Anisa Butt: Portraying a role that resonates with reality
The cool creative talks about her acting journey, timely new play and inspirations.
By Asjad NazirMay 24, 2024
ANISA BUTT has shown off her impressive range as a performer across theatre, film, TV and spoken word.
The versatile actress is looking forward to taking on the lead role in new theatre play Permission, which premieres at The Space Theatre in London next Tuesday (28). The feminist story of a Pakistani immigrant woman newly arrived in London and trying to navigate contrasting cultural worlds looks at what freedom really means.
Eastern Eye caught up with the cool creative to talk about her acting journey, timely new play and inspirations.
How do you reflect on your acting journey?
With a lot of gratitude but an eyes forward approach. I want to keep improving and challenging myself.
It’s always a rollercoaster in the entertainment industry. Sometimes one opportunity changes a life drastically. However, I think early on in my career, I was constantly hoping that it would mean the journey would get easier.
Tell us about that.
That one great opportunity would open all the other doors. I don’t think life is always likethat.
I often finish one project and then feel like I am back to hustling for the next one. I’ve learnt to enjoy this part of the work as well. To give myself fully to the work I am creating today and worry less about tomorrow.
This job rewards you but also challenges you in more ways than one. I guess I have learnt to love it despite the uncertainty. It would be lovely to constantly have a string of projects lined up, but it isn’t always the case.
How does theatre compare to film and TV?
There is something about the discipline of theatre. It’s very hands-on. There isn’t time for anyone to throw around any weight. Theatre also requires your whole self and body to be involved as well as your voice.
Not to say that film doesn’t, but film is often much more nuanced and technical. I have to say I love both equally. There is something magical about performing live and receiving that immediate audience feedback but also something about being on set that makes me feel at home.
Tell us about your new play.
It’s Hanna’s story of navigating being a south Asian woman today and the many demands of that. How much does culture define who we are? It’s about the decision to not trade authenticity for supposed freedom. The grass isn’t always greener.
I also feel Permission explores how women are subjected to needing to seek approval from others our entire lives, be it from family, friends, teachers, society and/or otherwise.
How would you describe Hanna?
Playful. Passionate. Caring.
What is your own favourite moment in the play?
The first scene between Hanna and her bestie Minza. I feel like it really encapsulates their relationship, comfort with each other and playfulness.
Who are you hoping this show connects with?
Hopefully everyone should resonate in some shape or form, but people who have experienced conflict with dual identity, from culture to work to family and women from any minority diaspora.
How do you feel ahead of the show premiering in London?
I’m so excited to see how audiences receive this. This play holds a special place in my heart, being the first one I have executive produced.
Do you get nervous before you go on stage?
Always. I feel like it’s good nerves. It just confirms that I deeply care about doing a great job. I think as creators, we all have an ingrained want to share our work and have people connect with it.
What inspires you?
Everything. People, experiences, music, feelings, film, art and books.
Why should we all come and watch your play, Permission? Because everyone at some point in their life has wanted to be somewhere else, thinking they will be happier. Sometimes we trick ourselves into thinking we can’t live our best life authentically, that we can’t make change where we are. However, what we are looking for is often inside us, and not outside. It’s not 10,000 miles away, but is on our doorstep.
We juggle so many roles in our lives and sometimes need to step back and evaluate which are the most important and integral to our being, and what is required of us to become the best version of ourselves; not just to ‘please’ other people or fulfil a role, but to be happy.
Permission will be staged at The Space Theatre, 269 Westferry Road, London E14 3RS, from next Tueday (28) until next Saturday (1). Instagram: @Permission_Play and www.space.org.uk
INDIAN cricket has signed Apollo Tyres as its new lead sponsor after fantasy sports platform Dream11 ended its contract following a government ban on online gambling.
The men's team travelled to the United Arab Emirates for the ongoing Asia Cup without a sponsor on their shirts after Dream11 exited the deal, which was worth about $44 million and was set to run until 2026.
The Board of Control for Cricket in India (BCCI) said the new contract with Apollo Tyres runs until March 2028. While the value was not disclosed, the board said it is higher than the previous deal.
"The new partnership, secured after a rigorous bidding process, represents a substantial increase in sponsorship value, signifying the immense and growing commercial appeal of Indian cricket," the BCCI said in a statement.
BCCI Secretary Devajit Saikia said, "We are excited about this being Apollo's first major sponsorship in India cricket, which speaks volumes about the sport's unparalleled reach and influence. This is more than a commercial agreement; it's a partnership between two institutions that have earned the trust and respect of millions."
Apollo Tyres Vice-Chairman and Managing Director Neeraj Kanwar said, "Cricket's unmatched popularity in India and worldwide makes it an honour for us to become the national team lead sponsor of Team India."
The Apollo Tyres logo will appear on the jerseys of the Indian men's and women's teams across all formats.
