FROM being a child prodigy to a frontline singing star, Armaan Malik has made a sensational impact from a very young age.
Whether delivering fabulous songs in different languages or crossing creative frontiers, the versatile talent has delighted fans worldwide with his musical mastery. Balancing movie songs with big pop hits has allowed him to reach diverse audiences across cultures, becoming a dynamic role model for a new generation.
Beyond his magical voice, one of the 29-year-old’s biggest strengths is his ability to deliver majestic live concerts. This is why his hotly anticipated UK tour in April promises to delight audiences with shows in Leicester (12) and London (13). Malik is looking forward to reconnecting with UK fans and promises a night to remember, complete with a full live band.
Eastern Eye caught up with the popular singer to discuss his journey, upcoming tour, recent marriage, inspirations, and what it was like performing live with pop superstar Ed Sheeran.
How would you sum up your music journey so far?
It’s been a wild, beautiful ride. I started young, and over the years, my music has taken me places I never imagined. From Bollywood to independent music, from Hindi to English, and now performing worldwide – it’s been a journey of constant growth. But I feel like I’m just getting started. There’s still so much I want to explore and share with my fans.
How does having such a wide range of work in different genres and languages motivate you as an artist?
It keeps me excited and challenged. I love experimenting with different sounds and styles, and singing in multiple languages lets me connect with so many people. Music, for me, is all about breaking boundaries, and exploring different genres and cultures just makes the journey even more fulfilling.
What do you most love about live performance?
The energy, love, and how music brings us all together – it’s unreal. There’s nothing like standing on stage and hearing thousands of voices singing your songs back to you. It’s the most emotional feeling. It reminds me why I do what I do.
What was it like sharing the stage with Ed Sheeran multiple times?
Honestly, it’s a dream come true. Ed is one of the most incredible artists and such a humble person. Sharing the stage with him and experiencing his magic up close was inspiring. He has this way of making a stadium feel like a living room jam session, and that’s something I really admire.
How much are you looking forward to your shows in the UK?
So much. It’s been eight years, and I’ve missed performing in the UK like crazy. Every time I meet fans from the region, they always ask, ‘When are you coming back?’ and now, finally, I get to say, April 2025. Leicester on April 12 and London on April 13. I can’t wait to feel that UK crowd energy again.
What can we expect from the UK concerts?
Expect a rollercoaster of emotions. We’re going from soul-stirring ballads to absolute bangers. I want to take everyone on a journey through my music – some nostalgia, some fresh new vibes, and a lot of surprises.
Do you ever get nervous before going on stage?
Oh, all the time. That little nervous energy before stepping on stage never really goes away. But honestly, I love it. It shows that this still means the world to me. The second I hear the crowd, the nerves disappear, and it’s pure adrenaline and joy.
You are a worldclass performer live, but what is the secret of a great live performance?
Thank you. For me, the secret is being 100 per cent present in the moment. Over the years, I’ve realised it’s not about perfection – it’s about feeling every note, every lyric, and sharing that energy with the audience. When you’re real and in the moment, the crowd feels it too. That’s what makes it unforgettable.
Malik with Ed Sheeran
You’ve achieved a lot at a young age, but what is your greatest unfulfilled ambition?
There’s still so much left to do. One of my biggest dreams is to see Indian pop music get the global recognition it deserves. I want to be part of the movement where an Indian pop artist is heard just as much as any Western act. Also, a Grammy and a sold -out Madison Square Garden show someday wouldn’t hurt.
People love listening to your songs, but what music is currently dominating your own personal playlist?
I have the most random playlist ever. It goes from The Weeknd to Zedd, from John Mayer to Bruno Mars, and then to some incredible indie artists from India. Right now, I’m listening to a lot of r’n’b, and country pop is where my heart is at the moment.
If you could learn something new in music, what would it be?
I really want to dive deeper into music production. I’ve always been fascinated by the behind-the-scenes magic of how a song goes from an idea to a full track. I’ve dabbled in it, but I’d love to master it someday.
What is it like being married, and has it changed you in any way?
It’s been amazing. Marriage has brought a lot of balance and perspective into my life. I feel like I have a strong support system that keeps me grounded, no matter how crazy my schedule gets. It’s also taught me to appreciate the little things in life more.
How much does your special connection to fans mean to you?
It’s everything. I say this all the time – my fans are my extended family. The love, support, and how they’ve been with me through every phase of my career is something I never take for granted. I try my best to stay connected with them, whether it’s through social media or meeting them at shows. Their love fuels me every day.
