Anu Vaidyanathan: The comedy Blimp getting ready to rise
The comedian will be taking her stand-up show Blimp to this year's Edinburgh Fringe, after some preview performances
By Asjad NazirJul 20, 2023
A UNIQUE journey led Anu Vaidyanathan towards becoming a stand-up comedian.
After her success as an athlete, which included becoming the first Indian woman to qualify for the Half Ironman 70.3 Clearwater World Championship in 2008, she wrote a memoir on her life in sport and turned down film studios, wanting to option the book.
This then led her towards training as a filmmaker and while learning how to direct a comic performance, she found stand-up comedy. What initially started off as something to help her become a better film director turned into a passion and a laughter-filled stage journey entertaining audiences.
She will be taking her stand-up show Blimp to this year’s Edinburgh Fringe, after some preview performances, and was happy to discuss it with Eastern Eye. The cool comic also talked about live performances, inspirations, and the funny people she knows.
Tell us about your show Blimp?
Blimp is the love child of my two major pursuits, filmmaking and motherhood. It is a comic take on what the life of a female artist/ filmmaker looks like. I am an engineer by training, and it has been quite an education to step into the more subjective realm of the arts. I paint the story of several misadventures along the road with a through-line that people can hopefully relate to.
How much of the show is based on personal experiences?
As a writer, nearly everything I write has a landing point in memory, lived experience or extrapolation. I am wary of assigning percentages and take several creative, fictive liberties, but over time and in workshopping the new show, I believe relatability is key. It delights me no end that my day-to-day struggles, quandaries, and discombobulation is what audiences seem to chuckle most about.
What made you title the show Blimp?
This is a very short story. I was thinking of a metaphor and a hot-air balloon now only used for advertisements seemed perfect to talk about a woman’s voice.
How much are you looking forward to performing at the Edinburgh Fringe?
I know every edition of an experience is unique and this year I am a little stretched because my first show, BC:AD – Before Children, After Diapers, is still touring. I have a dozen dates of this left, ending on July 20. I have simultaneously been workshopping my new show, Blimp, slowly and steadily. In my first year, I thought of Edinburgh as an exotic mecca with a confluence of artistic energy like no other. The rain didn’t bother me. The indignantly cute Scottish grannies who corrected ‘diaper’ to ‘nappy’ embraced me. The flyering damn near killed me. This year, I feel a bit more settled.
Why is that?
I know why I am going and how to manage my expectations. My imperative is to make work, keep it fresh and give writing and performing their due. I love comedy because it feels like a quicker feedback loop creatively than writing books or making films. I love flyering because it is brain candy to run into that many people - their whims, love, and inebriation, on life or other substances. I have learned with time that people are not so bad and there is a place for everyone.
How do you feel before going on stage?
Depends on the day. I always have a healthy amount of butterflies. The great Camille Sullivan told me about David Bowie’s take on this subject – that butterflies are important. I believe if that is good enough for David Bowie, it is good enough for me.
Do you sometimes feel like you reveal too much?
Always. I wear my heart on a sleeve, which is quite a difficult thing to do after many decades of being a very neurotic engineer.
Who is your comedy hero?
I have no heroes and no heroines. I am my own hero. Simply because it is too dysmorphic to want to find your answers in the lives of others.
Has being funny ever helped you in real life?
Not too many times but having a sense of humour has helped.
What inspires you as a comedian?
I want to go out laughing. I’ve read about the psychology of a laugh originating in the depths of despair and relate to that. Being south Indian, my relationship with the arts is also distant from moneymaking. It delights me to be able to bring a smile to anyone’s face, leave them thinking about what something really meant and honestly, it’s a better bedside manner than a serious take on any subject.
Tell us about that?
I love words. Those of Mr (Aldous) Huxley ring true in this case – “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”
Who is the funniest person you know in real life?
