Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Bianca Censori, wife of rapper Kanye West, was seen in Mallorca, Spain, stepping out in a revealing outfit that caught the attention of many not just for its boldness, but also because of where she was headed. Dressed in a sheer black ensemble paired with a thong bodysuit, the Australian architect was reportedly on her way to a luxury mental health clinic.
Photos obtained by TMZ show Censori arriving at a facility in Palma, accompanied by a security team and Jayne Fitzmaurice, a professional affiliated with The Balance, an upscale wellness centre known for offering discreet, high-end mental health and addiction treatment. Fitzmaurice is not only a certified recovery coach but also works closely with individuals navigating personal and emotional challenges.
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It’s not yet confirmed why Censori was visiting the clinic, but The Balance is known for catering to clients looking to address stress, burnout, and deeper psychological concerns in a private setting. The visit follows days of media attention surrounding Kanye West, after he made disturbing claims in a recent outburst that drew widespread criticism. Despite the storm around her husband, Censori appeared calm and composed during the sighting.
This trip also comes just days after she was photographed having dinner with West in another Spanish town. The couple, who had been rumoured to be taking a break from each other, were seen dining together, sparking speculation about a possible reunion. While Kanye wore his usual oversized hoodie, Bianca stuck to her trademark figure-hugging style, both seemingly unfazed by the public attention.
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Though West wasn’t present at the facility visit, the moment has raised questions about how both are coping behind the scenes. Censori’s fashion choices often grab headlines, but this appearance hinted at something deeper. Maybe a moment of pause, reflection, or maybe just seeking support.
While the headlines continue to swirl, one thing’s clear: behind the curated images and attention-grabbing outfits, there may be a more personal journey unfolding, one that doesn’t always play out on stage or social media.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans? Three-minute hits? She’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families. It’s global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality
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