BBC’s groundbreaking Eid coverage – a cultural milestone for British Muslims
Aaqil Ahmed on how live broadcasts are reshaping religious representation and garnering critical acclaim, with programmes nominated for prestigious awards
BRITAIN'S CHANGING FACE: The massive viewership of the show reflected the makeup of modern Britain and the psychology of viewers who liked their own religion and culture to be celebrated
As you listen to Aaqil Ahmed, you get a sense that he can’t quite believe what he’s pulled off.
Ahmed persuaded BBC commissioners to make not only one live programme about Eid, but two.
This at a time when television executives would sell their mothers for those all-important ratings.
For the first time on terrestrial TV, the BBC showed the Eid-ul-Fitr morning service live from Bradford Central Mosque.
It marked the end of Ramadan, the month-long period when Muslims don’t eat or drink between the hours of sunrise and sunset.
That evening, producers convinced prominent Muslims to appear on live TV to discuss the significance of this holy festival, rather than spending time with their families.
“It sounds like a silly thing to say, but for all of us, whatever your culture, religion, whatever your background is, if you look at it in a bigger context, it shows that we've arrived,” said Ahmed, the BBC’s former head of religion and ethics.
“What it showed was the fact that when we talk about entertainment, and we talk about communities from subcontinent, we often talk about Bollywood or things like that.
“But what we're not all about Bollywood as much as we all love it, there's great things happening here.
“We've got comedians and sports people and performers and artists and writers and all this kind of actors and all these things.”
Big audiences
The evening show, Celebrity Eid, aired at 10.40, and Ahmed said it attracted the biggest television audience of any broadcaster at that time that day.
“What we’re saying is, you can win your slot with something which feels unique and different and appeals to a wide audience because anybody who thinks that British, Muslims were the only people watching those shows does not know anything.
Aaqil Ahmed
“On the psychology of the viewers, but also about the makeup of our country, people were watching it because they liked their own religion and culture to be celebrated.
“Many people were just inquisitive, and for some people who were watching, it was because they wanted to know what really goes on rather than the kind of rubbish that we’re fed by people who don't know anything about any faith.”
Idea for programme
Ahmed had the idea for this once-in-a-generation programme during the pandemic.
On his walks he considered and questioned how Eid, where a congregation is essential, would be celebrated under lockdown rules.
That sowed the seeds for the programmes – but it would be four years later that his vision would come to fruition.
In fact, things began to come together last November when a BBC commissioner suggested that Ahmed’s media production and communications consultancy, Amplify Consulting, couldn’t do this alone.
"It shows that we as a society are very different than what we were in the past," says Aaqil Ahmed Credit: BBC/Firecracker Films/Ahmed Peerbux
So, the visiting professor at the University of Greater Manchester, reached out to Firecracker Films, and the rest is history.
“If you believe in something, you have to find ways of selling it, and it might take longer than you think it should,” he said.
“Now, you should also know whether or not there's a desire for this, and when I talked to people within the industry, even three years ago, and I started having initial conversations, I never found one person who said it was a bad idea, and that's the sign.
“Talk to people in confidence, and if they tell you, no, you've got to start listening.
“You can't just walk away from the first person, but I never found one person who said that's not going to fly.”
That didn’t mean it was all plain sailing.
“Until the day we signed the contract, there was still a part of me thinking this will never happen.
“So, you've got to persevere, you've got to be strong, but you've also got to find people you can work with, and you've got to find broadcasters that get it as well.
“I think in this instance, we found a commissioner who really wanted to do this, and let's be honest with you, a broadcaster which very quickly put its money where its mouth was.
“We can't always say that's the case for most broadcasters, including the BBC.”
Important questions
But the Eid programmes raised a couple of important questions in my mind, and something I’ve written about extensively in Eastern Eye.
Do broadcasters really get that Britain’s changing and, if so, why are they failing to portray authentically or in depth that evolution?