What inspires you creatively?
Life! The highs, lows, and everything in between. Travelling, meeting new people, hearing their stories – it all finds its way into my music. And of course, my fans. The way they interpret my songs, the emotions they attach to them – it’s honestly heart-warming.
Why should we all come to your UK shows?
It will be a night you’ll never forget. I want everyone in that audience to walk away feeling something, whether it’s nostalgia, excitement, or pure happiness. Expect high-energy performances, emotional moments, and a whole lot of love. I can’t wait to sing with you all again.
Armaan Malik at De Montfort Hall, Leicester on April 12, and Indigo at the O2, London on April 13. www.rockonmusicuk.com & Instagram: @ArmaanMalik.
Malik on stage
Did you know?
■ Born in 1995, Armaan Malik began singing at the age of four and competed in the reality show Sa Re Ga Ma Pa L’il Champs in 2006.
■ Malik made his debut as a singer at just 12 years old with the song Bum Bum Bole in the awardwinning 2007 film Taare Zameen Par.
■ In 2014, he made his debut as a playback singer with songs in Jai Ho and released his debut album Armaan.
■ The versatile singer has delivered songs in more than 12 languages, including Hindi, Tamil, Telugu, Kannada, Bengali, Malayalam, Marathi, Gujarati, and English.
■ Malik became the youngest-ever coach on the popular reality show The Voice.
■ The multi-talented star provided the voice for the title character, played by Mena Massoud, in the Hindi-dubbed version of Hollywood film Aladdin. He also delivered songs for the Hindi-dubbed version of The Lion King.
■ His English-language song You won Best India Act at the 2022 MTV Europe Music Awards.
With sharp wit, emotional honesty and a knack for turning personal crises into punchlines, Indian comedian Prashasti Singh is set to make her Edinburgh Fringe debut this August with her acclaimed stand-up show, Divine Feminine. Before taking on the world’s biggest arts festival, she will offer London audiences a sneak peek with previews at Soho Theatre from 23 to 26 July.
Prashasti, known globally for her appearances on Netflix’s Ladies Up, Comedy Premium League and Amazon Prime’s Comicstaan, uses this deeply personal new show to unpack the consequences of chasing a dream that might not have been hers to begin with. Raised in a patriarchal family, she once aspired to become a patriarch herself. Now, inching towards 40 and pretending to be 30, she wonders – was it all worth it?
A blend of silliness, angst, cultural insight and raw emotional truth, Divine Feminine is the Indian funny girl’s boldest, most introspective work yet. As she prepares for Edinburgh, she opens up about the journey, nerves and joy of revealing just a little too much on stage.
How do you reflect on your action-packed comedy journey so far?
Oh, it has been great! A lot of luck and of course some challenges. I stumbled upon stand-up at the verge of 30 while still at my marketing job. The stars aligned in a way that it became my profession before it truly became my passion. The initial years were mostly about getting on stage as much as possible and delivering what was expected of me. I think in the last couple of years, I have finally understood myself as an artist and performer, and with this show, I am at last finding my voice.
How much does the success of Divine Feminine mean to you? I have travelled with this show across India, Europe and Australia and have been overwhelmed by the love it has received. The Hindi version is 1.5 hours long and performing it has given me immense confidence and security as an artist. That is also why I wanted to break out of my comfort zone and write a version of the show in English to reach a more global audience. The process has been very enriching, and I am very curious to see how a more diverse audience will respond.
How much are you looking forward to taking the show to this year’s Edinburgh Fringe? Very, very excited. I have visited the festival a couple of times before and have always wondered how it would feel to be a performer at such a big and vibrant festival. This year I will get to experience that.
What can audiences expect from your show? Some very silly, some very angsty jokes, some cultural, some human insights and a lot of emotional truth.
Do you ever feel like you are revealing too much about yourself on stage? I do feel that I reveal a lot about myself, but I do not think it is a problem. I feel whatever inside me is finding expression in humour is no longer raw or volatile. It has been processed enough internally that I am able to laugh at it, and hence feel safe putting it out in front of people.
How do you feel when you are on stage in front of a live audience? It is always the best part of my day. I feel very good.
Does being at a festival like Edinburgh, with thousands of acts, put pressure on you or motivate you? I think it does both. I have seen some mind-blowing shows at the Fringe in past years, so I want my show to be a respectful offering in this amazing buffet. At the same time, the Fringe is a place where artists and audiences are most open to experiments. So I feel motivated to try new things and take some risks that I would otherwise shy away from.
