: “Brain tumours are under-researched compared to other cancers, and until now no study has investigated the impact of ethnicity on brain tumour survival using information on patients in the whole of England.”
She praised the improved data capture by the National Disease Registration Service and said: “These findings inform investigations of whether death is equally well-reported between the different groups, or whether better prognostic factors are operating to improve survival.”
She said her research had been made possible by improved and detailed data captured by the National Disease Registration Service, adding: “These findings inform investigations of whether death is equally well-reported between the different groups, or whether better prognostic factors are operating to improve survival.”
Michael Jenkinson, chairman of the NCRI Brain Group and professor of neurosurgery and surgical trials at the University of Liverpool, who was not involved with the research, said: “This new study is not only the first to investigate the impact of ethnicity on brain tumour survival but also the first to consider the different types of brain tumours across patients in England. As the quantity and quality of data has significantly improved in recent years, the researchers have been able to carry out a detailed analysis, and the results help to fill in the gaps in what is currently an under-researched area of cancer.
“However, further research is needed to consider other factors that may play a role in these differences, such as, a patient’s lifestyle and how early they received their diagnosis. Once explored further the findings could be vital for doctors to provide appropriate information to patients on their prognosis.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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