Ahmed has an alternative perspective.
“I think at this moment in time, we're struggling across the whole of broadcasting, and at the same time, it's never been better.
“What that shows you is, we, as a society, are very different than what we were in the past.
“When I first started work years ago, it was pretty easy.
“You knew what you're doing, and you could do it on Network East, those kinds of shows.
“Then you got the Asian Network, you kind of knew who you were making programmes for.
BBC's Celebrity Eid attracted the biggest television audience of any broadcaster at that time that day Credit: BBC/Firecracker Films/Ahmed Peerbux
“Now we have a much more of a wider variety of people living in the country because of migration patterns changing over the last 15, 20 years.
“We have people coming from, whether they're coming as economic migrants or as refugees or on visas or students or as second or third generation.
“I could go on, people from Africa, which part of Africa, west Africa, north Africa, sub-Saharan Africa, east Africa?
“Then you've got Arabs, Gulf Arabs.
“So, the diversity now is not what it was before, and I think that becomes almost impossible to manage in the way that we used to manage these things.”
Critical acclaim
The BBC broadcast the programmes on 30 March, and they’ve already caught the attention of critics.
The Radio Times has nominated these, along with five others, for the prestigious Sandford St Martin Awards, which reward religion programming.
It’s up to viewers to vote for their favourite.
“I think it's really brave of the Radio Times to throw it in there because we were only on air less than a month ago, and they have thrown it into the mix straight away,” said the programmes’ executive director.
“That shows you the kind of impact that it's had, and I'm quite I'm quite touched by that.
“But I'm also not surprised because, it's not repeating programmes that have happened before, and it's not kind of reinforcing stereotypes.
“It's trying to do something very brave and different, and I think they've recognised that.
“I hope people who vote for it will recognise it as well, and if we want more of this kind of fresh, imaginative programming, then we've got to celebrate it.
“It's got to start winning, and the broadcasters have got to be told as well that we like it because they get told when they don't like it.
“Let's start telling them when we do like it.”
Britain is now home to the world’s major religions and their significant dates.
So, for south Asian communities could we see Diwali, Vaisakhi and Vesak (Buddha Day) celebrations on BBC TV?
“A lot of people have already spoken to me about saying, will you be pitching Diwali and Vaisakhi?
“I said I definitely would, but I would say to you it's not my decision obviously.
“Anyway, I'm not the head of religion, it's up to other people, it's up to the BBC.
“Will they do this again?
“Well, we're definitely talking about trying to, I think it was very successful.”
The world’s most powerful digital camera, designed to capture detailed images of the night sky, will reveal its first-ever photographs on 23 June 2025. The camera is housed at the Vera C. Rubin Observatory, located in the Chilean Andes, and is capable of capturing 3,200-megapixel images.
With a lens measuring 1.57 metres (not five metres as sometimes reported), the camera is part of the Legacy Survey of Space and Time (LSST) project. It has the sensitivity to detect objects as small as a golf ball from 24 kilometres (15 miles) away.
Built at the SLAC National Accelerator Laboratory in California and transported to Chile in 2023, the camera will take around 1,000 images per night over the next decade. The LSST aims to map 20 billion galaxies, contributing to research on dark matter, dark energy, and the dynamic universe.
First images to be revealed during global live stream
The "First Look" event will be held on Monday, 23 June 2025, at 11am EDT (4pm BST), streamed live via the Vera C. Rubin Observatory’s official YouTube channel and website. The broadcast will showcase ultra-high-definition images and video captured by the telescope, giving the public and scientific community a first glimpse at its capabilities.
Organisers describe this as a landmark moment for astronomy and astrophysics, marking the start of a new era in space observation.
In addition to the live stream, hundreds of venues across the globe will host public watch parties. Viewers can visit the Rubin Observatory's First Look Watch Party website to find local listings.