There isn’t just one. I am lucky to have been adopted by a village in my comedy life. Rob Rouse, Camille Sullivan, Sasha Ellen, Posey Mehta, Sindhu Vee, Eshaan Akbar; these names I know a bit more than just on stage and love. Michelle Wolff, Guy Montgomery, and Myra Dubois I know just from afar and think are very funny.
Why should we all come watch your show at Edinburgh Fringe?
To live out and laugh with the experiences of the lowest common denominator in life, a mom. With aspirations.
Anu Vaidyanathan: Blimp at Underbelly, Bristo Square, Teviot Place, Edinburgh EH8 9AG from
August 2-13 and 15-19. tickets.edfringe.com Catch a preview of the show at Pen Theatre in London on July 28. www.anuvaidyanathan.com
Stephen Fry has spoken out against JK Rowling’s stance on trans issues, saying the author has become “radicalised” and calling her views “cruel” and “mocking”. This is, in fact, a significant shift from Fry, who had previously refused to take sides in the heated debate surrounding Rowling’s statements on gender identity.
In a recent interview, the 66-year-old British actor, author and longtime LGBTQ+ advocate said Rowling’s repeated comments had crossed a line. “She has been radicalised, I fear, perhaps by TERFs, but also by the sheer backlash she’s faced,” he said. “I’m afraid she seems to be a lost cause for us.”
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Fry says Rowling’s tone has changed for the worse
Fry, who famously narrated all seven Harry Potter audiobooks, said he once enjoyed Rowling’s company and admired her wit, but feels her recent behaviour is no longer something he can overlook. “She says things that are inflammatory, contemptuous, and mocking,” he said. “It’s a terribly distressing time for trans people, and her words only make it worse.”
He added that while public debate is important, Rowling’s rhetoric has contributed to a toxic atmosphere. “There’s bullying, violence, and suicide in the trans community,” he said. “It’s not the time for smugness or cigar selfies on yachts.” This was in reference to Rowling’s post celebrating a recent UK Supreme Court ruling that defined women by biological sex, something LGBTQ+ charity Stonewall called “deeply worrying” for trans people.
Fry joins Daniel Radcliffe and Emma Watson in supporting the trans communityGetty Images
Fry also reflected on the damage done by shouting on both sides of the issue: “Screaming ‘transphobe’ at anyone who doesn’t agree with every detail doesn’t help either. You have to let people love you.”
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Cast and colleagues have also distanced themselves from Rowling
Fry now joins Harry Potter stars Daniel Radcliffe, Emma Watson and Rupert Grint in publicly rejecting Rowling’s stance. All three actors have declared support for trans rights in recent years. By contrast, Tom Felton, who played Draco Malfoy, has remained neutral, choosing instead to focus on Rowling’s legacy as a writer.
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This growing divide among those closest to the Harry Potter universe shows how Rowling’s position has shifted the conversation from literary legacy to personal ethics and how even long-time allies like Fry are no longer staying silent.
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Director Danny Boyle has said his Oscar-winning film Slumdog Millionaire would not be made in today’s climate – and believes that’s exactly how it should be.
Speaking to The Guardian, the 68-year-old filmmaker reflected on the 2008 film’s legacy with a mix of pride and realism, admitting that shifting cultural awareness around authorship and representation means such a project would no longer be viable.
“Yeah, we wouldn’t be able to make that now,” Boyle said. “And that’s how it should be.”
A film rooted in Mumbai, but still told from the outside
Slumdog Millionaire, a rags-to-riches drama set in Mumbai and starring Dev Patel, was celebrated for its energy and storytelling when it swept the 2009 Academy Awards. It was shot largely in Hindi, with a local crew, and Boyle made efforts to ground the production in Indian culture.
However, he now acknowledges that the method, however well-intentioned, was still that of an outsider looking in.
“We made the decision that only a handful of us would go to Mumbai,” he explained. “We’d work with a big Indian crew and try to make a film within the culture. But you’re still an outsider. It’s still a flawed method.”