What is the comedy master plan going forward? There is no master plan. I am working on a very simple philosophy – do work that I enjoy and people enjoy, and then find ways to grow that work and the number of people who enjoy it.
What inspires you creatively? Great work by other artists. The drive for excellence. People who are brave enough to put out their original, twisted thoughts in front of others. That is why being at the Fringe is so exciting.
Who is your comedy hero? Oh, this is a long list. So many people have done such great work before me. It is really very difficult to name just one.
Who is the funniest person you know in real life? One aunt of mine who has had a fairly tough life. She reminds me that humour is a great life skill beyond the stage.
Has being funny ever got you out of trouble? Absolutely never.
Why should we all come and watch Divine Feminine at the Edinburgh Fringe? See, if you have come this far, you are already hooked. Also, if you have ever thought that you could be losing your sanity or femininity, if you have ever felt old or joyless or lonely or not perfect in any way – the show is for you. It is funny, insightful and fairly honest. I am looking forward to seeing you all at the Fringe.
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After backlash at Glastonbury, Charli says autotune is a choice, not a flaw
Charli XCX criticised certain fans for attacking her autotuned vocals at Glastonbury 2025.
Called the backlash “the most boring take ever” in a series of posts on X.
Defended her artistic choices, saying divisive art is often the most impactful.
Her Brat set clashed with Neil Young’s headline act, drawing polarising reactions.
Charli XCX has addressed criticism over her use of autotune during her Glastonbury 2025 performance, calling out the ageist tone of comments that questioned her authenticity as a performer. The singer clapped back on X, brushing off the noise as outdated and out of touch.
Charli XCX defends her Glastonbury set, calling autotune criticism outdated and dull BBC
Charli XCX defends Glastonbury set from autotune critics
During her Brat set on the Other Stage, Charli delivered fan favourites like “365” and “Von Dutch” to a roaring crowd. But online, some viewers slammed her use of autotune and lack of a live band. In a sharp response the next day, she posted: “The idea that singing with deliberate autotune makes you a fraud… is like, the most boring take ever. Yawn.”
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Charli has long been open about using autotune deliberately as an artistic tool. In earlier interviews, she said she intentionally includes “pitchy” moments in her vocals to add texture and imperfection. Responding to the online backlash, she added: “I enjoy the discourse… the best art is divisive and confrontational and often evolves into truly interesting culture.”
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Brat performance draws strong reactions, both love and hate
Charli’s set, held opposite Neil Young’s headline slot, split Glastonbury attendees and online viewers alike. Despite the criticism, her show was widely praised by critics.
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Highlights included a cameo from fellow performer Gracie Abrams during the viral “Apple” dance segment. Charli ended her performance drenched in stage rain, sipping white wine, with giant signs declaring “Brat is forever.”
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After her set, Charli joined her fiancé George Daniel, drummer of The 1975, for an intimate DJ session, keeping the Brat Summer spirit alive.
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Kareena Kapoor gets emotional discussing Saif’s stabbing incident in an interview with Barkha Dutt
Kareena Kapoor has spoken out for the first time about Saif Ali Khan’s stabbing.
Saif was attacked at home in January 2025 during a burglary attempt.
Their sons, Taimur and Jeh, witnessed the violent episode.
Kareena says the family is still coping but trying to move forward together.
Actor Kareena Kapoor has opened up for the first time about the terrifying night her husband, Saif Ali Khan, was stabbed by an intruder at their Mumbai home. In a deeply personal interview with journalist Barkha Dutt, Kareena admitted that the incident left her shaken and sleepless for months, especially with their children, Taimur and Jeh, present during the attack.
The January 2025 break-in at their Bandra residence ended with Saif being stabbed six times. The attacker, later identified as Mohd Shariful Islam Shehzad, entered the flat during a failed burglary attempt and assaulted Saif in four-year-old Jeh’s room. The actor underwent emergency surgery to remove part of the knife lodged near his spine.
Kareena Kapoor says the incident left their children Taimur and Jeh shakenGetty Images
‘I still haven’t come to terms with it,’ says Kareena Kapoor
Kareena described the emotional aftermath of the attack as “something I haven’t fully processed.” She spoke about the trauma of watching a violent act unfold inside their own home, saying, “Seeing someone in your child’s room, that doesn’t leave you. For weeks, I couldn’t sleep.”
She said that such incidents felt “unthinkable in Mumbai,” where celebrity homes are considered secure. “It felt like something that happens elsewhere, not here. But it happened to us,” she said.