The Rubin Observatory is named in honour of American astronomer Vera C. Rubin, known for her pioneering work on galaxy rotation rates and dark matter.
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A wave of spiritual upliftment swept through North London as Vaishnavacharya Pujya Goswami Shri Vrajrajkumarji Mahodayshri delivered a three-day series of discourses on the foundational pillars of Pushtimarg, organised by VYO UK at the Dhamecha Hall in Harrow. Devotees from across the UK gathered to immerse themselves in divine teachings, soulful vachanamrut, and rare spiritual insights that touched the essence of Vallabh Vedanta.
The event commenced on 11 June with a ceremonial padhramni at Shri Kunj, followed by daily discourses that explored the divine character of Shrinathji, the grace of Yamunaji, and the timeless legacy of Shri Mahaprabhuji. The highlight included the celebration of the 108 Shree Yamunaji Lotiji Utsav on 13 June, drawing hearts together in joy and reverence.
In his address, JeJeShri Vrajrajkumarji Mahodayshri shared a profound reflection: “What is the best character within you? Yamunaji teaches us to say ‘yes’ in every conversation with Thakorji — this is to truly listen, to understand, and to agree with grace. This is not just divine discipline but also the essence of our behaviour.”
He further emphasised the unified divinity of Shrinathji, Yamunaji, and Mahaprabhuji, reminding the congregation: “They may appear as different swaroop, but their tatva is one. To treat them as separate is a misunderstanding of divine unity.”
The discourses were graced by the presence of several dignitaries, including Gareth Thomas MP, Minister for Services, Small Businesses and Exports, along with Pradipbhai Dhamecha, Ketanbhai Kotecha, Vinodbhai Thakrar, Dipakbhai Jatania, Umiben Radia, and many other community figures who appreciated the rich spiritual experience.
In a heartfelt moment, Shri Vrajrajkumarji also offered condolences for the victims of the recent Air India crash in Ahmedabad.
The programme opened with a warm welcome address by Kanteshbhai Popat, Chairman of VYO UK. An overview of VYO’s ongoing and upcoming initiatives was shared by Jayshreeben Radia, President of VYO UK. The entire event was beautifully compered and hosted by Pratibhaben Lakhani, President of VYO North London – UK.
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She has become a respected voice for Indian spirituality on global platforms
Sadhvi Bhagawati Saraswati, the International Director of Parmarth Niketan and President of the Divine Shakti Foundation, has marked 25 years since taking Sanyas Diksha—formal monastic initiation—on the banks of the Ganga in Rishikesh.
Silver jubilee event at Parmarth Niketan
The silver jubilee celebration took place on the Shri Rama Katha stage at Parmarth Niketan and was attended by prominent Indian saints and spiritual leaders. Among them were:
Pujya Swami Chidanand Saraswatiji, her Guru and initiator into Sanyas
Pujya Swami Ramdevji
Mahamandaleshwar Swami Rajendra Dasji
Mahamandaleshwar Swami Ravindra Puriji
Mahamandaleshwar Swami Harichetnanandji
Pujya Sant Shri Murlidharji
Pujya Acharya Balkrishanji
Dr Chinmaya Pandya ji
Shri Ajay Bhai ji
Their presence underscored the national and spiritual importance of the occasion.
An American journey into Indian spirituality
Born and raised in Los Angeles, Sadhviji holds a PhD in psychology from Stanford University. She embraced Sanatana Dharma and the path of renunciation over two decades ago, and has since remained in India, dedicating her life to spiritual service and humanitarian work.
The camp provided care to hundreds of pilgrims, sadhus and residents of the Himalayan regionParmarth Niketan
Over the years, she has become a respected voice for Indian spirituality on global platforms, speaking at the United Nations and international forums across six continents.
