The controversy surrounding The Simpsons Indian-origin character Apu Nahasapeemapetilon refuses to die down, but Fox Studio will not be getting involved in it.
Fox chairman and CEO Dana Walden touched upon the controversy during the Television Critics Association press tour and said she has left it to The Simpsons executive producer Jim Brooks and his team to handle the issue.
"We have had the conversation with Jim Brooks and his team and we've basically left it up to them,” said Walden. “They've treated the characters with so much respect. We trust them to handle it in a way that will be best for the show… Ultimately we decided that would be their decision."
Fans, especially of Indian-origin, have been criticizing The Simpsons for its portrayal of the Indian-origin character, voiced by actor Hank Azaria.
In April, the show attempted to address the controversy surrounding the character, but many felt the response was unacceptable.
For instance, in the episode No Good Read Goes Unpunished, a photo of Apu is in a frame and Lisa Simpson laments: "Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?"
Comedian Hari Kondabolu was among the many people who was disappointed with The Simpsons’ response to the Apu controversy.
Kondabolu said the most disappointing aspect was using Lisa, considered the most progressive character on the show, to dismiss the criticism surrounding Apu.
“The punch to the gut was not to the Indian American part of me, oddly enough, it was to the Simpsons fan part. You just sacrificed Lisa? Lisa’s me, man,” Kondabolu said in the interview with The Daily Beast.
“Lisa’s me and you’re telling me that Lisa would say that? As a Simpsons fan, they really had to go on a bit of a journey to justify that. They had to find some way for themselves to be like, ‘You know what? We’re just going to nip this in the bud by using this character to say something she would absolutely not say’.”







Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