Cultural appropriation and a changing lens
Asked if the production could be seen as a form of cultural colonialism, Boyle responded, “No, no. Well, only in the sense that everything is.” He clarified that what once felt radical at the time must now be viewed through a more critical lens, as conversations around cultural appropriation have grown louder in the years since.
“That kind of cultural appropriation might be sanctioned at certain times. But at other times it cannot be,” he said. “I’m proud of the film, but you wouldn’t even contemplate doing something like that today. It wouldn’t even get financed. Even if I was involved, I’d be looking for a young Indian film-maker to shoot it.”
A broader shift in who gets to tell the story
Boyle’s comments reflect a broader shift in the film industry, where the question of who gets to tell certain stories has become increasingly important. While Slumdog Millionaire was hailed at the time as a triumph of global cinema, some later critiques pointed to the way it framed poverty in India for Western audiences.
Rather than defending the film against such criticism, Boyle appears to welcome the fact that times have changed. His remarks suggest an understanding that what was once celebrated may now require re-examination, not out of shame, but out of progress.
“I’m proud of the film – but the world has moved on”
Boyle reiterated his personal connection to the film, but made it clear that he recognises how standards have shifted.
“I’m proud of the film,” he repeated, “but the world has moved on.”
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Ozzy Osbourne sells his own DNA in bizarre tea can stunt ahead of final gig
Ozzy Osbourne has found yet another way to shock the world, by selling his own DNA. In a bizarre but oddly fitting collaboration, the 76-year-old Black Sabbath legend partnered with beverage company Liquid Death to release a limited run of iced tea cans infused with traces of his saliva. Just ten of these collector's items, each personally sipped and signed by Osbourne, were produced and sold for £335 (₹35,000) apiece. Unsurprisingly, they have all been snapped up.
‘Clone me, you b**s’: Ozzy’s latest stunt sells out
The eccentric campaign, titled Infinite Ozzy, came with a promotional video showing the rock icon drinking from the cans before crushing and sealing them. The ad imagines a future where science and legal permissions allow fans to clone their very own Ozzy, whether to mow lawns, sing at birthday parties, or just cause general chaos.
“Introducing Infinitely Recyclable Ozzy,” the narrator declares, offering a can of low-calorie iced tea packed with B vitamins, Osbourne’s DNA, and his handwritten autograph. “There will never be another Ozzy Osbourne… unless you have his actual DNA.”
Responding to the quirky project, Osbourne quipped, “Clone me, you b****s!” And while there is no scientific guarantee attached, the gag has certainly drawn attention. The cans, which are sealed airtight to ‘preserve’ the DNA, sold out almost instantly. Fans may never actually clone Ozzy, but they now own a bizarre piece of rock history.
Drink from the Prince of Darkness: Ozzy Osbourne’s DNA iced tea cans sell out instantlyGetty Images
Final show, fresh energy: Ozzy prepares for farewell
The stunt arrives ahead of a major milestone, Ozzy’s upcoming farewell show Back to the Beginning, set for 5 July at Villa Park in Birmingham. The event will have, for the first time in two decades, all four original Black Sabbath members: Osbourne, Tony Iommi, Geezer Butler, and Bill Ward, take the stage together.
Despite battling Parkinson’s disease and enduring multiple surgeries, Osbourne insists he is giving it his all. “By hook or by crook, I’ll be there,” he said on his SiriusXM show Ozzy Speaks. Whether seated on a throne or rolling in on a cart, he is determined to make it happen.
The concert will also be streamed live, giving global fans one last chance to witness the Prince of Darkness in action.
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Simone Ashley appears without dialogue in Brad Pitt’s F1 after major cuts to her role
Simone Ashley, best known for her breakout role in Bridgerton, won’t have the screen time fans expected in Brad Pitt’s upcoming Formula 1 film F1. Despite being part of the film’s promotional buzz and having filmed scenes alongside the main cast, Ashley’s role was trimmed down to a blink-and-miss appearance with no dialogue.