‘We’re stronger as a family, but my sons saw too much too soon’
Both of their sons witnessed the stabbing, something Kareena says forced her to balance her own trauma with parenting. “They’ve always lived a very protected life. Then this happened, and suddenly they saw blood, violence… I hope it teaches them resilience, but no child should have to go through that.”
Kareena and Saif are now focusing on healing as a family after the traumatic episodeGetty Images
Jeh, the younger of the two, has found his own way to cope. “He calls his father Batman and Iron Man. That’s how he sees him, like a superhero,” Kareena said, adding that the family has leaned on each other for strength and grown stronger as a unit.
Olivia Rodrigo brought out Robert Smith for a surprise goth-pop duet on the Pyramid Stage.
Rod Stewart reunited with Ronnie Wood during a crowd-pleasing Legends Slot performance.
Lewis Capaldi made an emotional surprise return after his 2023 setback.
Political controversy erupted with Kneecap and Bob Vylan’s provocative sets.
Scissor Sisters and Sir Ian McKellen delivered one of the festival’s most unexpected collaborations.
Charli XCX closed out her Brat era by burning her backdrop and owning the Other Stage.
Neil Young gave a stripped-back set with no visuals and all heart.
Pulp’s secret “Patchwork” set was a nostalgic Britpop masterstroke.
Worthy Farm has emptied out. The glitter’s washed off, the tents have collapsed into mud, and 210,000 people are back in the real world trying to make sense of what just happened. The mud might be drying on Worthy Farm, but the noise from Glastonbury 2025? It’s still ringing in our ears.
There were moments this year that made people cry, scream, argue, and lose their minds, sometimes all at once. This wasn’t the year of a single headliner dominating headlines. This was the year of chaotic genius. Of punk chants ringing through political tension. Of unexpected duets that bridged decades. Of artists coming back from silence.
Here’s a rundown of the 8 moments we’ll be talking about long after the fields lie fallow.
1. Lewis Capaldi’s comeback that stopped the festival
Two years ago, his voice cracked under the weight of Tourette's, cutting his set heartbreakingly short. This time? He walked back onto that Pyramid Stage like he owned it. "Worst-kept secret!" he grinned, and then he finished what he started. His voice was stronger, his tics softer, but his heart? Still wide open. When those opening notes of Someone You Loved hit, and 210,000 voices sang it right back to him? He cried. So did everyone else.
2. Olivia Rodrigo and Robert Smith’s goth-pop dream sequence
No one was expecting The Cure frontman to stroll out under the Sunday sunset. But there he was, eyeliner and all, joining Olivia Rodrigo in one of the most generationally surreal collaborations the Pyramid Stage has ever seen. Together, they sang Friday I’m In Love and Just Like Heaven, and something strange happened: thousands of Gen Z and Gen X fans wept together. Rodrigo looked awestruck. Smith smiled. The whole thing was almost eerie and euphoric.
3. Rod Stewart’s rock ‘n’ roll reunion, complete with Lulu and Ronnie Wood
80 years old. Sunday Legends Slot. Rod Stewart didn't just sing the hits. He threw a party. Mick Hucknall joined in. Lulu too. But the real moment? When his old bandmate from The Faces, Ronnie Wood, walked on stage. They blasted through Stay With Me, that classic rock energy surging back. Then, festival founder Michael Eavis appeared, wheeled out by his daughter Emily, smiling at the huge crowd he started. It felt big. Like watching Glastonbury's history come alive right there. It was proof that legacy doesn’t fade, it just gets louder.
Glasto's always had a political pulse, but 2025 felt like a live wire. Belfast rap trio Kneecap used their West Holts set for loud pro-Palestinian chants in Irish, displaying "Israel are war criminals" on screens and targeting Keir Starmer. The BBC cut the live feed, and police are investigating parts of their performance. At Woodsies, punk duo Bob Vylan led the crowd in chanting "Death to the IDF." Festival organisers condemned this specific chant as hate speech and Prime Minister Starmer called it "appalling". Glastonbury 2025 proved, once again, that the festival doesn't mute uncomfortable voices. This is part of its fabric.
All weekend, everyone wondered: who was the mystery act Patchwork? They didn’t announce it. They didn’t need to. On Saturday afternoon, the answer hit the Pyramid Stage. Jarvis Cocker walked out. Pulp slipped into a secret slot under a fake name and blew the roof off with Common People, Disco 2000, and sheer 90s brilliance. It was a brilliant, unannounced 30th-anniversary nod to their legendary 1995 Glastonbury headline rescue. Pure surprise. Pure joy.