Global roles and spiritual outreach
Sadhviji holds several leadership positions in both spiritual and interfaith organisations:
International Director, Parmarth Niketan
Secretary-General, Global Interfaith WASH Alliance
President, Divine Shakti Foundation
Co-Chair, Multifaith Advisory Council to the UN
Co-President, Religions for Peace
Board Member, World Council of Religious Leaders
Steering Committee Member, PaRD (Partnership for Religion and Sustainable Development)
Director, International Yoga Festival, Parmarth Niketan
Her teachings, rooted in the Vedic tradition, are shared widely through books, satsangs, global lectures, and digital platforms. Her titles include Hollywood to the Himalayas and Come Home to Yourself.
Service through health and healing
To mark the occasion in the spirit of seva, a free multi-specialty medical camp was held in collaboration with Medanta Hospital. The camp provided care to hundreds of pilgrims, sadhus and residents of the Himalayan region.
Tributes from spiritual leaders
Several spiritual leaders offered their blessings and reflections on Sadhviji’s journey.
Pujya Swami Ramdevji said, “My spiritual sister Sadhvi Bhagawati is an embodiment of the divine Mother. She is a true testament to absolute devotion and dedication.”
Pujya Swami Rajendra Dasji remarked on the auspicious timing of the eventParmarth Niketan
Pujya Swami Chidanand Saraswatiji praised her efforts on the Encyclopedia of Hinduism, which he noted will soon be available digitally. “She has become a lighthouse of this wisdom for so many seekers,” he added.
Pujya Swami Rajendra Dasji remarked on the auspicious timing of the event, coinciding with Jyeshtha Purnima, Kabir Jayanti and Saryu Jayanti. “Her every breath and every moment is in the seva of the nation,” he said.
Sadhviji, speaking at the event, said, “I truly don’t feel that I live in Bharat but that Bharat lives in me. It is not how much we have in life, but how much we are able to share, that makes us truly wealthy. It is not the external sadhan but the sadhana that truly matters.”
Sadhviji’s journey from America to India represents more than a personal transformationParmarth Niketan
Pujya Sant Murlidharji described the day as Sadhviji’s “spiritual birthday”, while Acharya Balkrishnaji offered wishes for her continued health and seva.
Dr Chinmaya Pandya, representing the All World Gayatri Parivar (AWGP), quoted Kabir Das and emphasised the significance of gurus in spiritual life. “Today we honour the light of her Guru in her life,” he said.
A bridge between East and West
Sadhviji’s journey from America to India represents more than a personal transformation. Her life stands as a bridge between East and West, science and spirituality, renunciation and service.
The event was livestreamed on the official YouTube channels of Parmarth Niketan and Sadhviji from 11:30 AM IST. Watch here.
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H H Madhavpriyadasji Swami's visit forms part of an ongoing engagement with diaspora communities
His Holiness Shree Madhavpriyadasji Swami, spiritual head of the Gurukul Parivar – Shree Swaminarayan Gurukul Vishwavidya Pratishthanam (SGVP) – is currently on a spiritual tour of the United Kingdom. Recognised for his leadership in promoting values-based education and spiritual growth, Swamiji continues to inspire followers across the world.
During a visit to the Shri Kutch Satsang Swaminarayan Temple in Harrow, Swamiji was presented with a copy of Garavi Gujarat, a leading publication within the global Gujarati community. He acknowledged the publication’s longstanding efforts in preserving the cultural identity and heritage of Gujaratis living abroad.
Cultural evolution of the community with integrity and pride.AMG
Expressing his appreciation, Swamiji noted that Garavi Gujarat occupies a special place in the hearts of Gujaratis worldwide. He praised its commitment to reflecting the values, milestones, and cultural evolution of the community with integrity and pride.
Swamiji emphasised the importance of such platforms in maintaining connections to heritage, particularly for younger generations growing up outside India. “The paper plays a vital role in keeping our traditions and identity alive, especially for the younger generation growing up abroad,” he said.
His visit forms part of an ongoing engagement with diaspora communities, promoting unity, spirituality, and cultural continuity.
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.