Last month, the Indian parliament passed a law banning online gambling. The government said gambling platforms had caused financial distress, addiction and even suicide, and were linked to fraud, money laundering and terrorism financing. Fantasy sports apps such as Dream11 continue to operate, though for prizes and not cash.
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Nvidia boss Jensen Huang has said he is “disappointed” following reports
China’s Cyberspace Administration has reportedly ordered tech firms to stop using Nvidia’s AI chips
Nvidia CEO Jensen Huang says he is “disappointed” but will remain “patient”
Huang is visiting the UK alongside other tech leaders during Donald Trump’s state visit
Nvidia became the world’s first $4tn company earlier in 2025 amid the AI boom
Huang responds to reported China directive
Nvidia boss Jensen Huang has said he is “disappointed” following reports that China has told its leading technology firms to halt purchases of the company’s artificial intelligence chips.
Speaking to reporters in the UK, Huang added that he would remain “patient” in light of the reported order from China’s internet regulator, the Cyberspace Administration. “There are a lot of places we can’t go to, and that’s fine,” he said.
Background to chip restrictions
Nvidia is the world’s leading chipmaker, central to the global AI boom with its processors powering data centres worldwide. China, meanwhile, has been working to develop its own semiconductors as part of a broader AI strategy to reduce reliance on US technology.
The company had already faced restrictions in China. Its most advanced chips were previously banned from sale to the country before US President Donald Trump reversed the decision in July. As part of an unusual arrangement, Nvidia must pay 15% of its Chinese revenues to the US government.
Financial Times report
According to the Financial Times, China’s Cyberspace Administration recently told domestic technology firms — including major players such as DeepSeek, Tencent and Alibaba — to stop buying Nvidia’s specially designed China-market chips.
Shares in Nvidia were down more than 1% in pre-market trading following the news.
Support for US policy
Asked about the geopolitical tensions, Huang said he would support the US as it sought to resolve the issues and would convey the same message directly to President Trump if asked.
Huang is one of several technology leaders, including Microsoft CEO Satya Nadella, attending Trump’s state visit to the UK. They are expected to join a state banquet on Wednesday evening.
UK investment and tech collaboration
Despite the reported setback in China, Nvidia has continued to expand its footprint elsewhere. The company recently announced it would supply chips to the Stargate UK data centre, a major project in north-east England involving OpenAI, Arm and NScale. The commitment forms part of a broader UK-US technology pact.
Valuation milestone
Nvidia became the first company in the world to surpass a $4tn (£2.9tn) market valuation earlier this year, underscoring its dominance in the AI sector even as geopolitical tensions shape its global reach.
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Tagenarine Chanderpaul. (Photo by PAT HOELSCHER/AFP via Getty Images)
BATSMEN Tagenarine Chanderpaul and Alick Athanaze were recalled to the West Indies ranks when they were named in the squad to tour India on Tuesday (16) while left-arm spinner Khary Pierre is included for the first time.
The two-Test series, with matches in Ahmedabad and Delhi, marks the West Indies' first tour to India since 2018 and forms part of the World Test Championship.
Neither Chanderpaul nor Athanaze were involved in the recent series against Australia but have been included to bolster the top-order batting.
"The return of Tagenarine Chanderpaul is to help transform our fortunes at the top of the order given the recent struggles, with Alick Athanaze being added for his strengths and qualities against spin bowling," said head coach Daren Sammy.
Pierre, meanwhile, has been included as the second specialist spinner in the squad after strong performances in the West Indies championship, where he claimed a chart-topping 41 wickets at an average of 13.56.
"Khary is included for the first time as our second spinner in what we expect to be helpful conditions," said Sammy.
Another left-arm spinner Gudakesh Motie, who has not figured since the second Test against Pakistan in Multan in January, has been rested for this red-ball series to focus on the upcoming limited-overs schedule which includes the T20 World Cup in February and March.
West Indies, who are ranked eighth in the Test rankings, face a stiff test against the fourth-ranked side who are always so strong on home soil.
"Playing in the subcontinent always presents a challenge and we have selected a team to be competitive in these conditions." said Sammy.
Spain leads a growing boycott movement, with Ireland, the Netherlands and Slovenia also refusing to participate if Israel competes.
The European Broadcasting Union (EBU) is in crisis talks, extending its decision deadline to December 2025.
The situation draws direct comparisons to Russia’s exclusion in 2022, creating a precedent the EBU must now navigate.
The core dilemma pits Eurovision’s non-political ideals against the stark reality of a humanitarian crisis.
The Eurovision Song Contest, that glitter-drenched annual spectacle of pop and unity, is staring into the abyss. The escalating call for a Eurovision boycott over Israel's participation, against the backdrop of the ongoing Gaza conflict, has put the organisers into their most severe political crisis yet. This isn't just about another song entry but a fundamental clash between the contest's cherished apolitical fantasy and the inescapable geopolitics of the real world, threatening to tear the competition apart from within.
Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement Instagram/eurovision
What is causing the Eurovision 2025–2026 crisis?
The main trigger is Israel’s ongoing military campaign in Gaza. Casualty figures reported by the Hamas-run Gaza Health Ministry exceed 64,000 Palestinians by September 2025, drawing international scrutiny. Several European countries argue that Israel’s presence in a major cultural event like Eurovision would appear to normalise the humanitarian crisis. On the other hand, Israel insists participation is purely cultural and unrelated to politics.
What countries are boycotting Eurovision over Israel?
So, which nations are taking this stance? The movement gained its most significant momentum with Spain's announcement. Its public broadcaster, RTVE, issued a decisive statement, confirming an overwhelming vote to withdraw. The organisation cited Israel's military actions in Gaza and stated it could not, in good conscience, "look the other way." This move is particularly consequential as Spain is one of the "Big Five" major financial contributors to the contest.
They were swiftly followed by Ireland’s RTÉ, which deemed participation "unconscionable" given the situation in Gaza. Public broadcasters in the Netherlands and Slovenia subsequently aligned with similar positions. Iceland's broadcaster has also indicated it is considering its position, formally "reserving the right" to withdraw. This is not a peripheral protest but a movement emerging from within the contest's core European membership, raising questions about which other countries may follow.
How is the EBU handling the Eurovision boycott calls?
The European Broadcasting Union faces an immense challenge. Its standard operating procedure of promoting unity through music appears insufficient for this geopolitical dilemma. The gravity of the situation can be seen in its unprecedented decision to delay the standard deadline for participation confirmations to mid-December 2025. This extension is dedicated to extensive consultation with all member unions in an effort to find a viable resolution that preserves the contest's integrity.
Concurrently, the EBU has been forced to publicly deny reports from Israeli media outlets suggesting it had advised Israel to withdraw voluntarily to avoid a "humiliating elimination," calling these claims false.
Is this Eurovision situation similar to Russia's exclusion?
This comparison forms the crux of the debate for many. The 2022 exclusion of Russia following its invasion of Ukraine established a clear precedent; the EBU justified its decision by stating Russia's participation would "bring the competition into disrepute."
Boycott advocates now argue that the same standard must be applied consistently, questioning why Israel's actions in Gaza do not merit an identical response. The EBU will likely attempt to differentiate the cases based on nuanced legalities of membership and the operational independence of the respective national broadcasters. However, in the court of public and political opinion, the perception of a double standard is a significant threat to the EBU's credibility.
What are the arguments for and against the boycott?
Proponents of the boycott base their position on principles of human rights and conscience. They stress the extensive civilian casualty figures reported by authorities in Gaza, alongside assessments from UN agencies, to argue that Israel’s inclusion on a cultural platform constitutes a form of normalisation of the ongoing conflict.
Conversely, opponents of a boycott contend that cultural events must remain separate from political disputes. They caution that excluding a nation’s artists could veer into prejudice and stress that the Israeli broadcaster, Kan, operates with editorial independence, unlike the state-controlled media of Russia. There is no clear, unambiguous resolution that will satisfy all parties.
What happens if Israel is allowed to compete in Eurovision 2026?
Should the EBU permit Israel's participation, an immediate and consequential withdrawal of several key members is all but certain. The loss of Spain, a major funder, would represent a serious financial and credibility blow. The subsequent absence of Ireland, the Netherlands, Slovenia, and potentially others would noticeably diminish the contest's scale and diversity.
Furthermore, the event itself would likely become a focal point for large-scale protests, potentially disrupting the broadcast and overshadowing the musical competition, further alienating segments of its global audience.
What happens if Israel is excluded from Eurovision?
An exclusion would trigger a different but equally severe crisis for the EBU. It would face vehement accusations of hypocrisy and double standards, particularly from Israel and its allies. The move could prompt legal challenges and potentially lead to Israel's permanent withdrawal from the union.
It would also establish a new and far-reaching precedent for excluding countries involved in international conflicts, fundamentally transforming Eurovision from an inclusive cultural space into an institution that makes overt political judgements.
The future is decidedly uncertain. The EBU is confronted with a dilemma where any decision carries significant negative consequences. The upcoming General Assembly in December is going to be a tense and potentially historic meeting. While some have speculated about a compromise, such as Israel participating under a neutral banner, the EBU has denied pursuing this option.
The underlying truth is that Eurovision has always been intertwined with politics, from historical participation under authoritarian regimes to contemporary voting blocs. The current crisis has simply stripped away the glittering façade, forcing a direct confrontation with this reality. The contest's future will depend on navigating a path that may not exist, balancing its ideals against an increasingly polarised world.