Director Joseph Kosinski confirmed the change, stating that the edit came down to tough decisions made during the final cut. Speaking in an interview, he said, “Every movie has more content than it can use. We had to drop two or three storylines for pacing. Unfortunately, Simone’s was one of them.”
Director praises Ashley but fans question repeated sidelining of actors of colour
Kosinski was quick to express admiration for Ashley, calling her “an incredible talent, actress, and singer” and adding, “I’d love to work with her again.” Still, the move has reignited conversations around how actors of colour are often given prominent placement during production and marketing, only to be cut back when the film is finalised.
Ashley has not directly commented on the cut since previews began, but earlier this year, she acknowledged that her role was “very small.” She said, “I’m just grateful to be in that movie. I got to experience many Grands Prix. I don’t think I’ll ever do anything like that again.” She also shared that the filming process felt like live theatre, given how tight and chaotic the schedule was while shooting during actual races.
Director Joseph Kosinski says Ashley’s storyline was cut for pacing and time constraintsGetty Images
The incident has drawn comparisons to Filipino-Canadian actor Manny Jacinto’s reduced screen time in Top Gun: Maverick, also directed by Kosinski. Jacinto’s part was heavily promoted but eventually cut down to a wordless cameo. Critics have noted a troubling pattern where actors of colour are regularly used for marketing but sidelined in final edits.
While F1 continues to generate buzz ahead of its 27 June release, Ashley’s reduced role can be seen as emblematic of the industry’s ongoing issues with representation and why more inclusive stories need to come from within.
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Dua Lipa prepares to take over Wembley Stadium with back-to-back shows this weekend
Dua Lipa is heading home. For the first time in her career, the chart-topping pop star will headline Wembley Stadium in London this weekend, and fans are buzzing with anticipation. The two-night stop is part of her Radical Optimism world tour, which kicked off in Asia and will continue through the end of 2025. Here’s everything you need to know before heading to one of the capital’s biggest gigs this summer.
When, where, and what to expect from Dua’s Radical Optimism shows
Dua performs at Wembley Stadium on Friday, 20 June and Saturday, 21 June. Doors open at 5pm, support acts start from 6pm, and Dua is expected on stage by 8.15pm. Each show wraps up by 10.30pm.
The pop superstar is expected to perform a 22-track setlist, including hits like Levitating, Don’t Start Now, Dance the Night, and New Rules, alongside tracks from her latest album, Radical Optimism. Recent shows have also ended with a taped outro of Whitney Houston’s I Wanna Dance with Somebody, keeping the energy high as fans exit.
Support acts for both nights include Dove Cameron and Alessi Rose. However, there’s speculation that RAYE and Charli XCX might also make surprise appearances for Dua’s hometown concert.
For those interested in merch, you can shop at the stadium or drop by the official pop-up shop in Shoreditch from 19 to 22 June (11am–6pm).
Dua Lipa on stage performing hitsGetty Images
Tickets, banned items, and travel advice
Tickets are still available through resale platforms like Viagogo, StubHub, and Ticketmaster. Prices range from £55.20 (₹5,800) for resale general admission to £549 (₹57,600) for the official ‘Dua Lipa Gold’ hospitality package. Fans should be cautious, though, since resale tickets might not be valid if the original terms don’t allow transfer. Always check with the original ticket provider.
Wembley has a strict bag policy of only one bag per person, no larger than A4. Also banned are alcohol, large umbrellas, glass bottles, perfume, selfie sticks, and professional cameras. Security checks are mandatory at entry.
When it comes to travel, Wembley Stadium is served by three stations, including Wembley Park (Metropolitan and Jubilee lines), Wembley Stadium (Chiltern Railways), and Wembley Central (Overground and Bakerloo). Check TfL’s website for updates, especially for planned closures or delays over the weekend.
Whether you’re a long-time fan or just love a good stadium show, this is set to be a memorable event in London’s live music calendar.