Saturday night, the Brat queen stepped onstage and torched her signature green backdrop. Goodbye old era. What followed was pure energy: 360, Von Dutch, Club Classics. Heavy beats, heavy autotune used deliberately. Not everyone liked her stripped-back, guest-free approach, but that wasn't the point. She delivered exactly the intense, focused set she wanted. Critics debated. The crowd didn’t care.
7. Scissor Sisters and Sir Ian McKellen’s surprise walk-on
Midway through Scissor Sisters' headline set at Woodsies, their first Glastonbury show in 15 years, Sir Ian McKellen appeared. He didn't just wave. He recited lyrics from their song Invisible Light and then walked, visibly moved, right through the stunned, cheering crowd. He danced. He cried. People chanted “national treasure.” It was pure camp, pure catharsis.
While some sets screamed for attention, Neil Young whispered. Alone with a guitar and decades of memory, he sang Harvest Moon and Cinnamon Girl like they still hurt. No visuals, no hype. You could hear a pin drop. He refused video screens, forcing the crowd to focus or move closer. At 78, his voice cracked in places, but the songs held firm. Stripped of spectacle, the set stood out purely on the strength of song writing, reminding us sometimes, you don’t need fireworks to set hearts on fire.
Festivalgoers watch British band Wolf Alice perform on the Other Stage on the final day of the Glastonbury festival Getty Images
The ground beneath our feet
2027 feels a lifetime away. However, Glastonbury 2025 didn’t play it safe. It poked at power. It celebrated weirdness. It held space for grief, rage, joy, and rebellion all at once. It was Capaldi finding his voice again in front of a family of thousands. It was Olivia Rodrigo reaching back and Robert Smith reaching forward. It was Rod Stewart proving rock 'n' roll never dies, and Kneecap screaming that some fights aren't over. It was Charli burning it down and McKellen wandering wonderstruck.
It was wild. It was beautiful. It was uncomfortable. It was unforgettable.
See you in 2027.
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Glutathione and anti ageing drugs under spotlight after Shefali Jariwala death
Shefali Jariwala died at 42 in Mumbai after reportedly collapsing post-fast; cause of death suspected to be cardiac arrest or blood pressure drop.
Police found anti-ageing pills, vitamin supplements, and glutathione injections at her residence.
Doctors stress the risks of unsupervised use of hormone-based and anti-ageing treatments.
Final post-mortem report expected in two days; no foul play suspected, case treated as accidental death.
The untimely death of actor-model Shefali Jariwala has sparked renewed concern over the unregulated use of anti-ageing treatments and self-medication. The 42-year-old, best known for her appearance in Kaanta Laga, was declared dead on arrival at a Mumbai hospital on Friday night. Initial investigations suggest she may have suffered a cardiac arrest following a steep drop in blood pressure, possibly linked to taking supplements on an empty stomach.
Shefali Jariwala death raises concern over anti ageing drugs and self medication Instagram/shefalijariwala
What caused Shefali Jariwala’s collapse? Police and doctors investigate
Shefali Jariwala was rushed to Bellevue Multispeciality Hospital by her husband and friends after she suddenly collapsed at home, but she was already unresponsive. Her family said she had been fasting for a religious ritual and had consumed her regular supplements shortly after breaking the fast. Among the substances recovered at her Andheri apartment were glutathione injections, commonly used for skin lightening, and various anti-ageing tablets.
Doctors at Cooper Hospital, where her post-mortem was conducted, suspect a fatal drop in blood pressure, though only the final autopsy will confirm the precise cause of death. So far, Mumbai Police have ruled out foul play and registered an accidental death report.
Health experts warn against unmonitored anti-ageing therapies
Experts are now urging caution over the growing trend of unsupervised beauty and anti-ageing regimens, especially among public figures. Dr Dhirendra Singhania, a leading cardiologist, pointed to steroids, hormone therapies, and poor sleep as major heart risk factors, even among seemingly fit individuals. While glutathione and vitamin C aren’t inherently dangerous, he said their misuse or interaction with other drugs can trigger complications.
Anti ageing pills found at Shefali Jariwala home spark health safety debate Instagram/shefalijariwala
Shefali had no known chronic illnesses apart from epilepsy, which doctors say is unlikely to be linked to her sudden collapse. Her death, while still under investigation, adds to growing concerns about beauty pressures, self-prescribed treatments, and the long-term risks of trying to defy ageing without medical oversight.